San Francisco Arts Commission Votes to Remove Diller Scofidio + Renfro Public Art Project

Architecture, Art, News, Newsletter, West
Wednesday, October 8, 2014
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In a move that has angered critics and scholars, the San Francisco Arts Commission (SFAC) voted at its meeting on September 8 to remove the artwork, Facsimile, from the facade of the Moscone Center West, thus ending the history of a project that began in 1996 when architects Elizabeth Diller and Ricardo Scofidio competed in a pool of 62 applicants that included Jenny Holzer, Anish Kapoor, and Nam June Paik and won the public art competition to design a site-specific project for the convention center in downtown San Francisco.

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Broad Collection Sues Seele over Problematic Los Angeles Museum Facade

Mockup of The Broad's GFRC panels (Matt Construction)

Mockup of The Broad’s GFRC panels. (Courtesy Matt Construction)

In a recent interview, Diller Scofidio + Renfro Senior Associate Kevin Rice told AN that the “veil” at Los Angeles’ Broad Museum—a facade made of hundreds of molded Glass Fiber Reinforced Concrete (GFRC) panels, had been delayed by over a year. “Some of the things took longer to make than they thought, but there aren’t really problems with it,” Rice said.

But now it looks like the issues with the museum’s facade are more severe than initially thought.

Continue reading after the jump.

The Quotable Eli Broad Weighs in on Los Angeles

Architecture, Urbanism, West
Thursday, May 8, 2014
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Rendering of Eli Broad's upcoming museum, The Broad (DS+R)

Rendering of Eli Broad’s upcoming museum, The Broad (DS+R)

Diller Scofidio + Renfro‘s concrete-veiled Los Angeles art museum and its accompanying plaza, The Broad, named for the billionaire philanthropist Eli Broad who commissioned it,  continue to rise in downtown. Meanwhile, across the street, Broad’s longtime project, MOCA, struggles to find its footing. Addressing these two projects, Broad sat down with Los Angeles Magazine, giving an unusually candid interview about the state of the city, his own giving, and much more. Here are some of his most revealing quotes from a man who, this time, departed from his usual tactic of sticking to talking points.

Continue reading after the jump.

The Critical Inversion of the Prosthetic Public Armature

East, Eavesdroplet
Wednesday, April 30, 2014
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Liz Diller / David Geffen.

Speaking of the architecture/celebrity complex, a source told Eavesdrop that Liz Diller is designing an Upper East Side apartment for entertainment mogul David Geffen. The once radical architect has gotten awfully cozy with the establishment. We guess all that time in Los Angeles designing The Broad is paying off.

Folk Art Facade to be Preserved, Though Likely Not on 53rd Street

East, Newsletter
Wednesday, February 12, 2014
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The white bronze facade of the American Folk Art Museum. (Dan Nguyen / Flickr)

The white bronze facade of the American Folk Art Museum. (Dan Nguyen / Flickr)

The New York Times is reporting that MoMA has decided to disassemble the white bronze facade of the American Folk Art Museum building, designed by Tod Williams and Billie Tsien. A controversial expansion plan, by Diller Scofidio + Renfro, calls for the demolition of the building to make way for a new “art bay” and circulation to new galleries in an adjacent tower designed by Jean Nouvel.

Continue reading after the jump.

Bronze on Your Hands: Diller Scofidio + Renfro Faces Folk Museum Backlash

The doomed Folk Art Museum. (Photo by Dan Nguyen / Flickr; Montage by AN)

The doomed Folk Art Museum. (Photo by Dan Nguyen / Flickr; Montage by AN)

Liz Diller faced down a hostile crowd at the recent “MoMA Expansion Conversation,” hosted by the Architectural League, the Municipal Art Society, and AIA New York. Apparently she’s had some practice.

One elder statesman of the New York architecture community reports that Diller made a series of phone calls to prominent architects prior to the public release of MoMA’s plans asking for their advice and support. This gray eminence apparently told her the firm should resign from the commission. At which point Ric Scofidio apparently chimed in, saying, succinctly, “Never!”

An editor from another publication reports rumors of dissent within Diller Scofidio + Renfro. Apparently some associates in the firm have asked not to work on the project, fearing a Scarlet Letter on their resumes.

Forum or Wake? MoMA’s Expansion Plans Spark Debate

East
Wednesday, January 29, 2014
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Liz Diller. (Fran Parente)

Liz Diller. (Fran Parente)

Nearly 650 people crowded the auditorium at the Society for Ethical Culture on Manhattan’s Upper West Side on Tuesday to debate MoMA’s expansion plans, which include the demolition of the Tod Williams Billie Tsien–designed American Folk Art Museum (AFAM) building.

More after the jump.

