Ebert Gives Modernism Two Thumbs Down

Ebert admits to loving the original University of Chicago campus, though hating its modern additions, such as Saarinen's Law School. (Courtesy UChicago)

Ebert.
Everyone may be a critic, but none moreso than Roger Ebert. While film has long been the Chicagoan’s preferred medium, he has increasingly cast his eyes and pen elsewhere on his Sun-Times blog (begun after a bout of thyroid cancer). Yesterday, he fixed his attention—and mostly scorn—on modern architecture. It’s a highly opinionated piece, one in which Ebert openly admits his increasingly “reactionary” preferences:
It was not always so. My first girlfriend when I moved to Chicago was Tal Gilat, an architect from Israel. She was an admirer of Mies. Together we explored his campus of the Illinois Institute of Technology. She showed me his four adjacent apartment buildings on Lake Shore Drive and said they looked as new today as when they were built. It is now 40 years later, and they still look that new. Then I was impressed. Now I think of it as the problem. They will never grow old. They will never speak of history. No naive eye will look at them and think they represent the past. They seem helplessly captive of the present.
James Gardner Goes Gaga for Central Park Kiosk

The "drably mansarded structure in red brick" during its previous life as a mere concession stand. (Courtesy NYMag.com)
As editors ourselves, we know writers don’t usually write the headlines. Still, we were struck by one atop a recent review by our friend and sometimes contributor James Gardner in The Real Deal, which declared, “Central Park’s Le Pain Quotidien ranks as one of the best things about New York City.” You don’t say. And yet, for all the hyperbole, the guy’s got a point: Read More
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