Folk Art Facade to be Preserved, Though Likely Not on 53rd Street

East, Newsletter
Wednesday, February 12, 2014
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The white bronze facade of the American Folk Art Museum. (Dan Nguyen / Flickr)

The white bronze facade of the American Folk Art Museum. (Dan Nguyen / Flickr)

The New York Times is reporting that MoMA has decided to disassemble the white bronze facade of the American Folk Art Museum building, designed by Tod Williams and Billie Tsien. A controversial expansion plan, by Diller Scofidio + Renfro, calls for the demolition of the building to make way for a new “art bay” and circulation to new galleries in an adjacent tower designed by Jean Nouvel.

Continue reading after the jump.

Archtober Building of the Day #6: Hearst Tower

East
Thursday, October 6, 2011
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The Hearst Tower. (Mike Dunn / Flickr)

The Hearst Tower. (Mike Dunn / Flickr)

Hearst Tower
959 8th Avenue
New York, NY

As written in the AIANY Design Awards issue of Oculus, Summer 2007:

With its efficient use of resources, abundant natural daylight and fresh air, and modern technologies, this 856,000-square-foot building designed by Foster + Partners and completed in 2006 is the first in New York City to receive a LEED Gold rating for its core, shell, and interiors. Most notably, it was constructed using more than 80% recycled steel. The diagrid framing uses 20% less steel than conventionally framed towers, and it was designed to consume 25% less energy than most Manhattan towers.

Continue reading after the jump.

Hyatt Takes It Higher in Union Square

East
Friday, February 4, 2011
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The new hotel at the corner of 13th Street and 4th Ave will be run by Hyatt.

Gene Kaufman is putting the finishing touches on designs for the new Hyatt Hotel intended for the southwest corner of 13th Street and Fourth Avenue. Though its interior will be gutted, a century old limestone face will remain to sheath a two-story atrium/lobby. Just behind the facade the building sets back to form a large terrace holding a hydroponic bamboo garden, then continues to climb another eleven stories.

But what does Kaufman and the neighborhood say about preservation?

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