More than 40 years after its last high-rise fell, the site of St. Louis’ Pruitt-Igoe public housing development remains basically empty. Design competitions, documentaries, and local developers have all pondered its future. Now the National Geospatial-Intelligence Agency has said it’s considering the 34 acres once home to the infamous housing project as a location for 3,000 jobs.
In Las Vegas, you win some and you lose some. Lining up as what must be one of the biggest busts in Sin City history, the exceptionally-botched, Foster + Partners–designed Harmon Hotel, now has a date with the wrecking ball. The stubby 27-story tower—it was originally supposed to measure 49 stories but construction problems stunted its growth—never opened and no one ever checked in at what would surely have been a posh front desk.
Never mind! After all that fuss to preserve the iconic Texas tin structure, Rice University’s Art Barn met the Grim Reaper on Wednesday, April 16. While a group was able to salvage the building’s corrugated metal siding, wrecking crews tore away at the Martel Center’s structure, marking a definitive end to efforts of preservationists to move the building to another site in Houston. Andy Warhol’s famous oak tree planted in front of the former structure will remain intact, but once the dust clears only a grass lawn will serve as tombstone. A rogue power line temporarily stalled the demolition, thereby buying a commemorative moment for the Art Barn’s historical and cultural import. The building’s spirit will live on through the Menil Collection it once housed, as well as its legacy with other tin houses.
Leaving campus the way it came in—amid a swirl of shifting plans and controversy—seems to be the modus operandi for Rice University’s Martel Center, more colloquially known as “the Art Barn.” After reports last month that the building would be demolished, Rice University changed its mind and announced that it would, instead, relocate the historic structure to the Fourth Ward area of Houston, just west of downtown.
The Art Barn has graced Rice University’s campus since 1969. Originally conceived by John and Dominique de Menil as what was meant to be a quick-fix housing solution for their prestigious private art collection, the squatter became father to a generation of its kind, and established itself as a cultural mainstay not just within the university, but the community as a whole.
Diller, Scofidio + Renfro announced today that their reorganization of the Museum of Modern Art will include the replacement of Tod Williams and Billie Tsien’s former American Folk Art Museum at 45 West 53rd street. Liz Diller said in her briefing that DS+R hoped to save the Folk Art building and repurpose it into a usable exhibit space or a connecting bridge between the new Jean Nouvel tower (which will have three floors of MoMA galleries) and the older parts of MoMA. However, “saving” the structure with its misaligned floors (to MOMA existing galleries) would mean compromising the integrity of the Williams Tsien structure.
One can imagine the logic of DS+R’s decision, but Williams and Tsien are, like any architects, sad to see the demise of their 2001 building that Herbert Muschamp said “transcend(s) cultural categories even as it helps define them.”
An update to our story from yesterday: Northwestern University released many more images from the three candidates vying to build a successor to the site previously occupied by Bertrand Goldberg’s old Prentice Women’s Hospital. The new images include floor plans, interior renderings, and additional elevations of the three buildings. Read More
In architecturally crowded Hong Kong, plazas are a rare breath of open air. The luxurious Causeway Bay district, whose retail rental rates surpassed New York City’s Fifth Avenue in 2012, is home to one of these sparse open spaces, Sunning Plaza. I.M. Pei’s 27-story edifice faces a large public courtyard, a hardscape relief within the densely built area devoted to commercial shops and restaurants.
But, such a luxury is always in threat of expansion. Artinfo reported that developer Hysan will soon be converting the space into additional commercial stores and offices. Pei’s 1982 building is to be demolished by the end of this year and the plaza is going with it.
New plans for Chicago’s Purple Hotel site don’t have their predecessor’s color, in any sense of the word, but many may view the mixed-use “town center” plaza as the antidote to the site’s lurid history. The quirky midcentury hotel in suburban Chicago seemed to escape its fate last year when architect Jackie Koo drew up plans to save the vacant hotel and its divisive color scheme.
But demolition on the Purple Hotel in Lincolnwood, IL began late last month. Organizers of the village’s end-of-summer festival apparently raised $5,000 for the local library through sales of purple brick.
For 1475 years, the colossal dome and four minarets of the Hagia Sofia have remained the focus of Istanbul’s historic silhouette. That is, until three hulking towers known as the OnaltiDokuz Residences interrupted the scene last summer, sparking another battle over development in the Turkish capital. In late May, the Hurriyet Daily News reported that the city’s 4th Administrative Court ordered the demolition of the skyscrapers, claiming that their construction was illegal because it “negatively affected the world heritage site that the Turkish government was obliged to protect.” To guard against future infractions, this Wednesday the Turkish Parliament passed legislation calling for additional safeguards nationwide to protect historic areas from rapid urbanization.