Celebrate Earth Day With a “Neutra Run-Walk” in Silver Lake

West
Wednesday, April 4, 2012
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Silver Lake Reservoir, home of the Neutra Run-Walk for Health.

Silver Lake Reservoir, home of the Neutra Run-Walk for Health.

Architecture lovers, time to get motivated. This Earth Day (April 22) you can celebrate Richard Neutra’s 120th birthday by participating in the Neutra Run-Walk for Health, a 4k or 8k jaunt around LA’s Silver Lake Reservoir. “Neutra always stood for health, so it made sense to host this event,” said Dion Neutra, son of the famous architect. Neutra says he hopes the walk will become an annual event for the Neutra Institute.

Continue reading after the jump.

Channeling Mumford.  NYC DOT Commissioner Janette Sadik-Khan lauds Grand Army Plaza. (Branden Klayko) DOT Commissioner Janette Sadik-Khan has been invited to deliver the prestigious 2012 Lewis Mumford Lecture on Urbanism at the Spitzer School of Architecture at City College on April 5. The lecture will be held in the freshly restored Shepard Hall.  

 

IESNYC Student Lighting Competition

Dean's List, East
Monday, March 5, 2012
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2012 IES Student Competition. (Naomi Castillo)

2012 IES Student Competition. (Naomi Castillo)

The 12th annual IESNYC Student Lighting Competition, “Fraction/Refraction”, was held Wednesday night at the appropriately well-lit Helen Mills Event Space in Chelsea.  The competition was open to all interested students in New York City and included entries from designers at Pratt Institute, Parsons/New School, Fashion Institute of Technology, Fordham, and New York School of Interior Design.  Over 100 entries created a luminous one-night exhibition of over 100 light-sourced objects, each with a different take on this year’s theme of  “how light plays with textures, flows through materials and creates layers of contrast.”
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Open House New York Offering Tours of Architect’s Offices

East
Wednesday, February 15, 2012
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District Under the Manhattan Bridge Overpass. (D-W-/Flickr)

District Under the Manhattan Bridge Overpass. (D-W-/Flickr)

Tour New York’s design hot spots! Open House New York (OHNY) opens up scores of the city’s most important building for public tours every year, and now it’s doing the same for architect’s offices. OHNY will open a variety of offices for self-guided public tours in four of the city’s most creative design centers: DUMBO, The Brooklyn Navy Yard, Varick Street, and Red Hook.

The first tour of Dumbo (also sponsored by Two Trees Development,  the DUMBO Improvement District, and The Architect’s Newspaper) is schedule for Saturday, February 25 from 1:00 to 5:00 pm. You will gain unprecedented access to some of the most creative design firms in New York, but you must sign up on the OHNY website. The day will end with a reception at a Dumbo design space with the participating architects. To see a full list of participating firms and to register, click here.

On View> Nancy Holt: Sightlines at the Graham Foundation

Midwest
Monday, October 24, 2011
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Nancy Holt's "Sun Tunnels," 1978. (Courtesy Graham Foundation)

Nancy Holt's "Sun Tunnels," 1978. (Courtesy Graham Foundation)

NANCY HOLT: Sightlines
The Graham Foundation
Four West Burton Place
Chicago
Through December 17

Beginning her artistic career in the 1960s, Nancy Holt helped pioneer the Land Art movement alongside artists like Richard Serra and Robert Smithson, who was her husband and occasional collaborator. Nancy Holt: Sightlines at the Graham Foundation presents documentation of over 40 of her monumental and ecologically-focused projects through photography, film, and artist’s books, revealing Holt’s eloquent mode of navigating the intersection of art and nature.

In Sun Tunnels, an installation and 1978 film (above), sunlight interacts with four concrete tunnels in the Great Basin Desert in Utah, exemplifying Holt’s interest in space and time by highlighting how the passage of the sun impacts each tunnel differently and in a way specific to that location. In addition to presenting previously unseen materials from the artist’s archive, the exhibition, which concentrates on the Holt’s work between 1966 and 1980, features the documentary Pine Barrens (1975) about undeveloped land in New Jersey, and documentation of the projects Swamp (1971, in collaboration with Smithson), Boomerang (1973, in collaboration with Serra), and the multi-monitor installation Points of View (1974), a piece that underscores the different perspectives we bring to viewing the landscape.

Saturday in Santa Monica: Architects Make Music

West
Friday, October 21, 2011
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Unfrozen Music, Architects in Concert, on October 22. (Courtesy Shimihara)

Unfrozen Music, Architects in Concert, on October 22. (Courtesy Shimihara)

Unfrozen Music: Architects in Concert
Santa Monica Main Library
Saturday, October 22, 2011 at 7:00 PM

Tomorrow night a few talented Los Angeles architects—several featured on the pages of AN over the years—will be showing off their skills at the third annual Unfrozen Music, a concert at the Santa Monica Library‘s MLK Auditorium. Emcee’d by AN West Coast Editor Sam Lubell, the lineup ranges from chamber music to jazz to indie rock. And here’s a secret—they’re all really good.

Check out the lineup after the jump.

