Talking tall buildings in Shanghai

In September the Chicago-based Council on Tall Buildings and Urban Habitat (CTBUH) gathered high-minded designers, developers and engineers for a conference in Shanghai. CTBUH, which often partners with AN on conferences, including our own Facades+ events, invited me to serve as a special media correspondent for the conference, held September 16–19. I spent most of the time conducting video interviews with the symposium guests, which we’ll post here on the AN blog as they become available. For now, here’ a quick overview of the topics discussed.

Continue reading after the jump.

Such Great Heights: CTBUH names world’s best tall buildings

One Central Park (Richard Braddish)

One Central Park (Richard Braddish)

The Council on Tall Buildings and Urban Habitat, the nonprofit arbiter on tall building design, has named its 2014 picks for best tall buildings. Among the winners are a twisting tower in Dubai, Portland’s greenest retrofit, and a veritable jungle of a high-rise.

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Letter to the Editor> Improvising Modernism

300, 320, and 350 Park Avenue. (Courtesy WASA / STUDIO A)

300, 320, and 350 Park Avenue. (Courtesy WASA / STUDIO A)

[Editor's Note: The following are reader-submitted response to a back-page comment written by Pamela Jerome (“The Mid-Century Modernist Single-Glazed Curtain Wall Is an Endangered SpeciesAN 05_04.09.2014). Opinions expressed in letters to the editor do not necessarily reflect the opinions or sentiments of the newspaper. AN welcomes reader letters, which could appear in our regional print editions. To share your opinion, please email editor@archpaper.com]

Pamela Jerome’s thoughtful comment on mid-century modernist curtain walls raises a number of important issues that deserve further study.

Having successfully redeveloped two major twentieth century commercial buildings, I believe that those buildings are probably the least understood in all of preservation theory. They were built by unsentimental men in pursuit of trade, commerce, and wealth. There was never a moment’s hesitation to alter them time and again as tastes changed, neighborhoods evolved, and tenants came and went. Those commercial cultural issues are just as important as the aesthetic issues inevitably associated with any building, and they are very hard to reconcile.

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Broad Collection Sues Seele over Problematic Los Angeles Museum Facade

Mockup of The Broad's GFRC panels (Matt Construction)

Mockup of The Broad’s GFRC panels. (Courtesy Matt Construction)

In a recent interview, Diller Scofidio + Renfro Senior Associate Kevin Rice told AN that the “veil” at Los Angeles’ Broad Museum—a facade made of hundreds of molded Glass Fiber Reinforced Concrete (GFRC) panels, had been delayed by over a year. “Some of the things took longer to make than they thought, but there aren’t really problems with it,” Rice said.

But now it looks like the issues with the museum’s facade are more severe than initially thought.

Continue reading after the jump.

Jamie Carpenter Dresses up Dallas’ Cotton Bowl in Disco Fashion

Southwest
Tuesday, May 20, 2014
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(Courtesy Jamie Carpenter Design Associates)

Jamie Carpenter, the world-renowned architect who has left his mark on projects like New York City’s Millennium Tower, Brooklyn Bridge Park, and others, recently revealed his latest work, Light Veil, at Dallas’ Cotton Bowl Stadium. The Cotton Bowl Public Art Project, a $25.5 million endeavor aimed at revamping the stadium, included a contest that Carpenter won out for equipping the stadium with a new facade.

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Skyscraper Expert Gordon Gill Talks High-Performance Facades

Facade detail of Adrian Smith + Gordon Gill Architecture's Wuhan Greenland Center in Wuhan, China. (Courtesy Adrian Smith + Gordon Gill Architecture)

Facade detail of Adrian Smith + Gordon Gill Architecture’s Wuhan Greenland Center in Wuhan, China. (Courtesy Adrian Smith + Gordon Gill Architecture)

Architect Gordon Gill has one simple rule for facade design: seek performance first, and beauty will follow. Gill, who will give the opening keynote address at next month’s facades+PERFORMANCE conference in New York, is a founding partner at Adrian Smith + Gordon Gill Architecture, a firm known for pushing the boundaries of what architecture is and does. Gill and his team start by “establishing a language of architecture that’s based in the performance of a building,” he said. “We’re trying to understand the role of the building in the environment it’s being built in, then shape the building in order to benefit it the best way. Once we take that approach, the facades play a pretty rich role in either absorbing or reflecting the environment.”