Tod Williams and Billie Tsien Respond to DS+R Plan to Tear Down Folk Art Building at MoMA

Architecture, East, Preservation
Wednesday, January 8, 2014
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Conceptual sketch of DS+R's plans for MoMA. (Courtesy DS+R)

Conceptual sketch of DS+R’s plans for MoMA. (Courtesy DS+R)

Diller, Scofidio + Renfro announced today that their reorganization of the Museum of Modern Art will include the replacement of Tod Williams and Billie Tsien’s former American Folk Art Museum at 45 West 53rd street. Liz Diller said in her briefing that DS+R hoped to save the Folk Art building and repurpose it into a usable exhibit space or a connecting bridge between the new Jean Nouvel tower (which will have three floors of MoMA galleries) and the older parts of MoMA. However, “saving” the structure with its misaligned floors (to MOMA existing galleries) would mean compromising the integrity of the Williams Tsien structure.

One can imagine the logic of DS+R’s decision, but Williams and Tsien are, like any architects, sad to see the demise of their 2001 building that Herbert Muschamp said “transcend(s) cultural categories even as it helps define them.”

Read Williams and Tsien’s statement after the jump.

We’re Bowled Over by James Corner Field Operations’s Plans For the High Line

City Terrain, East
Wednesday, November 13, 2013
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A large, green bowl, dubbed the Spur, will float above the intersection 10th Avenue and 30th Street as part of the final phase of the High Line(Image James Corner Field Operations and Diller Scofidio + Renfro / Courtesy the City of New York)

A large, green bowl, dubbed the Spur, will float above the intersection 10th Avenue and 30th Street (Image James Corner Field Operations and Diller Scofidio + Renfro / Courtesy the City of New York)

This week, Friends of the High Line revealed the design concept for the third and final section of the High Line with a tantalizing set of renderings from James Corner Field Operations and Diller Scofidio + Renfro. Beginning at the intersection of 10th Avenue and West 30th Street, the latest addition, known as the High Line at the Rail Yards, will wrap westward around Related Companies’ impending Hudson Yards mega-development before culminating on 34th Street between 11th and 12th Avenues.

Continue reading after the jump.

State Department Shortlists Three Design Teams for U.S. Embassy in Lebanon

International
Friday, September 6, 2013
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Aerial view overlooking Beirut, Lebanon. (Ahmad Moussaoui / Flickr)

Aerial view overlooking Beirut, Lebanon. (Ahmad Moussaoui / Flickr)

With the ongoing attacks on American interests in the past, the US Department of State’s Bureau of Overseas Buildings Operations (OBO) has moved it’s government buildings from the heart of Beirut, to the calmer suburbs of the north of the Lebanese capital, specifically Awkar. OBO is currently evaluating a group of design teams to be commissioned for the design and construction of the new US embassy in Awkar, just 7 miles north of Beirut, and in close proximity to the existing embassy. Six firms participated in Stage 2 evaluations, and the list has now been shortened to three finalists.

View the shortlist after the jump.

Hirshhorn Museum Abandons DS+R’s Bubble Project, Director Resigns

East
Thursday, July 18, 2013
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(Courtesy of Diller Scofidio + Renfro)

The Hirshhorn Museum and Sculpture Garden in Wahington D.C., designed by SOM in 1974, is undeniably striking in its design—the distinctively cylinder shaped structure is unlike anything else in the city. In 2009 Richard Koshalek, director of the modern and contemporary art museum, in a bold effort to place the museum at the forefront of our nation’s cultural institutions, came up with a radical new plan that would make the building stand out even more among the countries’ leading museums and significantly augment the city’s arts culture. Koshalek proposed his new vision for a 15-story inflatable balloon, designed by Diller Scofidio & Renfro, that would bubble out of the donut-shaped museum’s central courtyard twice a year. The project, dubbed the “Seasonal Inflatable Structure,” would serve as a unique space for installations and performances.

Continue reading after the jump.

Four Firms Radically Re-Envision a New Penn Station and Madison Square Garden

East, Newsletter
Wednesday, May 29, 2013
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SOM Reimagines Penn Station for MASNYC Design Challenge (Courtesy of SOM)

SOM Reimagines Penn Station for MASNYC Design Challenge (Courtesy of SOM)

When Madison Square Garden’s 50-year special permit expired last year, it launched a fiery debate over the future of the arena atop Penn Station.  Critics, urban planners, and government officials have called for a 10-year term limit to encourage the relocation of MSG allowing for an overhaul of the crowded station. Today the Municipal Art Society of New York unveiled four different visions for a re-imagined Penn Station and MSG from firms Diller Scofidio + Renfro, H3 Hardy Collaboration Architecture, SHoP Architects, and Skidmore, Owings & Merrill (SOM).

Continue reading after the jump.

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