Public Architecture, Conversations on Design and Public Impact

East
Thursday, October 20, 2011
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Left to right: Jess Zimbabwe, Jair Lynch, Frank Giblin, Gabriel Kroiz. (Amanda Hurley)

Left to right: Jess Zimbabwe, Jair Lynch, Frank Giblin, Gabriel Kroiz. (Amanda Kolson Hurley)

Last night, the Woolly Mammoth theater in downtown Washington, D.C. hosted a forum on design’s potential to affect social change, organized by the San Francisco nonprofit Public Architecture and sponsored by Teknion. Attendees filed into a rehearsal hall to hear four speakers from the public and private sectors who are using design to effect change on different scales.

Continue reading after the jump.

On View> 194X–9/11: American Architects and the City

East
Tuesday, July 12, 2011
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Mies van der Rohe's Museum for a Small City Project, 1942 (Courtesy MoMA)

Mies van der Rohe's Museum for a Small City Project, 1942 (Courtesy MoMA)

194X–9/11: American Architects and the City
The Museum of Modern Art
11 West 53rd St.
Through January 2

Prompted by the United States’ entrance into World War II in 1942, Architectural Forum magazine commissioned pioneering architects to imagine and plan a postwar American city. At the tenth anniversary of the 9/11 terrorist attacks, 194X-9/11: American Architects and the City features the plans, renderings, and sculpture of Ludwig Mies van der Rohe, Louis Kahn, Paul Rudolph, and Rem Koolhaas and their ideas for cities of the future. Rarely displayed works, such as Mies van der Rohe’s collage Museum for a Small City Project (1942), above, reveal plans for cultural centers and urban life in uncertain times.

On View> The American Style: Colonial Revival and the Modern Metropolis

East
Monday, July 11, 2011
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(COURTESY MCNY)

(COURTESY MCNY)

The American Style:
Colonial Revival and the Modern Metropolis
Museum of the City of New York
1220 Fifth Avenue
Through October 30

Following the U.S. Centennial of 1876, architecture in New York City was defined by what was known as “the American style,” a visual language referencing both the nation’s nostalgia for its beginnings and its progressive aspirations. A new exhibition reveals the impact of Colonial Revival on the cityscape through vintage photographs and objects like a 1926 mahogany settee by the Company of Master Craftsmen, whose volutes reflect a resurgence in classicism that is the trademark of the Colonial.

More images after the jump.

On View> Blinky Palermo: Retrospective 1964-1977

East
Monday, July 11, 2011
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(COURTESY DIA: BEACON)

(COURTESY DIA: BEACON)

Blinky Palermo: Retrospective 1964-1977
Dia: Beacon/CCS Bard
3 Beekman Street/18 West 86th St.
Beacon, NY/New York, NY

Though October 31

Dia: Beacon and the Bard Center for Curatorial Studies have co-organized a comprehensive exhibition of the post-war German artist Blinky Palermo. Palermo’s works on paper (1963–1973) are on view at Bard, while his Metal Pictures and later works (1973–1977) are displayed in Dia: Beacon’s expansive galleries. A student of Joseph Beuys, Palermo’s work dealt with the relationship of color and space, and in Europe he gained notice for his abstract large-scale murals. Inspired by a trip to America in the early ‘70s, Palermo created the To the People of New York series, above, based on the colors of the East German and West German flags.

Another painting after the jump.

On View> Architecture in Uniform: Designing and Building for the Second World War

East
Friday, July 1, 2011
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(Courtesy CCA)

(Courtesy CCA)

Architecture in Uniform: Designing and Building for the Second World War
Canadian Centre for Architecture
1920, rue Baile
Montréal, Québec, Canada
Through September 18

How did World War II impact the built environment? This new exhibit curated by Jean-Louis Cohen explores how 20th century architects contributed to the war efforts and how their work ultimately led to the modern structural and technological innovations that make some of today’s complex designs possible. WWII was an accelerator of technological innovation, and from 1937 to 1945 architects were frequently pressed to pursue the most modern solutions, which often meant the most cutting edge. Designed by New York-based WORKac, the exhibit is comprised of drawings, photographs, posters, books, publications, models, historical documents, and films that reveal how contemporary architecture left its mark on the landscapes of both the Axis and the Allied powers. Organized thematically, the exhibition focuses on wartime activity as well as architects and their projects in Canada, France, Germany, Italy, Japan, the Netherlands, Spain, the United States, and the USSR. Architecture in Uniform is part of a larger project at the CCA that examines the various roles of architecture from the Second World War to today called On the Natural History of Destruction.

Mark Handforth Sculptures at Chicago MCA “Big” Deal

Midwest
Thursday, June 30, 2011
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Mark Handforth Plaza Project
Museum of Contemporary Art Chicago
220 East Chicago Avenue
July 8 through October 10

The formality of the plaza and entrance that Josef Paul Kleihues designed for the Museum of Contemporary Art Chicago has always stood in contrast to the institution’s experimental spirit. This summer the Miami-based artist Mark Handforth will debut four playful sculptures on the plaza and west facade of the building, including a giant brass coat hanger (above) hand bent by the artist. Other pieces, which mine Surrealism even more explicitly, include a giant streetlamp coiled like a snake, a monumental bone with a telephone handset hanging off the top, and a massive crumpled traffic cone topped with an English bobby’s hat.

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