More after the jump.

Product> Master Glass Solutions for Interiors and Facades

Product
Friday, January 17, 2014
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3form-strand-iron-Master-Glass-archpaper

Strand by 3form

As the buzzword “transparency” gains greater meaning in product specification, glass is an energy-saving, sustainable, and aesthetically pleasing option.

Strand
3form
3form’s Pressed Glass is newly available in the Strand pattern (above), a compressed interlayer of fine gauge threads in three monochromatic colorways. It can be further customized through color matching, etching, and fritting options. Available in widths as large as 
48 inches and lengths of 120 inches, it can be specified in either a 5/16-inch or 1 5/16-inch gauge thickness. Its inherent strength meets ANSI Z97.1 standards.

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Bing Thom Architects Takes the Stage in Washington, D.C.

Envelope
Wednesday, January 15, 2014
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Brought to you with support from:
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Bing Thom Architects designed a 650-foot long timber-backed glass curtain wall to envelope three theaters. (Nic Lehoux/courtesy Bing Thom Architects)

Bing Thom Architects designed a 650-foot long timber-backed glass curtain wall to envelope three theaters. (Nic Lehoux)

A timber-backed glass facade provides transparency, acoustical isolation, and resiliency for a historic theater complex in the nation’s capital.

When the Mead Center for Performing Arts in Washington D.C. hired Vancouver-based Bing Thom Architects to double the institution’s square footage without disturbing two historic theaters designed by treasured architect Harry Weese, it was clear to firm principal Michael Heeney that standard solutions would not suffice. For one, the theater facilities were insufficient and outdated. More troublesome, however, was the fact that passenger jet liners taking off and landing at Regan National Airport across the Potomac River were so loud they were interrupting performances. The architects had to find a solution to mitigate this cacophony both for the existing structures as well as for the expansion—a new theater called Arena Stage.

“We had to achieve acoustical separation and isolation from exterior noise in a way that was respectful and maintained the integrity of the original structures,” Heeney told AN. Building off an approach that originated from a project in Surrey, British Columbia, the design team decided to wrap the triangular-shaped complex in glass with timber column supports, topped off with a 500-foot cantilevered roof. With the help of structural engineers at Fast + Epp and facade consultancy Heintges, the team extrapolated the Surrey solution to provide even greater transparency for the existing Weese theaters, Arena Stage, and a variety of mixed use spaces totaling 200,000 square feet. Read More

LSU’s Building Design Renaissance

Architecture, Envelope, Southwest
Wednesday, January 8, 2014
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Viracon manufactured a custom double-pane insulated glass unit ceramic fritting and one-way mirroring. (Brad Feinknopf/Feinknopf)

Viracon manufactured a custom double-pane insulated glass unit ceramic fritting and one-way mirroring. (Brad Feinknopf/Feinknopf)

ikon.5 Architects designs a reflective, fritted facade in the visual tradition of the campus’ original craftsmanship.

In the wake of Hurricane Katrina, New Jersey–based ikon.5 Architects had an opportunity to reinvent the image of Lousiana State University’s E.J. Ourso College of Business. The original campus, designed in 1928 by the Olmsted Group, was planned as an Italian Renaissance village, which functioned as the economic engine of Louisiana and the Gulf of Mexico region for nearly 75 years. ikon.5 and local firm Coleman Partners Architects, used the circumstances of Katrina’s aftermath to give the business school a progressive image, while staying true to the University’s prescriptive aesthetic guidelines.

