Postmodernism Post-Denial

East, Newsletter
Tuesday, November 15, 2011
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Montage based on Stanley Tigerman's "Titanic" with Philip Johnson's AT&T Building and text drawn by Seth Weine/ICAA

Montage based on Stanley Tigerman's "Titanic" with Philip Johnson's AT&T Building and text drawn by Seth Weine/ICAA

Postmodernism, the exuberant, eclectic, and ironic style born out of the death of the modernist dream in the 1960s and 70s, was the subject of the two-day-long “Reconsidering Postmodernism” conference last weekend, presented by the Institute of Classical Architecture & Art, at the CUNY Graduate Center in New York. The two marathon days of lectures, panels, and videos was filled with the original rock stars of the postmodernist world, including architects Robert A. M. Stern and Michael Graves, theorists Charles Jencks and Tom Wolfe, urbanists Andres Duany and Elizabeth Plater-Zyberk, and a small but passionate younger crowd who couldn’t help but revel in the rambunctiousness of their vaunted forebearers.

Continue reading after the jump.

Only in Venice, kids, only in Venice!

Other
Saturday, September 13, 2008
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From our roving correspondent Alex Gorlin, who was party-hopping the other night:

Among the guests at Aaron Betsky’s 50th birthday celebration on Thursday were Henry Urbach, curator of Architecture at SF MoMA, Laurie Beckelman, UCLA’s Sylvia Lavin (who was complaining to Jeff Kipnis about the mosquitoes), Susan Grant Lewin the PR Queen—she barely made the “haj” to the party—the Modern’s Barry Bergdoll with Bill Ryall, his partner, Reed Kroloff and Casey Jones. Last and certainly not least was Katherine Gustafson, the Zaha of landscape design, who appeared in a regally flowing white toga-like gown. The setting was her “Garden of Paradise” at the Arsenale,  a coyly-renamed installation in the Garden of Virgins, with vegetables and flowers culminating in a swirling ridge of grassy mounds above which floated giant white ballons and what looked like the remains of a parachute. All in all, an elegant evening, although with no lights on, it was pitch black and so far away that one can only imagine half the guests, a little tipsy perhaps, falling into canals on the trek home. Read More

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