Tacita Dean: JG
10899 Wilshire Boulevard
Through January 26, 2014
JG, the latest work in film from British-born, Berlin-based artist Tacita Dean, is inspired by her correspondence with British author J.G. Ballard and the connections between his short story, “The Voice of Time,” and Robert Smithson’s landmark earthwork, Spiral Jetty.
This Sunday the Tribeca Grand Hotel will be hosting a screening of Andreas Dalsgaard’s documentary, The Human Scale. Sponsored by the Tribeca Trust, the film will be followed by commentary from architectural critic and author Michael Sorkin. The movie examines human happiness within the context of urban life and was screened in New York last year as part of the Architecture and Design Film Festival. Tickets for the event can be purchased here with all proceeds benefiting Tribeca Trust’s public space initiative.
Dante Ferretti: Design and Construction for the Cinema
Museum of Modern Art
The Roy and Niuta Titus Galleries and the Film Lobby
Dante Ferretti: Designing for the Big Screen
The Roy and Niuta Titus Theaters
Through February 9, 2014
When you enter the Film Entrance to the Museum of Modern Art at 11 West 53rd Street, you are greeted by two large lions. No, you are not 11 blocks south at the New York Public LIbrary, nor are you in Venice, Italy. You are entering the world of Dante Ferretti, the 70-year old multi–Academy Award–winning art director of films, opera, exhibitions, and even two New York City restaurants, Salumeria Rosi (design inspired by a scene in Federico Fellini’s Satyricon). Large, muscular, physically confident objects dot the floor—the clock-face from Hugo (Martin Scorsese, 2011), Art Deco chandeliers from Salò, or the 120 Days of Sodom (Pier Paolo Pasolini, 1975), and Arcimboldo figures comprised of vegetables, fruits and flowers (Milan World Expo, 2015). But these are actually lightweight, ephemeral objects made of fiberglass and not meant to last beyond the creation of the film or duration of the event. The clock and chandeliers were on the cusp of being tossed when curators Jytte Jensen and Ron Magliozzi salvaged them.
New York City
IFC Center and SVA Theater
This year the 4th DOC NYC documentary film festival boasts 132 films and events: 73 feature-length, 39 shorts, and 20 panels. Tucked into the schedule are films about architecture, design, and the arts amongst a wide array of subjectmatter. Only one, If You Build It, was also seen at the recent Architecture & Design Film Festival, so here’s your chance to view a new crop and to see the ones you’ve missed.
2013 Architecture & Design Film Festival
54 Varick Street
“Erecting a building is like making a movie….both processes involve blending light and movement into space and time. A model is like a script: at best it’s a promise and at worst it’s a safeguard. And, as with a script, a moment comes when you have to test your model against reality. You must start shooting the film, start erecting the building.”
—The Interior Passage
We can see these starts when the two art forms come together in the 4th annual Architecture & Design Film Festival at the Tribeca Cinemas where 25 films will be screened through October 20. This year, the trend is toward process films that chronicle movements and initiatives (planning, education, preservation), portraits of buildings more than individuals, and Modernism referenced even when it’s not the direct subject.
From October 16th through the 20th, Tribeca Cinemas will serve host to the Architecture & Design Film Festival, the country’s leading film festival for the architecture and design community. The festival will offer 25 film screenings, ranging in length from two to 95 minutes, each offering 15 distinct programs, in addition to panel discussions and book signings with internationally renowned designers and filmmakers. See the full schedule here and check out the full list of films with selected trailers below. Tickets go on sale October 1.
On Tuesday, Los Angeles County’s Board of Supervisors voted to approve Disney’s huge new TV and film production facility on the Golden Oak Ranch near Santa Clarita. The project is being master planned by LA-based firm, Johnson Fain, and the 58-acre “Studios at the Ranch” will include more than 500,000 square feet of studios, sound stages, offices, writers and producers “bungalows” and other developments.
This Saturday evening, July 20, EZUFF, the Elvis Zapp Urban Projection Project, a mini-film festival, will have its inaugural run at the Mayles Cinema in Harlem. Its goal is to explore “art and city public life” using short experimental film to “make a link between contemporary urban forms of expression/representation and the political imagination for the city of today. It is about oblique ways to dig into present day urban cultures and imagine alternatives for the cities of tomorrow.” EZUFF is masterminded by co-founders architect Andrew Macnair and multi-media artist and Mamoru Kobayakawa, along with Robert Bowen, Joke Post, David Kessler, and Kim Steele.
Hammer Projects: Dara Friedman
10899 Wilshire Blvd.
Through April 14
Miami-based artist Dara Friedman is known for her black and white films of dancers dancing through city streets. For her film Dancer (2011) she used a 16mm camera to examine urban space and individuals within these spaces, filming improvisational dancers in a variety of styles, from flamenco, to ballet, to belly and break dancing, and more. In her work, Friedman also investigates accepted concepts of performance-based art. Her grainy films sometimes capture the sounds of street traffic, and she sometimes dubs music that is not always in rhythm with the dancers’ movements. For her first exhibition in Los Angeles, Friedman has prepared an 8mm film that is a follow-up to Dancer.
Bringin’ it back to the old school, to the days of 3D online meet-up spots and avatars, when chat rooms were actual digitally-modelled rooms, “Breaking Out and Breaking In” was a “distributed film fest,” where users watched movies at home and came together in the comments section of BLDGBLOG to discuss the films. It was a blurring of the real and the digital. In partnership with Filmmaker magazine, the series focused on films which were either about bank heists (breaking in) or prison escapes (breaking out), positing them as “the use and misuse of space.” Films were watched during a period of four months, and the festival culminated with a panel discussion at Columbia’s GSAPP featuring two FBI agents alongside designers and critics.