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A cross-section of postdigital design work illustrates the role of parametrics in the built environment.
Spawned from his 2011 show on Patrick Jouin, Museum of Arts & Design (MAD) curator Ronald Labaco conceived Out of Hand as a more comprehensive show that clarified the role of digital design, from its capabilities to its significance in our daily lives. “People just didn’t get it,” said Labaco of Jouin’s 2011 MAD show. “Unless you’re immersed in it, it can be hard to understand so I thought if we showed something like this in the galleries again, we needed to provide information that can be digested more clearly.”
Staged across three floors of the museum, with two exterior sculptures, Labaco said the show is an important program for MAD among other New York art institutions like MoMA, Cooper Hewitt, and the New Museum. The goal to raise awareness of 3D printing is timely, by chance. “Paolo Antonelli’s Design and the Elastic Mind, and two shows from Material Connection were complements to my show for the uninitiated,” Labaco explained. Out of Hand’s broad scope includes digital designing and fabrication processes like CNC milling, digital weaving and knitting, laser cutting, and 3D printing to display how these technologies influence the built environment. “It’s a historical look at the last 8 years and works from as early as 2005 are incorporated because, in my mind, that was when the major shift between rapid prototyping and 3D printing really occurred,” said Labaco. Read More
AN had boots on the ground at the 2013 Milan Furniture Fair, taking the air and parsing the differences. This year saw an abundance of collaborations between furniture designers and architects. What follows is the first half of our greatest hits, everything from modular shelving and sleek hardware to design-forward consoles and practical seating. View even more architect-designed furniture from Milan in the second section of our roundup here.
Multidisciplinary design office Claesson Koivisto Rune was inspired by American artist Ellsworth Kelly when they created the Kelly seating collection for Tacchini. The line features three pieces—Kelly E, H, and L—with cushions that reference the bold colors and irregular shapes common in the artist’s sculptures atop delicate frames coated in matching paint.
Right now you can log on to Leuphana University in Lüneburg, Germany’s Leuphana Digital School and participate in online courses being led by none other than Daniel Libeskind. Professor Libeskind, on the faculty at Leuphana since 2007, is collaborating with other professors and a team of tutors to guide students on the “Ideal City of the 21st Century.” The university conceived of the project as a “cost- and barrier-free academic course for collaborative web-based learning.” Online students will participate in six team assignments through the end of April. Their goal: to design an ideal city and invite others to experience it through digital visualization.
Enrollment is on-going so students can enter for any of the assignments and even arrange for college credit with home institutions. Students are asked to upload text, diagrams, photographs, and videos as the project progresses. Video lectures will also be presented by Libeskind and participating faculty. In the end, a winning team will be announced and all material could eventually be published. We’ll be sure to report on the outcome of the project once it’s complete.
An artistic selection committee Thursday selected three semi-finalists for the Ohio Statehouse Holocaust Memorial in Columbus. Jaume Plensa of Chicago, Columbus’ Ann Hamilton, and Daniel Libeskind will visit the site, meet with the committee and then have six weeks to submit a proposal for review. The committee will pick the final project artist in May.
Libeskind designed Berlin’s Jewish Museum, one of the most prominent memorials of its kind. Ann Hamilton has home-turf advantage, so to speak, and is coming off a spectacularly reviewed show at the Armory, The Event of a Thread. Spanish-born Jaume Plensa’s evocative sculptures are pensive and humanistic, often involving glowing lights, and seem well suited to such a project.
Daniel Libeskind’s second contribution to the Jewish Museum Berlin since 2001, the Academy of the Jewish Museum Berlin, will open this Saturday, November 17. The 25,000 square foot Academy is located just across from the original museum and now houses the museum library, a growing archive, and will also house lectures, workshops, and seminars.
In a letter to Building Design magazine, the Architects Registration Board in London, aka ARB, has requested that BD no longer refer to Renzo Piano and Daniel Libeskind as “architects.” Apparently, neither are registered as architects with the all-knowing ARB, therefore “they are not entitled to be described as such,” states the letter. BD Editor-in-Chief Amanda Baillieu immediately called out ARB’s high-handed mandate in an online editorial, writing, “there is no other word to describe ARB’s ban on calling Renzo Piano an architect except bonkers.” The registration board’s Alison Carr later apologized for the letter, “Do I think that this was a great example to bring to BD’s attention and help raise awareness? No I don’t. We should have been more cautious so that we get the right message across at the right time, and for that I apologise.”
When Libeskind’s radical spiral proposal for Victoria and Albert Museum (V+A) extension went under after eight years, the V+A has literally gone underground. The newest proposal for V+A by British architect Amanda Levete and her practice AL_A, won in 2011 after a design competition, calls for an extension project that includes a 16,200 square foot underground gallery space for temporary exhibitions. The addition will feature a public courtyard with an entrance into the museum from the adjacent Exhibition Road. Last week, the project was awarded planning permission allowing the project to move forward.
Watch for Falling Libeskinds. The breaking news of the day from Building Design: Daniel Libeskind’s $555 million Westside retail center in Bern, Switzerland has collapsed for a second time in three years. An elevated swimming pool fell into the building injuring two people. An investigation is pending. In 2008, shortly after the building was completed, the roof of a fast food restaurant inside the center collapsed, injuring two children.
Transporting Chicago. Transportation Nation reports today that Chicago Mayor Rahm Emanuel has tapped Gabe Klein to head up the city’s DOT. Widely viewed as a pro-bike kind of guy in his former role as head of Washington D.C.’s DOT, Klein helped launch a bike-share program, expand bike lanes, and install electric car charging stations across the city. Could more alternative transportation be in store for the Windy City?
Gaudi Burns. An arsonist set fire to Antoni Gaudí’s Segrada Familia in Barcelona said the Guardian. The cathedral’s sacristy was destroyed and the crypt heavily damaged during the attack. Some 1,500 tourists were evacuated and four treated for smoke inhalation.
Wisconsin Bamboo. Sarah F. Cox talks with NYC-based architecture firm Lewis.Tsurumaki.Lewis for Curbed about a recently completed student center at the University of Wyoming which includes a stunningly intricate bamboo-lattice screen.
The Rose Kennedy Greenway was supposed to transform downtown Boston, and while the Big Dig has had some impact on traffic, its above ground success have been far fewer, at least in the three years since the project was completed. At least two major developments have been forestalled because of competing demands on the Greenway’s open space, which itself has not been a smashing success, and now the Boston Globe reports the demise of yet another cultural institution that had been planned for the 1.5-mile park. The latest loss is the New Center for Arts and Culture, an $80 million project designed by Daniel Libeskind that was meant to foster diversity and dialogue between disparate groups. Other of the glassy, glitzy victims—blame falls largely on poor fundraising due to the economy—include a new YMCA, Garden Under Glass, and the Boston Museum, which has since relocated to a different site where it also struggles to get off the ground. After the jump, a graphic from the Globe breaks the blunders down. Read More