Everything Loose Will Land
4 West Burton Place, Chicago
Through July 26
Everything Loose Will Land explores the intersection of art and architecture in Los Angeles during the 1970s. The show’s title refers to a Frank Lloyd Wright quote that if you “tip the world over on its side and everything loose will land in Los Angeles.” This freeness alludes to the fact that this dislodging did not lead to chaos but rather a multidisciplinary artistic community that redefined LA.
Bernard Tschumi’s first project in Italy appears to be on hold—if it is not dead altogether. The regional Superintendence for Architecture and Landscape Heritage has blocked plans for the architect’s cultural center, called “ANIMA”, which was scheduled to open in Grottammare in 2017. The announcement about the plan’s fate was made the same day a retrospective on Tschumi’s work opened at the Pompidou Center in Paris—a retrospective that includes ANIMA, which stands for arts, nature, music, action.
Decon Artists: Wigley, Tschumi, Eisenman Reflect on MoMA’s Landmark “Deconstructivist Architecture” Exhibit
On January 22, Mark Wigley, Bernard Tschumi, and Peter Eisenman took the stage in MoMA’s theater to reflect upon Deconstructivist Architecture, the landmark 1988 exhibit curated by Wigley and Philip Johnson. The press release at the time described the featured architects—including Coop Himmelblau, Frank Gehry, Zaha Hadid, Rem Koolhaas, and Daniel Libeskind, along with Tschumi and Eisenman—as “obsessed with diagonals, arcs, and warped plans.”
In a where-are-they-now moment, Wigley said, “It occurred to me that only Daniel Libeskind thought the show was about the future, and he still seems to be designing for the show, and that seems to be not a good idea.” And the sniping didn’t stop there. Eisenman, despite refusing to hold the microphone to his mouth, could be overheard saying what kind of exhibit he would—or rather, wouldn’t—do, if given the chance: “Well, it wouldn’t be like the biennale of last fall, which was sort of a discount supermarket of everything that was going.” “Including you,” zinged Wigley.
The Woolworth Building just a few short blocks from Zuccotti Park—the spiritual home of the Ocuppy movement—was itself bathed in radical red last night to celebrate the iconic “red” work of Barbara Krueger and Bernard Tschumi. The two celebrated figures were being honored by the Storefront for Art and Architecture at their annual Spring fundraiser.
Update (4/21/10): Three more firms have been confirmed: Snohetta, Rafael Viñoly, and L.A.’s Frederick Fisher. This is shaping up to be a pretty diverse crew.
The SF Chronicle reports that the Berkeley Art Museum/Pacific Film Archive has sent out letters to ten architecture firms, asking them to submit qualifications to design their new home. Adding to the three that have already been sussed out (Bernard Tschumi, Tod Williams Billie Tsien, and Will Bruder), we have confirmed a fourth: Ann Beha, whose Currier Museum of Art in New Hampshire has been well-received. Read More
Just when we thought the season of giving was behind us, Bernard Tschumi has brought out one last gift for MoMA. The architect announced yesterday that he would donate 43 of his father’s architectural drawings to the museum, making it the only non-European institution with a collection of Jean Tschumi originals. Read More