Red Deer Lights Up Burning Man

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As visitors climb on and around Luz 2.0, integrated sensors trigger an interactive lighting display. (Dustin Wong Photography)

As visitors climb on and around Luz 2.0, integrated sensors trigger an interactive lighting display. (Dustin Wong Photography)

Prismatic pyramid evokes desert mirage by day, Aurora Borealis by night.

Given that their pyramidal acrylic installation at this summer’s Burning Man was inspired in part by Pink Floyd‘s Dark Side of the Moon album cover, it seems safe to say that the architects at Red Deer “get” the festival’s vibe. “We try to get very intimate with our sites, so it was interesting to approach one that we hadn’t been able to visit,” said founding director Ciar├ín O’Brien. “Some of the primal forces we could see at play there were the heat of the desert and the way people interact with structures. Specifically, for us it was about light in all its forms.” The UK firm worked closely with the structural engineers at Structure Mode to design a transparent six-meter-tall structure comprising interlocking equilateral triangles, while New York Institute of Technology professor Charles Matz contributed an integrated light display based on the Aurora Borealis. “All kinds of imagery came to mind that held to the desert landscape,” said O’Brien. “By day, the concept evoked a mirage; by night, a kaleidoscope. One is ephemeral, a non-place; the other is specific, a beacon.” Read More

Video> Burning Man: The Life and Death of a Desert City

West
Wednesday, November 9, 2011
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Each year, we’re continually amazed at the pop-up architecture that rises in Nevada’s Black Rock Desert for Burning Man only to be destroyed in one grand flash of fire. What’s equally awe-inspiring is the pop-up city that forms around the festival. We just came across this time-lapse video of the rise and fall of the city of Burning Man, which shows how the urban form, like the installations, slowly builds before igniting in the night and fading away. Set against the black of the desert night, the video shows how active and dynamic the site really is when the sun goes down. The festival comes alive with the darting about of lights around fixed centers of music and art. At the end, the calm of an abandoned desert returns for another year. [h/t Lost at E Minor.]

Burning Man Amazes Yet Again

Newsletter, West
Thursday, September 8, 2011
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Temple of Transition (Michael Holden)

Temple of Transition (Michael Holden)

For the second year in a row (check out last year’s report here) we’d like to share some of the most amazing, ridiculous, and inspiring architecture of Burning Man, which just wrapped up in Nevada’s Black Rock Desert. And like last year the Playa’s temporary installations┬ádidn’t disappoint; displaying an aggressive level of imagination and ambition for Burning Man’s 25th anniversary (has it really been that long?).

The theme this year was Rites of Passage, although we’re not sure the artists here are interested in following any rules. Photographer Michael Holden was on the ground to document the event. Here are our favorites from Burning Man 2011:

Continue reading after the jump.

Burning Man Architecture Amazes

West
Thursday, September 2, 2010
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Serpent Mother, by the Flaming Lotus Girls

Proving our theory that the best architecture these days is installation architecture, the work on display this year at Burning Man is blowing us away. The theme this year is Metropolis: The Art of Cities, making for some even more inspired (and, of course out there..) art/architecture installations, which include: Read More

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