On View> Edward Burtynsky: Oil at the Nevada Museum of Art

West
Monday, June 11, 2012
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Edward Burtynsky, SOCAR Oil Fields #6, Baku, Azerbaijan, 2006. (Edward Burtynsky)

Edward Burtynsky, SOCAR Oil Fields #6, Baku, Azerbaijan, 2006. (Edward Burtynsky)

Edward Burtynsky: Oil
Nevada Museum of Art, Feature Gallery South
160 West Liberty Street, Reno, NV
Through September 23

One of the most important topics of our time, oil and its industry serve as the departure point for the work of one of the most admired photographers working today. From 1997 through 2009, Edward Burtynsky traveled the world chronicling oil, its production, distribution, and use. Through 50 large-scale photographs, Burtynsky illustrates stories about this vital natural resource, the landscapes altered by its extraction, and the sprawl caused by the development of infrastructure needed to transport it. Behind the awe-inspiring photography is an epic tale about the lifeblood of mankind’s existence in the 21st century. Curated by the Center for Art + Environment, Oil forces the viewer to contend with the scale and implications of humanity’s addiction to energy.

More images after the jump.

Slideshow> Revamped Seaport Museum Opens: Old Salts Meet Occupy Wall St.

East
Thursday, January 26, 2012
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The "Hand Held Devices" gallery.(AN/Stoelker)

The "Hand Held Devices" gallery. (AN/Stoelker)

A revamped South Street Seaport Museum shook off the dust last night to reopen after a three-month renovation overseen by the Museum of the City of New York. The exhibits were both a departure from and an embrace of the old collection.  The design team, particularly Wendy Evans Joseph and Chris Cooper of Cooper Joseph Studio, turned what could have been a cramped exhibition arrangement into a free-flowing multi-leveled space.

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Focal Points

East
Friday, November 13, 2009
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TKTK

Louis Stettner, Man of the Twentieth Century, circa 1954.

In the late 1960s, the New York architect Stan Ries was consulting on design and photography for the art nouveau exhibit Hector Guimard at the Museum of Modern Art, when the director approached him with an unusual opportunity to photograph the entire design collection. Given two days to decide between architecture and photography as a career, he chose the latter. “With photography, the creative cycle is much shorter, and you don’t have to have a client,” he said. “I can make the photograph and I can suit myself.” Read More

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