Brooklyn-based Associated Fabrication realized all the merchandise displays, benching, shelving, and cash wraps for Melissa Shoes in Pearl Gray Corian.
Before Kinky Boots came to Broadway, Melissa Shoes opened shop in SoHo. The Brazilian shoe brand, known for its use of brightly colored, recycled PVC material and collaborations with designers like Jason Wu, Vivienne Westwood, and Gareth Pugh, opened its first U.S. boutique in the states last year. With the help of local architecture firm Eight Inc. and Brooklyn-based Associated Fabrication, a distinguished aesthetic was achieved that supports the original Sao Paulo shop’s rotating art theme, but with a much cleaner slate of epoxy floors and Pearl Gray Corian bollard-like merchandise displays.
Working from two-dimensional drawings provided by the architects, Jeffrey Taras of Associated Fabrication used Rhino to model the 34 display platforms. Taras grouped the displays, which resemble blunted stalagmites, into categories of varying heights and configurations—single columns in four different heights, double columns in two groupings, and one cluster of three columns. Read More
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A combination banquette and shelving system gives a young family a new way to live in a 620-square-foot apartment.
Corian has become a darling of the digital fabrication set, its reputation as a dowdy countertop material giving way to explorations of the acrylic as a shape-shifting wonder with practical applications, from healthcare environments to art installations. For a couple that had nearly outgrown a 620-square-foot Murray Hill apartment, Corian served handily in the form of a new banquette and shelving unit that allowed the family to grow into the space, rather than move out of it. The project’s designer, su11 architecture + design, hired Brooklyn-based Associated Fabrication to create its vision of a functional sculpture that morphs from bench to windowsill to storage space.
What do kitchen counter tops, shower-wall cladding, and the Grand Concourse have in common? Corian, of course. Thanks to performance-artist-turned-designer (and Bronx native) Vito Acconci and Acconci Studio designers Adam Jakubowski and Bradley Rothenberg, the Bronx Museum can now boast its very own DuPont fabricated sculpture. Acconci’s large, porous installation is titled Lobby-For-The-Time-Being and provides an imaginative, fabric-like reconsideration of the now ubiquitous polymer, originally developed in 1967 to replace human bones. In what seems like the most recent installment in a worldwide series of Corian-centric, site-specific sculpture, Lobby-For-The-Time-Being incorporates seating (take that Philadelphia), as well as lighting and projections by Taylor Levy and Che-Wei Wang. Technically, Acconci’s first foray into architecture was way back in 1971, the year the
Bronx Museum opened. Though it’s unlikely anyone remembers Seedbed for its central wooden structure…
It would seem Philadelphia has a bit of a seating fixation going on with this year’s Design Philadelphia event. First there was the new Veyko subway chairs, and now—as you’ve noticed if you’ve been out wandering the streets of town during October—more than a dozen seats/sculptures scattered about, all cut from DuPont Corian, all created by prominent local designers. Reading-based C.H. Briggs, the interiors supplier, decided it wanted to celebrate Philly’s top designers and the city’s popular public spaces by commissioning them to create site-specific seating from that most ubiquitous of building materials. The results will only officially be up through the end of the month, though Briggs is currently negotiating with the city and certain institutions to donate the pieces so that they might find a permanent home—not unlike those damn cow parades that were so popular earlier in the decade, though at least these seats have a far greater purpose. You can see a slideshow of all 14 here.