Maintaining the classical layout of the main square—head houses at either end with smaller classrooms lining an expanse of lawn—the design committee made several concessions in the 2012 update. In the past, guidelines dictated that all buildings feature the original craftsmen’s stucco formula, which was made from crushed white pebbles and seashells. But for the 21st century, LSU’s Design Committee decided that updating materiality would be a forward-thinking representation of the school’s influence and thus approved a new glass skin for the business school’s graduate and undergraduate classroom buildings. Read More

Facades+PERFORMANCE> Enroll and Learn About Performance Patterning & Envelope Design

Midwest, National
Thursday, October 17, 2013
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(FACADES PERFORMANCE CHICAGO / COURTESY FACADES PLUS)

To kick off AN and Enclos premiere conference, Facades + PERFORMANCE Chicago, Ronnie Parsons of Mode Lab will lead a technology workshop revolving around the concepts and mechanisms for creating performance-based parametric envelope systems using Grasshopper for Rhino5. Parsons is the founding partner of Mode Lab, a design consultancy focused on the development of products and environments for institutional and private clients.

The class will cover the skills necessary for architects and designers to work with the latest analysis technologies that are transforming the ways in which they perform in their professional practice. Workshop attendees will acquire knowledge about parametric design within the building industry, will learn about concept development using parametric tools, and will be taught about the use of data as design parameter.

Upon completion of the class, participants will receive a complimentary one-month subscription of Mode Lab. Don’t miss your chance to attend the numerous workshops, panels, and symposia hosted by Facades + Technology Workshops in Chicago. Enroll now!

Chris O’Hara to Deliver Dynamic Facades at Facades+ PERFORMANCE

Midwest, National
Monday, September 23, 2013
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Studio NYL and Rojkind Arquitectos produced the dynamic stainless-steel facade of the Liverpool Flagship Store in Mexico City (Courtesy Studio NYL)

Studio NYL and Rojkind Arquitectos produced the dynamic stainless-steel facade of the Liverpool Flagship Store in Mexico City (Courtesy Studio NYL)

With only one month remaining before Facades+ PERFORMANCE opens in Chicago, our exciting lineup of the industry’s leading innovators is gearing up for an electrifying array of symposia, panels, and workshops. Be there for this groundbreaking, two-day convergence of design and construction professionals, presented by AN and Enclos, coming to Chicago, October 24-25th.

Join Chris O’Hara, founding Principal of Boulder-based Studio NYL, for his day-one symposium, “Ludicrous Speed: the Design and Delivery of Non-traditional Facades on a Fast Track,” and learn first-hand from the experts the technologies and fabrication techniques that are revolutionizing the next generation of high performance facades. Register today to redefine performance for 21st century architecture, only at Facades+ PERFORMANCE.

More information after the jump.

Facades+ Headliners Usher in The Future of Performance

National
Friday, September 20, 2013
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High Park in Montery, Mexico by Rojkind Arquitectos (courtesy Rojkind Arquitectos)

High Park in Montery, Mexico by Rojkind Arquitectos (courtesy Rojkind Arquitectos)

There’s a lot to be excited about in the jam-packed schedule of intimate dialog and tech workshops on day two of AN and Enclos’ upcoming Facades+ PERFORMANCE conference. But don’t forget about the exciting keynote-speakers headlining day one! Industry leaders Stefan Behnisch of Benisch Architekten and Gerardo Salinas of Rojkind Arquitectos will set the tone as they discuss the effects of emerging design, fabrication, and construction techniques on building facades in our current technological, environmental, and economic landscape. Leading innovators from across the AEC industry will be on-hand to redefine sustainable facade performance, so don’t miss this rare opportunity. Register now and mark it down on your calendar: Facades+ PERFORMANCE, October 24th-25th at the Illinois Institute of Technology’s Main Campus in Chicago.

Continue reading after the jump.

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