Obit> Mildred “Mickey” Friedman, 1929–2014

mickey friedman was a ceelbrated design director, design curator, and editor of Design Quarterly. She died September 3, 2014. (courtesy walker art center)

mickey friedman was a celebrated design director, design curator, and editor of Design Quarterly. She died September 3, 2014. (courtesy walker art center)

Mildred Friedman, the longtime design curator of Minneapolis’ Walker Art Center and a prolific architectural author, died Wednesday at her home in New York City. She was 85. Friedman, whose friends called her “Mickey,” ran the Walker for 21 years with her husband, Martin, who was its director. Together they made it “America’s leading design museum,” according to a tribute from Architectural Record on the occasion of the couple’s “retirement” in 1990. Read More

On View> “Behind Closed Doors: Art in the Spanish American Home” Opens Today at the Brooklyn Museum

East, On View
Friday, September 20, 2013
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(Courtesy Brooklyn Museum)

(Courtesy Brooklyn Museum)

Behind Closed Doors: Art in the Spanish American Home, 1492–1898
Brooklyn Museum
200 Eastern Parkway
Brooklyn, NY
September 20–January 12, 2014

Within a hundred years of the Spanish empire first expanding its borders into the Americas, an abundance of incredible wealth had been amassed in the New World. This September, Brooklyn Museum is opening its doors and inviting visitors into an elite Spanish Colonial home. They will be showcasing extravagant domestic collections, which give insight into the private lives and power struggles of Spain’s New World Elite. Behind Closed Doors, will include paintings, sculptures, luxury goods from everyday life, manuscripts, textiles, and decorative objects. The exhibition explores themes that include representations of the indigenous and Creole elite, rituals in the home, the sala de estrado (women’s sitting room), the bedchamber, and social identity through material culture. The Brooklyn Museum began acquiring domestic Spanish colonial art in 1941 and now the collection ranks among the finest in the nation. This is the first major exhibition in the United States to explore the private lives and interiors of Spain’s New World elite. Richard Aste, Curator of European Art, organized Behind Closed Doors, which is accompanied by a fully illustrated catalogue co-published by the Museum and the Monacelli Press.

On View> Valerie Hegarty: Alternative Histories at The Brooklyn Museum

East
Wednesday, June 5, 2013
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(Courtesy Brooklyn Museum)

(Courtesy Brooklyn Museum)

Valerie Hegarty: Alternative Histories
The Brooklyn Museum
200 Eastern Parkway
Brooklyn, NY
Through December

Valerie Hegarty: Alternative Histories is part of a series at the Brooklyn Museum that asks artists to stage the museum’s Period Rooms with site-specific art. In Hegarty’s work, featured in the Cupola House parlor and the dining room, she explores themes of colonization, Manifest Destiny, and repressed histories. Her display in the Cupola House includes a Native American patterned rug and portraits of George Washington and an anonymous Native American Chief. The rug looks to be tattered with unkempt plants and roots growing over it and the portraits appear to be engaged with one another. In the dining room, 19th-century still-life paintings come to life with fruit overflowing from their frames and being attacked by black three-dimensional crows, referencing Alfred Hitchcock and segregation, among other cultural themes.

On View> Heather Hart: The Eastern Oracle

East
Monday, April 16, 2012
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Hart's Eastern Oracle is on display in the Brooklyn Museum’s fifth-floor rotunda. (Courtesy Brooklyn Museum)

Hart's Eastern Oracle is on display in the Brooklyn Museum’s fifth-floor rotunda. (Courtesy Brooklyn Museum)

Heather Hart: The Eastern Oracle
Brooklyn Museum
200 Eastern Parkway, Brooklyn, NY
Through June 24

For the fourth exhibition in its Raw/Cooked series displaying the work of budding Brooklyn artists, the Brooklyn Museum presents an installation by Heather Hart. Occupying the museum’s fifth-floor rotunda, the installation will consist of a single rooftop that lies flat on the ground, without walls and outside its original context. As Hart describes it: “A rooftop can refer to home, stability, or shelter, but in this context, it is also an action of reclaiming power.” The roof makes specific reference to the oldest architecture in the museum’s period room collection—the Jan Martense Schenck House, built in 1676, the second-oldest Dutch-American building in Brooklyn. Visitors are encouraged to physically interact with the structure, fulfilling Hart’s intention to create a place of self-reflection and self-empowerment.

View the inside after the jump.

Scaling Sculptures on Governors Island

East, Newsletter
Friday, June 3, 2011
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Several kids test the sturdiness of a di Suvero

Kids get it. While the adults stand around discussing the merits and aspirations of a large sculpture or installation, kids climb all over it. A few years back, when Richard Serra‘s Intersections II was installed in MoMA’s sculpture garden, toddlers raced between the tilted arcs in a game of hide and seek. More recently, kids playing around Situ Studio‘s reOrder installation have turned the Great Hall of the Brooklyn Museum into Romper Room. Now, with Storm King bringing in Mark di Suvero sculptures and Figment in town to install their annual golf course and sculpture garden, Governors Island is getting its workout.

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