For a long time in the West there has been a common misgiving that aid is about patronage. The Cooper Hewitt’s latest exhibition, Design with the Other 90% : Cities, which opened this weekend at the United Nations Visitor’s Center, rebukes this notion by spotlighting communities in the southern hemisphere who are taking the initiative, harnessing local resources to solve their own problems. In the show, designers and architects are tapping into existing currents of change.
Ceci n’est pas une reverie:
The Architecture of Stanley Tigerman
Yale School of Architecture
180 York Street
New Haven, CT
Through November 4
The exhibition Ceci n’est pas une reverie (“This is not a dream”) celebrates the work of architect Stanley Tigerman. Curated by Yale School of Architecture Associate Professor Emmanuel Petit, this retrospective tells the story of Tigerman’s professional career, beginning with his years at Yale as an undergraduate and then a graduate student in architecture. Organized around several motifs—utopia, allegory, death, humor, and division—the exhibition includes models and objects, documents, cartoons, sketches, and drawings, like an axonometric of formica, above. Video material from lectures and interviews also capture Tigerman’s eclectic style as it has evolved over the past 50 years, encompassing his early work at the Chicago-based firm Tigerman McCurry Architects and his return to Yale as a visiting professor. Ceci n’est pas une reverie will coincide with the publication of Tigerman’s collected writings, 1964-2011 Schlepping Through Ambivalence, Essays on an American Architectural Condition, and his autobiography Designing Bridges to Burn as well as a series of lectures at the Yale School of Architecture.
Last night, the AIA SF launched a new exhibition, Architecture of Consequence: San Francisco, kicking off a whole slew of events in its annual Architecture in the City Festival, the country’s biggest such celebration of the built environment. The exhibit explores important social needs that architects can address and features the work of four San Francisco firms—Iwamoto Scott Architecture, Fletcher Studio, SOM, and Envelope A+D—side-by-side with four Dutch firms—Van Bergen Kolpa Architecten, 2012 Architecten, ZUS (Zones Humaines Sensibles), and OMA.
Los Angeles County Museum of Art
Through October 31
Best known for directing films like The Nightmare Before Christmas, Edward Scissorhands, Batman Returns, and Beetle Juice, Tim Burton and his work as an illustrator, writer, and artist are being honored with a retrospective at the Los Angeles County Museum of Art. This new show celebrates the way that Burton has managed to put his own spin on movies in an industry known for its fear of the unknown. With over 700 items on display, including drawings, paintings, photographs, film and video works, storyboards, puppets, concept artworks, maquettes, costumes, and assorted cinematic ephemera, visitors get a glimpse into the mind of this modern day Renaissance man.
Though the show debuted on the east coast at New York’s Museum of Modern Art, the LACMA version of the show, organized by Britt Salvesen, offers its own take on the Burbank native’s body of work. Burton collaborated with the exhibition designers to transform the museum’s Resnick Pavilion into an appropriately “Burtonesque” environment. He also created several new pieces for the exhibition, including what the museum describes as a “revolving multimedia, black-light carousel installation that hangs from the ceiling.”
Seemingly sliced into the asphalt of a Brooklyn street beneath the Manhattan Bridge is an unexpected glass-filled “tattoo” designed by landscape architect Paula Meijerink, founder of Boston-based WANTED Landscape. Meijerink is among eight landscape architects featured in Material Landscapes, a recently opened exhibition at the Sheldon Art Galleries in St. Louis running through January 21st, 2012. Work from the eight firms including D.I.R.T studio, dlandstudio, Stoss Landscape Urbanism, Legge Lewis Legge, PEG office, Kaseman Beckman Advanced Strategies, and ESKYIU is presented in photographs and drawings.
Curator Liane Hancock, senior lecturer at Washington University in St. Louis, chose projects ranging from a vertical container garden in Hong Kong to a waterfront in Milwaukee to reflect innovative use of materials in landscape architecture and to advance landscape design in St. Louis in light of major projects such as Citygarden and the redevelopment of the St. Louis Arch grounds.
Many have lamented the disappearance of so many architecture book stores in recent years, chief among them the much-missed Prarie Avenue Books in Chicago. The Graham Foundation is doing their part to begin to fill that void by selling a selection of books at their stately home, the Madlener house.
Tonight, the Foundation is hosting a holiday party and book store launch, from 5-8pm. The delightful exhibition, Las Vegas Studio: Images from the Archives of Robert Venturi and Denise Scott-Brown, is also on view. Stop by and stock up. The Graham Foundation, 4 West Burton Place, Chicago.
While it’s doubtful anyone would think of Ireland as a design powerhouse, a new show at the American Irish Historical Society on New York’s Upper East Side suggests the Emerald Isle deserves a second look. Curated by Brian Kennedy, the show includes furniture, ceramics, accessories, jewelery, a wall installation, as well as some models and sketches, and is an engaging crash course in Ireland’s emerging design scene. While there’s no one overriding style, an interest in organic shapes and natural materials is common in much of the work. Read More
I don’t know what y’all are doing on May 6 to 8, but if landscape design tickles your pickle then you might want to hightail it down to the Lone Star State. The Cultural Landscape Foundation has partnered with Preservation Dallas and Historic Fort Worth to bring us Landscapes For Living: Post War Years In Texas, a symposium on modern landscape architecture in Texas at the Dallas Museum of Fine Art. Read More
Winter makes Chicagoans crave a sense of escape. An intriguing new exhibition of Maya Lin’s work at the Arts Club of Chicago provides a timely opportunity to visit, visually at least, some fascinating terrain. With its small and large-scale sculpture and installations, viewers can travel from mountain peaks to the bottom of the sea. Read More
Increasingly becoming home to Boston’s architectural community, pinkcomma gallery opened its third Fall season on with two exhibitions: Heroic and Publishing Practices. Heroic takes a closer look at the material that re-shaped Boston, concrete, and the idealistic architects that used it from 1957-1976. The exhibit consists of a selection of local concrete buildings intertwined with essays by some of the architects who built them, material experts, historians, and voices from a new architectural generation who seek to put this work in context. Heroic, however, boasts a larger and weighty agenda: to educate the public at large on the innovations and ideals of Boston’s concrete architectural legacy to save endangered buildings.