Eavesdrop> SCI-Arc expected to tap Diaz Alonso to succeed Eric Owen Moss

Dean's List, Shft+Alt+Del, West
Friday, June 20, 2014
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Hernan Diaz-Alonzo (whatisarchitecture.cc)

Hernan Diaz-Alonzo (whatisarchitecture.cc)

It’s not official, so don’t tell anyone we told you it was. But… It looks like SCI-Arc Graduate Programs Chair and Principal of Xefirotarch Hernan Diaz Alonso is going to be the next director of SCI-Arc, taking over for Eric Owen Moss in September 2015. According to SCI-Arc spokesperson Georgiana Ceausu, the school’s Executive Search Committee yesterday recommended Diaz Alonso to the school’s board, which is now “in the process of making the decision.” There won’t be any official appointment until July or August.

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At SCI-Arc, the Magic is Inside the Box; Eric Owen Moss Explains Why

SCI-ARC IS PLANNING A NEW DIGITAL FABRICATION LAB KNOWN AS THE "MAGIC BOX" (SCI-ARC)

SCI-ARC IS PLANNING A NEW DIGITAL FABRICATION LAB KNOWN AS THE “MAGIC BOX” (SCI-ARC)

“Actually, the box isn’t magic, so don’t be disappointed you didn’t get ahold of Merlin the Magician,” Eric Owen Moss said at the start of a recent interview. Moss, director of the Southern California Institute of Architecture (SCI-Arc), was referring to the school’s new digital fabrication lab.

Dubbed the Magic Box, the two-story, prefabricated steel structure will be constructed at the south end of the SCI-Arc building. But Moss didn’t want to focus on the laboratory itself, which was designed by several architects affiliated with SCI-Arc (including Moss’s own firm). Instead, he said, “the game is, what’s inside is magic. It’s not so much the object, but what the object contains.”

Continue reading after the jump.

Getty Kicks Off Pacific Standard Time Presents: “Modern Architecture in LA”

West
Tuesday, January 15, 2013
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Doug White, Shopping Bag Market (Huntington Library)

Doug White, Shopping Bag Market, from the Huntington’s upcoming show Form and Landscape: Southern California Edison and the Los Angeles Basin. (Huntington Library)

In front of a packed room inside the Capitol Records building in Hollywood yesterday, the Getty announced details of the next installment of Pacific Standard Time, the popular series of art and architecture exhibitions that helped reframe Los Angeles’ position on the map of worldwide arts and culture. Sporting a new moniker, Pacific Standard Time Presents: Modern Architecture in L.A. will be smaller in scope than the previous iteration, with eleven exhibitions and accompanying programs in and around Los Angeles scheduled for April through July 2013.

Continue reading after the jump.

Twinkle Toes: Eric Owen Moss Now A Football Fan

Eavesdroplet, National
Monday, December 3, 2012
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In a recent issue of The New Yorker, writer Ben McGrath profiles Steve Clarkson, the private football coach to the quarterbacks of tomorrow. The writer interviews several adolescent clients attending Clarkson’s elite practice camp, including 10-year old Miller Moss (also featured on the article’s only photo). During a workout McGrath finds Moss’ father in the stands—California-based architect Eric Owen Moss.

“I would be completely disingenuous if I didn’t say I really enjoy this stuff,” said the elder Moss of the high-stakes training. “I’m embarrassed a little bit. It’s contagious in a way that even parents who should know better don’t always.” The design influence of the architect—once called the “jeweler of junk” by Philip Johnson—may be evident on the field: his son sports silver Nike cleats with the nickname “Miller Time” embroidered in gold.

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SCI-Arc Receives $400,000 Placemaking Grant

Newsletter, West
Wednesday, June 13, 2012
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(Courtesy waltarrrrr/Flickr)

SCI-Arc's Los Angeles headquarters. (Courtesy waltarrrrr/Flickr)

SCI-Arc, the Southern California Institute of Architecture, will be extending its reach into the community with the creation of three public venues made possible by a $400,000 grant awarded by ArtPlace. The grant, funded by private foundations and public agencies including the National Endowment for the Arts, seeks to encourage creative and locally focused placemaking; $15.4 million in grant funds is allocated to 47 projects located across the country. SCI-Arc director Eric Owen Moss wrote in a statement, “If architecture, as SCI-Arc has always proclaimed, speaks by building, the ArtPlace contribution affords us two special construction moments to ratify what we preach.”

Continue reading after the jump.

Moss out in WeHo? Or maybe not?

Newsletter, West
Thursday, May 24, 2012
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Rendering of Moss' Sunset Strip Hotel (courtesy Eric Owen Moss Architects)

Rendering of Moss' Sunset Strip Hotel (courtesy Eric Owen Moss Architects)

While it was approved by the city of West Hollywood back in 2009 (and again in 2010), it looks like Eric Owen Moss’ large hotel on the Sunset Strip might be in trouble. Curbed LA reports that the property containing the 11-story project, which was also to include condos and retail, has been bought by Marriott hotels’ “Edition” brand of luxury hotels, which WeHo Patch has said “doesn’t seem inclined to use the Moss designs.” Our calls to Marriott were not returned.

