The Museum of the City of New York presents A Beautiful Way to Go: New York’s Green-Wood Cemetery, a new exhibition that examines the Brooklyn cemetery’s astonishing 175-year history, on view from May 15 to October 13. As a National Historic Landmark that predates both of Olmsted’s Central Park and Prospect Park, the cemetery grounds cover a vital 19th-century American public green space and remain a critical site in New York’s architectural history.
The gentle drumming sound of rainfall is one that many of us find soothing, but it is a natural phenomena that we can only experience at a safe distance without suffering the consequence of being drenched. With their one-of-a-kind installation, Rain Room, the designers at rAndom international made what you thought was impossible possible—presenting anyone who is curious for a new sensation with the opportunity to fully experience standing unprotected in the rain without ever getting wet.
Lightfair International held its 2013 edition at Philadelphia’s Pennsylvania Convention Center from April 21–25. More than 500 exhibitors, including 80-plus first-timers, filled over 200,000 square feet of exhibition space with the latest lighting technologies, from solar fittings to roadway fixtures, and rounded out a robust conference program with ample networking opportunities. Following are a handful of standout products from Lightfair’s exhibitors.
Designed for corporate and hospitality settings, the wall mounted Fino produces indirect light for washing floors or ceilings. Aluminum construction with an extruded latching system was designed to be set within sheet rock for hairline seams. Once installed, light from a replaceable LED board bounces off an internal reflector to produce a soft, even glow. Fino is available in increments of 6-inch lengths.
The Art Newspaper is out with its latest listing of top exhibitions and museum attendance for 2012 and in the category “Architecture and Design” there are some surprises. MoMA, the first museum in the world to have an architecture department, has led this category for many years and in 2011 as usual had the top three architecture and design exhibitions in the survey. But for 2012 St. Petersburg’s Hermitage Museum’s first show dedicated to a living architect, Santiago Calatrava: The Quest For Movement, broke MoMA’s monopoly of the category and became the most popular exhibit in the world.
What do you do if a building is slated for demolition? If you’re the artist Doug Aitken and the building is your gallery, you devise a “time-based destruction installation.” Which is precisely what Aitken, who is known for wrapping the facade of the Hirschhorn Museum in with a 360-degree video installation to the tune of “I Only Have Eyes For You,” installing a video “land art” installation on the Seattle Art Museum, and the video “Sleepwalkers” projected on the facades of MoMA, “a cinematic art experience that directly integrates with the architectural fabric of the city while simultaneously enhancing and challenging viewers’ perceptions of public space” did.
Dialogues, the series of conversations between architects and artists that took place at the MAK Center in Los Angeles over the last couple of months, is finishing up tonight with an exhibit of the designers’ work. The show features drawings, images, and models from a serious lineup at For Your Art on Wilshire Boulevard. Contributors include: Doug Aitken, Barbara Bestor, Escher Gunewardena, Fritz Haeg, Jorge Pardo, Linda Taalman, Xavier Veilhan, Pae White, Peter Zellner, and many many more. The show will be up until April 16.
Lessons From Modernism is the smartest and most compelling exhibition ever mounted in New York (and maybe anywhere) on the influence of nature and the environment in architectural design. This Cooper Union exhibition looks at and analyzes 25 iconic modern buildings from architects like Le Corbusier, Paul Rudolph, Jean Prouvé, and Oscar Niemeyer. Conceived and curated by Cooper Union Professor Kevin Bone, Lessons From Modernism brilliantly demonstrates how these and other important modern architects integrated environmental concerns into their designs and “explores the extent to which these practices have produced environmentally performative and distinctive architecture.”
Think you could live in just 325 square feet? While Manhattan is already famous for its cramped quarters, micro-apartments are poised to take space efficiency to the next level with Murphy beds lurking behind sofas and roll-away walls concealing closets. You’ll have a chance to test drive one of the tiny abodes at a new exhibition, Making Room: New Models for Housing New Yorkers, organized by the Museum of the City of New York and the Citizens Housing & Planning Council.
Edgeless School: Design for Learning
Center for Architecture
536 LaGuardia Place
Through January 19, 2013
Edgeless School investigates how technology is changing education and how architecture itself is changing as a result. The exhibition takes a look at 19 newly completed schools throughout the country (eight are in New York City and the majority of the rest are in the Pacific Northwest) and sorts them by their degree of “edgelessness.” The Ethical Culture Fieldston Middle School in the Bronx, for example, softens the distinction between the built environment and nature by embracing outdoor space and using a connection with nature as an educational tool. The L.B. Landry High School in New Orleans, LA, on the other hand, blurs conventional distinctions between constituencies by encouraging students, educators, parents, and architects to work together to create a building that is designed to further the school’s pedagogical goals.
Just weeks after architect Lebbeus Woods’ death at age 72, SFMOMA is getting the word out about a new exhibition of his work that will run from February 16th through June 2nd, 2013. The show, entitled Lebbeus Woods, Architect, will feature 75 pieces from the eccentric designer’s portfolio—most of them mutating forms in pencil— including Nine Reconstructed Boxes (1999) and High Houses (1996), which are currently in the SFMOMA collection. From SFMOMA’s exhibition description:
Acknowledging the parallels between society’s physical and psychological constructions, architect Lebbeus Woods (1940 – 2012) depicted a career-long narrative of how these constructions transform our being. Working mostly with pencil on paper, Woods created an oeuvre of complex worlds—at times abstract and at times explicit—that present shifts, cycles, and repetitions within the built environment. His timeless architecture is not in a particular style or in response to a singular moment in the field; rather, it offers an opportunity to consider how built forms are transformative for the individual and the collective, and how one person contributes to the development and mutation of the built world.
See more images from the museum’s impressive Woods’ collection below.
Design studio Diller Scofidio+Renfro (DS+R) has certainly had a very good week. As we noted yesterday, the firm’s designs for the Columbia University Medical and Graduate Education Building in Washington Heights have just been released, and now today, the Cooper-Hewitt National Design Museum has announced that DS+R will be working with museum staff on the redesign of the museum’s exhibition spaces that are currently under renovation on Manhattan’s Upper East Side.