Los Angeles County Museum of Art
Through October 31
Best known for directing films like The Nightmare Before Christmas, Edward Scissorhands, Batman Returns, and Beetle Juice, Tim Burton and his work as an illustrator, writer, and artist are being honored with a retrospective at the Los Angeles County Museum of Art. This new show celebrates the way that Burton has managed to put his own spin on movies in an industry known for its fear of the unknown. With over 700 items on display, including drawings, paintings, photographs, film and video works, storyboards, puppets, concept artworks, maquettes, costumes, and assorted cinematic ephemera, visitors get a glimpse into the mind of this modern day Renaissance man.
Though the show debuted on the east coast at New York’s Museum of Modern Art, the LACMA version of the show, organized by Britt Salvesen, offers its own take on the Burbank native’s body of work. Burton collaborated with the exhibition designers to transform the museum’s Resnick Pavilion into an appropriately “Burtonesque” environment. He also created several new pieces for the exhibition, including what the museum describes as a “revolving multimedia, black-light carousel installation that hangs from the ceiling.”
Seemingly sliced into the asphalt of a Brooklyn street beneath the Manhattan Bridge is an unexpected glass-filled “tattoo” designed by landscape architect Paula Meijerink, founder of Boston-based WANTED Landscape. Meijerink is among eight landscape architects featured in Material Landscapes, a recently opened exhibition at the Sheldon Art Galleries in St. Louis running through January 21st, 2012. Work from the eight firms including D.I.R.T studio, dlandstudio, Stoss Landscape Urbanism, Legge Lewis Legge, PEG office, Kaseman Beckman Advanced Strategies, and ESKYIU is presented in photographs and drawings.
Curator Liane Hancock, senior lecturer at Washington University in St. Louis, chose projects ranging from a vertical container garden in Hong Kong to a waterfront in Milwaukee to reflect innovative use of materials in landscape architecture and to advance landscape design in St. Louis in light of major projects such as Citygarden and the redevelopment of the St. Louis Arch grounds.
Many have lamented the disappearance of so many architecture book stores in recent years, chief among them the much-missed Prarie Avenue Books in Chicago. The Graham Foundation is doing their part to begin to fill that void by selling a selection of books at their stately home, the Madlener house.
Tonight, the Foundation is hosting a holiday party and book store launch, from 5-8pm. The delightful exhibition, Las Vegas Studio: Images from the Archives of Robert Venturi and Denise Scott-Brown, is also on view. Stop by and stock up. The Graham Foundation, 4 West Burton Place, Chicago.
While it’s doubtful anyone would think of Ireland as a design powerhouse, a new show at the American Irish Historical Society on New York’s Upper East Side suggests the Emerald Isle deserves a second look. Curated by Brian Kennedy, the show includes furniture, ceramics, accessories, jewelery, a wall installation, as well as some models and sketches, and is an engaging crash course in Ireland’s emerging design scene. While there’s no one overriding style, an interest in organic shapes and natural materials is common in much of the work. Read More
I don’t know what y’all are doing on May 6 to 8, but if landscape design tickles your pickle then you might want to hightail it down to the Lone Star State. The Cultural Landscape Foundation has partnered with Preservation Dallas and Historic Fort Worth to bring us Landscapes For Living: Post War Years In Texas, a symposium on modern landscape architecture in Texas at the Dallas Museum of Fine Art. Read More
Winter makes Chicagoans crave a sense of escape. An intriguing new exhibition of Maya Lin’s work at the Arts Club of Chicago provides a timely opportunity to visit, visually at least, some fascinating terrain. With its small and large-scale sculpture and installations, viewers can travel from mountain peaks to the bottom of the sea. Read More
Increasingly becoming home to Boston’s architectural community, pinkcomma gallery opened its third Fall season on with two exhibitions: Heroic and Publishing Practices. Heroic takes a closer look at the material that re-shaped Boston, concrete, and the idealistic architects that used it from 1957-1976. The exhibit consists of a selection of local concrete buildings intertwined with essays by some of the architects who built them, material experts, historians, and voices from a new architectural generation who seek to put this work in context. Heroic, however, boasts a larger and weighty agenda: to educate the public at large on the innovations and ideals of Boston’s concrete architectural legacy to save endangered buildings.
Yesterday, we posted the feature from our current California issue, “On Their Mark,” about a new show at the Museum of Contemporary Art San Diego highlighting seven local firms. While sending over the pictures of the exhibition, Mix: Nine San Diego Architects and Designers, that went into our slideshow, the fine folks at MCASD also sent along these nice photos from the opening party, which were taken by Lauren Radack. In case, like us, you couldn’t make it. (And if you know anyone in these photos we may not have mentioned, do tell). Read More
It’s hard to imagine an industry by which humans could have changed the natural landscape more so than through the business of getting crude out of the ground, refining it, and shipping it around the globe. Which makes the oil industry a perfect subject for the Center for Land Use Interpretation (CLUI), a Culver City, California-based research organization that conducts studies into the nature and extent of human interaction with the earth’s surface. And where better to examine what oil hath wrought than in Texas? Beginning on January 16th and running through March 29th, the CLUI will exhibit just what it has learned in the Lone Star State with Texas Oil: Landscape of an Industry at the Blaffer Gallery, The Art Museum of the University of Houston. Read More