The Moss scheme was originally proposed by developer Richard Weintraub (with no hotel operator), and Marriott’s involvement became clear when the West Hollywood planning department approved the company’s modifications (slightly increasing size, adding a nightclub) to the project last Thursday. But wait. According to West Hollywood Planning Manager John Keho, Marriott has not yet told the city who the architect of their proposal will be, nor have they given a timeline for when they might submit architectural plans. According to Moss principal Eric McNevin, “Nothing has been confirmed yet. It’s not known yet. What was reported was speculation.” Stay tuned.

Eric Owen Moss to Receive Jencks Award

West
Friday, September 2, 2011
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Moss' proposed Jefferson Tower in Culver City

LA architect Eric Owen Moss will receive the 2011 Jencks Award, an annual prize named for British architect and critic Charles Jencks recognizing “major international contributions to the theory and practice of architecture.” Previous winners of the award include Zaha Hadid, Foreign Office Architects, Peter Eisenman, Cecil Balmond, UNStudio, Wolf PrixCoop Himmelb(l)au, Charles Correa, and Steven Holl. The award will be presented on December 6 at the Royal Institute of British Architects in London.

Best known for his highly experimental work in Culver City’s Hayden Tract, a former industrial area transformed into creative offices, Moss is now planning several projects around Los Angeles. Below is a small collection of recent and upcoming work from his firm:  Read More

SCI-Arc Nomadic No More

Dean's List, West
Friday, April 22, 2011
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A look at SCI-Arc's Santa Fe Depot building (bottom).

Finally. After 39 years of wandering around Los Angeles and trying to convince its landlord to sell, SCI-Arc today announced that it has bought its building in LA’s Downtown Arts District. The 1,250 foot-long Santa Fe Freight Yard Depot building, a reinforced concrete structure designed by architect Harrison Albright, stretches seemingly forever along Santa Fe Avenue. Students like to bike or skateboard inside it to get to class.

The school moved to the former rail depot 10 years ago after a 2001 renovation by architect Gary Paige. The school’s opening came when building owner Meruelo Maddux Properties filed for bankruptcy—meaning it really needed the money. The school bought the property for $23.1 million. Other homes for the school have included Marina Del Rey and Santa Monica. But now it finally has a real home.

And their edgy, coarse and lively corner of downtown, as SCI-Arc Director Eric Owen Moss has pointed out, is where it’s always wanted to be. “SCI-Arc is absolutely committed to Downtown,” he told AN in a recent interview, adding that the area is a laboratory for architectural and urban development. “We are staying Downtown. Period.”

 

Eric Moss Cactus Tower Turns Things Upside Down

Newsletter, West
Tuesday, April 19, 2011
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©Tom Bonner

Don’t look now, Eric Owen Moss has put another landmark along the eastern edge of Culver City with the completion of the Cactus Tower on Hayden tract. Upending the usual relationship of earth and sky, he’s placed cactus plants high above the air, suspending them within a severe steel frame.

Read more after the jump.

Moss on the Market

West
Monday, July 26, 2010
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Cool and convivial: Moss' Lawson-Westen House was designed with warmth and friendship in mind. (Tom Bonner)

Deep-pocketed house-hunters on the prowl for an architectural icon this summer are in luck: The critically acclaimed Lawson-Westen House, designed by Los Angeles architect Eric Owen Moss, is on the market for the first time. The 5,100-square-foot Brentwood home remains the architect’s largest residential project and is an oft-cited example of the spatial subdivisions and geometric shifts that characterize much of LA’s modern architecture. Read More

Moss Out In Venice

West
Friday, November 20, 2009
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According to our friends at Curbed LA, Eric Owen Moss’s planned Venice project , on the corners of Venice and Lincoln Boulevards, has been put on the shelf. Fred Mir, who works for the developer, Group III Investments, told Curbed that the neighborhood “didn’t like the height,” and that they had decided to scrap the project back in August, after a bumpy community meeting. No sign of what will replace Moss’s scheme, but we’ll be looking into it…

Kings of Curbed

East Coast, National
Thursday, November 19, 2009
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Some Curbed fan favorites: The Standard Hotel in New York, San Franciscos de Young Museum, and the Caltrans HQ in LA.

Some Curbed fan favorites: The Standard Hotel in New York, San Francisco's de Young Museum, and the Caltrans HQ in LA.

It must be said that Curbed, in its short life, has become one of the preeminent sites for not just real estate but also architecture and planning news, one of—not the, mind you, as that would us—best places for info on the evolving built environments of New York, Los Angeles, and San Francisco. They are most certainly in our Top 10. Reaffirming that fact is a Top 10 of Curbed’s own, a celebration of the best buildings of the past decade, something the site(s) weren’t around to see the dawning of, though who cares, since neither were we. Read More

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