Chicago announces inaugural architecture biennial to begin in 2015

Decay of the Dome exhibit at the 2010 Venice Biennale. (Lu Wenyu)

Decay of the Dome exhibit at the 2010 Venice Biennale. (Lu Wenyu)

Chicago, in a bid to boost its tourism industry and cultural cachet,  will host an international design exhibition next year modeled after the Venice Biennale, which every two years draws contributions from architects and artists from around the world. Mayor Rahm Emanuel announced the Chicago Architecture Biennial Tuesday.

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Chicago’s School of the Art Institute taps Jonathan Solomon as head of architecture

Jonathan D. Solomon. (Courtesy Solomon)

Jonathan D. Solomon. (Courtesy Solomon)

Chicago’s top art school announced big changes in its design department this morning.

The School of the Art Institute of Chicago Thursday announced their selection of Jonathan Solomon as the new Director of the Department of Architecture, Interior Architecture, and Designed Objects (AIADO). Solomon, who comes from his position as associate professor and associate dean at the School of Architecture at Syracuse University, assumes the job officially on August 1.

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“City Works” envisions Chicago’s “dreams and nightmares”

Midwest
Thursday, August 15, 2013
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Drawing Detail of “Phantom Chicago” by Eisenschmidt: The city of Chicago generated through unbuilt visionary projects across the 20th century (from Loos’ Tribune Tower to Griffin’s Plan for a Better Chicago and Greg Lynn’s Stranded Sears Tower).

Drawing Detail of “Phantom Chicago” by Eisenschmidt: The city of Chicago generated through unbuilt visionary projects across the 20th century (from Loos’ Tribune Tower to Griffin’s Plan for a Better Chicago and Greg Lynn’s Stranded Sears Tower).

From the abandoned foundations of the ill-fated Chicago Spire to the ghosts of would-be Tribune Towers galore, Chicago’s unbuilt legacy could rival the iconic skyline it actually achieved. An exhibition on display downtown, dubbed City Works: Provocations for Chicago’s Urban Future, confronts the city with its alternative skyline in the form of a panoramic wall design and a “Phantom Chicago” iPhone app. The overall effect evokes “a dream but also a nightmare,” in the words of curator Alexander Eisenschmidt. Read More

Download Your Guide to the Venice Biennale

International
Tuesday, August 21, 2012
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With the official grand opening of the Venice Biennale set for Wednesday, August 29, following a two-day preview, it’s time to start planning your visit with the only comprehensive guide to the Who, What, and Where of the Biennale. Download your own copy to keep on hand or look for the guide to be printed in the first issue of Guida alla Biennale di Architettura, a partnership between The Architect’s Newspaper and Il Giornale Dell’Architettura.

Biennale for the People: Landscape Urbanism in Israel

International, Newsletter
Thursday, February 24, 2011
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“On the way to the sea” 121 Ben Gurion Rd., Bat Yam.

“On the way to the sea” 121 Ben Gurion Rd., Bat Yam. Project by Derman Verbakel Architecture.

Biennales have proliferated in recent years marking the redistribution of culture and also its global consumption. Once wed to the rarefied setting of Venice, they can now be found in Barcelona, Rio, Lisboa and… Bat Yam.

“Bat Yam?” you ask. In this unknown and unlikely Israeli town, the curators of the Bat-Yam Biennale of Landscape Urbanism have fashioned a wonderful new genre of biennale that is more “urban action” than exhibition. A rather poor, largely Russian immigrant “outer borough” of the elegant white city of Tel Aviv, Bat Yam calls to mind Brighton Beach with palm trees. The city constitutes a frayed but dignified modernist fabric built from an amazing array of gemütlich variations on the Maison Citrohan with a sensitive implementation of the tenets of open space, light, air, and the hierarchy of ways.

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Lisbon's Next Up on the Triennale Trail

International
Wednesday, October 13, 2010
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Talking about houses at the Lisbon Architecture Triennale.

There are so many architecture exhibitions today that call themselves “biennales” and “triennales” that the words have little meaning anymore. In most cases, rather than use the vernacular local word for an every two- or three-year exhibition (say, biannual) they use the Italian word, hoping I guess that the special magic of Venice will rub off on their event. Thus I am in Lisbon, Portugal today for the Architecture Triennale that the organizers are calling “Let’s Talk About Houses.” Read More

La Serenissima Strikes Again

International
Thursday, February 11, 2010
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Venice is seeking to rival Milan's annual design fair, the Salone, above.

Is Italy returning to medieval-era warfare between city-states Milan and Venice? AN’s own Julie V. Iovine reports from Milan that Milanese and Lombardy officials are more than a bit miffed that Venice is proposing to start its own design fair in 2011, seeking to steal the spotlight from the nation’s long-established epicenter of design. Read More

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Down The Drain In That Other Venice

Other
Wednesday, June 10, 2009
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Artist Mike Boucher was excited to bring American suburbia to the Venice Biennale, constructing a floating McMansion—complete with cheesy yellow vinyl siding—set to grace the city’s famed canals. Unfortunately the house tilted off a failed pontoon and sank; a disaster for the artist (who actually seems to find the whole thing hilarious), but a good symbol for our housing market back in the USA.

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The Long Arrivederci

Other
Thursday, December 11, 2008
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The Venice biennale will just not end! It opened in the warmth of September with mobs of well-known architects in attendance and officially closed on a cold November Sunday with scores of Italian schoolchildren roaming the pavilion grounds. I locked the doors of the U.S. Pavilion, put models and drawings into shipping containers (the show will be reprised at Parsons School of Design in February), and floated our Kartell-donated furniture down the Grand Canal on a barge—just in time for the highest floods in La Serenissima’s post–global warming history. Read More

Biennale Opens

Other
Tuesday, September 9, 2008
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[Editor's Note: This post was written Sunday.]

It is two days before the opening of the Venice architecture Biennale and as commissioner of the United States pavilion I have been in Venice for a week mounting the exhibition. The Biennale opens on Wednesday for “important media” and the next three days for the rest of the press and anyone else that can find a ticket. This always sets up a huge scrum at the entrance to the grounds between the haves (those with passes) and the have-nots in the media. Read More

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