Beverly Hills gained a vacant lot this week as crews demolished the former Robinsons-May department store at 9900 Wilshire Boulevard. The four-story, marble-clad building, designed by Charles O. Matcham, Charles Luckman, and William Pereira in 1952 with interiors by Raymond Loewy and Associates, was retailer J.W. Robinson’s first store in suburban Los Angeles.
One of the insider landmarks of Beverly Hills is the Tower of Hope, an art-covered oil derrick that sits at the edge of Beverly Hills High School, clearly visible from Pico Boulevard. Covered with fabric panels painted with colorful flowers by young hospital patients, the 155-foot-tall tower is a remnant from the days when the area was covered with oil fields (the high school once contained almost 20), and it’s become a popular visiting spot. It also still pumps oil, for Denver-based Venoco, with some of the proceeds going to the school. But Beverly Hills High’s major expansion plans call for removing the well altogether.
Yesterday, AN reported on the incredible new entertainment complex that millionaire James Goldstein is building next to John Lautner’s Sheats Goldstein Residence in Beverly Hills. But even without an adjacent nightclub, the house often hosts splashy events, the most recent of which was the latest art/architecture installation that’s part of artist Xavier Veilhan’s Architectones series. As he did at Richard Neutra’s VDL House and Pierre Koenig’s Case Study House 21, Veilhan created several site specific installations for the site, ranging from a life size statue of John Lautner to a series of cords stretching over the home’s pool. The project was curated by architect Francois Perrin and organized by Galerie Perrotin.
Beating out shortlisted competition including John Friedman Alice Kimm and Brooks+Scarpa, Italian firm Studio Fuksas has been awarded the commission to revamp the Beverly Center, the legendary (not to mention, ahem, aesthetically challenging) high end shopping mall in Beverly Hills. The job, overseen by Michigan-based developer Taubman Group, calls for revamping a building that has become tired both inside and out. Read More
Last month we reported on Beverly Hills’ virtually nonexistent preservation policies and the destructive results for Modern architecture. Well those (lack of) rules seem to be at issue again, as we learn from Curbed LA that Richard Neutra’s 1955 Kronish House is for sale, with a listing on Redfin emphasizing the land’s “huge upside potential as a major estate.”
In Elegy: Reflections On Angkor, John McDermott’s monochromatic photographs of the famous Hindu-Buddhist temple complex in the jungle of Cambodia are a haunting paean to an inspiring and sacred place. Made up of a complex of temples and holy spaces, which the World Monuments Fund called “one of the most significant buildings erected during the ancient Khmer empire,” Angkor is a site under siege from an influx of tourists as well as the elements of modern day life. Using specialized black and white film, McDermott captures the ghostly grandeur of the former the seat of the Khmer empire and produces sepia-toned silver gelatin prints, like Twisted Tree, Ta Prohm, 2001 (after the jump). He photographed the temple complex at Angkor before restoration efforts began on this UNESCO World Heritage Site, providing a glimpse of monuments in a state that no longer exists.
At the same time that Palm Springs is celebrating all things Modern at its Modernism Week, we just came across the pretty-much-completed demolition of Beverly Hills’ 1961 Friars Club at 9900 Santa Monica Boulevard. The windowless, space age Modern building, designed by Sidney Eisenshtat, was one of several important structures by the architect, including Temple Emmanuel in Beverly Hills, Sinai Temple in Westwood, and the Wilshire Triangle Center. Read More
Gagosian Gallery is apparently trying to take over the world, with locations in New York, London, Rome, La Jolla, Hong Kong, and another coming to Paris. Its latest project is Richard Meier & Partners’ expansion of its Beverly Hills gallery which Meier originally designed in 1995. The new space adds 5,000 square feet to what was a 6,600 square foot building. We were able to step inside the project, which opened today on Beverly Hills’ swank Camden Drive, and we weren’t disappointed. The extension combines Meier’s signature pristine white walls and abundant natural light (long acid-etched skylights on both sides of the space are semi-opaque, but still reveal the color of the sky) combined with the grittiness of a wonderful existing barreled vaulted wood truss roof, which was discovered when the firm removed the ceiling from the building’s former tenants, Umberto’s Hair Salon. A huge translucent glass and aluminum sliding door at the street also lets in glowing light, and provides an easy entry for oversized works.
According to the Santa Monica Daily Press (via our senseis at Curbed) Santa Monica has basically claimed victory in its battle against Beverly Hills for Eli Broad’s new contemporary art museum. According to the story the Santa Monica City Council could vote on the deal as soon as this Tuesday. “I feel that the vast majority of issues have been discussed thoroughly and agreed to,” City Councilman Bob Holbrook told the Daily Press. Meanwhile in Beverly Hills city spokeswoman Cheryl Burnett told the Daily Press she wasn’t aware of any new developments in negotiations with the Broad Foundations. Doesn’t look good for Beverly Hills.. Read More
After making nary a peep about his proposed Beverly Hills museum since last April, Eli Broad is again making it clear that he wants the project to move forward. And that he wants it to be much bigger. According to the LA Times, a plan sent last month to the Beverly Hills Planning Department calls for nearly 50,000 square feet of exhibition space (including a 6,100 square foot outdoor area for sculpture), up from the 25,000 previously anticipated. According to the story he’s also included Santa Monica as a possible contender for the museum, for which he would create a $200 million endowment. And now the cities are jockeying for position: Kevin McKeown, a Santa Monica city councilman, told the Times, “I’ll do everything I can to make this happen.” Meanwhile Cheryl Burnett, the city of Beverly Hills’ spokeswoman, issued a statement saying, “While we recognize that the Broad Foundation has many options. . . . There’s no better place than Beverly Hills to showcase this world-class contemporary art collection.” Let..the..fireworks..begin.