Tales of Two Cities: New York & Beijing
1 Museum Drive, Greenwich, CT
Through August 31
The Bruce Museum’s newest exhibition examines two of the world’s greatest art capitals: New York and Beijing. The show compares works by five New York–based artists and five Beijing-based based artists. The ten creators have been engaged in five different global, cross-cultural, artistic dialogues over the course of two years via email, Skype, and in person, sometimes with translators, about issues ranging from political and social upheaval, the concept of global culture, and questions about materials and techniques.
Nearly two years after preliminary discussions and planning, the Chinese studio MAD has set their project “Urban Forest” into motion, breaking ground in late April. Led by renowned architect Ma Yansong, MAD architects intends to transform the city of Beijing, China by erecting eco-friendly buildings—called Chaoyang Park Plaza—in the shape of natural landscapes commonly found in Southeast Asia.
The design team at MODU, in collaboration with Ho-Yan Cheung of Arup, have created an urban public space for the 5th China International Architecture Biennial. Their design pays homage to Beijing’s iconic Olympic Park, while drawing attention to environmental issues in the country’s densely populated capital. The biennial committee has also commissioned designs from leading international architects such as Wang Shu, Zaha Hadid, and Mohsen Mostafavi.
After reviewing over 60 entries from around the world, The Council on Tall Buildings and Urban Habitat (CTBUH) has selected this year’s winners of its annual Best Tall Buildings. Regional winners from Canada, China, the United Kingdom, and the United Arab Emirates have been announced, while an overall winner will be revealed at the CTBUH 12th Annual Ceremony in November. Projects are recognized for their impacts on the development of tall buildings and the urban environment, and for sustainability.
Frank Gehry has unveiled renderings of its shortlisted entry for the competition to design the National Art Museum of China (NAMOC), the predestined showstopper of Beijing’s new cultural district. Gehry was shortlisted alongside fellow Pritzker Prize winners Jean Nouvel and Zaha Hadid for the high-profile project. Gehry’s submission incorporates transparent cladding, an interior comprised of lofty, geometric courtyards evocative of pagodas and temples, and a layout that would accommodate nearly 12 million annual visitors.
Beijing Design Week
September 26–October 3
Beijing Design Week, now in its second year, aims to change the catchphrase “Made in China” to “Designed in China.” The festival will bring together 30 local and international design firms for packed roster of events focusing on urban design and including Dutch artist/architect Daan Roosegaarde’s experiments with LEDs (above). Design Week will take over the whole city, staging happenings everywhere from the trendy 798 art district to Tiananmen Square, whose neighboring historic district will host pop-up shops and street art installations, to the site of the China Millenium Monument, where Paul Cocksedge will unveil an installation on October 1. This year London was invited to be Beijing’s “guest city,” and emissaries from the London Design Festival will translate some of their most successful ideas and activities into a new context.
Shortly after the dramatic fire consumed much of the TVCC tower in Beijing earlier this year, we speculated on the building’s fate. Well, it’s taken eight months, but Archinect directed us to an AP story in which OMA’s Ole Scheeren finally addresses the rampant concerns that have been plaguing the burned out building, and the prognosis is good. Scheeren said that the building is indeed intact and will be replaced—at what cost, who knows, though this being state-run television, does it even really matter? The AP adds that construction scaffolding is already up on the site, and Scheeren goes to great lengths to dispel apparently rampant and, as far as we can understand, ridiculous rumors that were the TVCC building to be dismantled, it would drag down the better known CCTV building because the two shared a structural system. Read More
As images of a surprisingly intact TVCC building emerge after yesterday’s inferno, the China Central Television network (CCTV) was forced to admit that a fireworks display put on by its employees caused the fire to its iconic new headquarters complex in Beijing, designed by OMA’s Rem Koolhaas and Ole Scheeren.
From Beijing, longtime AN contributor Aric Chen writes in with these observations:
As of 1:00 AM, hundreds of people were still gathered around police barriers (some holding their dogs), taking photos and videos of the smoldering building, while water cannons were intermittently shot at both the north and south facades. It’s a misty night and, through the haze, the building, which was lit by floodlights, appeared to be burnt to a crisp. From the south side, two fires were still flaring at what looked like about the 15th and 30th floors.