MVRDV Proposes A Tower of Life-Size Stacked “Building” Blocks
Dutch architecture office MVRDV has placed a bid to create a 1,300-foot-tall skyscraper in Jakarta, Indonesia called Peruri 88. The complex arrangement of edifices, which resembles a city’s worth of buildings stacked atop one another along the lines of a massive assembly of life-size “building” blocks covered with greenery, is MVRDV’s answer to Jakarta’s need for densification and green space.
Shortlist to Replace Los Angeles’ Iconic Sixth Street Bridge Revealed
We learn from our friends at Curbed that Los Angeles’ Sixth Street Viaduct Competition, replacing one of the most famous—and fragile—landmarks in LA, has a shortlist. The 3,500-foot-long, art deco span was recently deemed beyond repair, and the winner will build a $401 million, cable-stayed bridge in its place. The teams, all present at an LA Bureau of Engineering meeting last night, are AECOM, ARUP, HNTB, Parsons, Parsons Brinckerhoff, and SOM. Three of those teams will present their plans in September, with a winner chosen in October.
Tomás Saraceno’s Cloud City
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The artist’s first major U.S. commission lands at the Met
On Monday, the Metropolitan Museum of Art held a preview of the latest installation to take root in its Iris and B. Gerald Cantor Roof Garden. Designed by Tomás Saraceno, the installation is the largest of the artist’s Cloud Cities/Airport Cities series, and his first major commission in the United States. Under overcast skies and a sprinkling of rain, the installation’s first visitors—or at least those wearing rubber-soled shoes—clamored through its 16 interconnected modules. Some paused to sit or lie in the structure’s uppermost areas, while others were content to view the constellation of mirrored acrylic forms and nylon webs from the ground. The experience of boarding the structure is disorienting, and the piece gives visitors the impression that it would float away from the rooftop and over Central Park if not tethered to the Met by steel cables.
Buildings = Energy at the Center for Architecture

A design by Perkins+Will explores passive system choices through integrated photovoltaics at the bottom of windows and a reflective panel at the top to bounce light back into the building. Angled window panes help reduce solar heat gain. (Courtesy Perkins+Will)
Amidst the event saturated month of Archtober and the holiday hubbub that followed, the Center for Architecture‘s fall show, Buildings = Energy, got a bit lost in the shuffle. But there’s still time to check it out through January 12. Earlier this month Margaret O. Castillo took AN on a tour of the exhibit, the last under her tenure as AIANY chapter president. The show drives home several green points that Castillo has been hammering at all year, primarily the fact that buildings consume energy–a lot of it. Eighty percent of greenhouse gas emissions come from buildings, and in New York City alone they use 94 percent of the power. The exhibit takes a holistic approach focusing on the amount of energy needed to extract and make materials, to the energy used to build, and the energy consumed by the completed structure.
QUICK CLICKS> Support, Prefab, Wright, Genius
Shigeru Ban‘s Tokyo office is developing temporary housing structures for those displaced by the natural disaster in Japan, reports Archinect; click here to help support the project. Stateside, AIA president Clark Manus issues a statement encouraging U.S. architects to do all they can to support Japanese recovery efforts.
The New York Times covers Forest City Ratner‘s plan to use prefab building components for a 34-story apartment building at Atlantic Yards in Brooklyn. Engineered by Arup and designed by SHoP, the units should be pretty high-end as far as modular housing goes, but construction workers argue that the prefab approach will mean less jobs.
The Frank Lloyd Wright Building Conservancy trumpets the news that twelve of the master’s houses are currently on the market (starting at $800k for the Arnold and Lora Jackson House in Beaver Dam, WI), via Design Crave.
Acorn Media announces that the acclaimed BBC “Genius of Design” series is available on DVD. The five part documentary focuses on the highlights of industrial design throughout the twentieth century and beyond.
Hudson Square Pushes to Reclaim Pedestrian Space
A major transformation of the once-industrial Hudson Square neighborhood in Lower Manhattan aims to bring pedestrian vitality to streets originally designed for delivery trucks servicing printing houses. Crain’s reports that Hudson Square Connections, the local business improvement district, has selected a design group led by Mathews Nielsen Landscape Architects from a pool of 23 respondents to create a new streetscape to improve the area’s image.
More on the plan to balance the area’s changing demographics.
Behind the scenes at Canstruction LA
AN recently took a sneak peak at late night preparations for the fifth annual Canstruction LA, a charitable design competition—whose pieces are currently on display in the lobby of 5900 Wilshire Boulevard— that taps teams of architects, designers, builders and engineers to create large-scale sculptures using canned goods (and even a few water bottles) that will eventually be donated to the Los Angeles Regional Foodbank. What we found was a furor of activity, many boxes of pizza, and a bit of competitive banter among teams. Read More
Yes We CAN

Gensler and Arup's "Pump-can"
Last night CANSTRUCTION LA, organized by the Society for Design Administration, announced the winners of its 2009 competition at 5900 Wilshire Boulevard. All 60,000 cans—from anchovies to pumpkin pie filling— used to build the amazing structures will go directly to the Los Angeles Regional Food Bank, as will over $7,700 in donations. The structures will be on display at 5900 Wilshire through this Sunday. Check out this fantastic teaser video for the competition, which shows a clever can making its way from the supermarket to the venue. And here’s a video of winning team Gensler putting together their entry. All 10 participating teams produced stellar constructions, but a few stood out. They were: Read More
Ritchie Engineering
On Friday, Matthew Ritchie opened his new solo show, Line Shot, at the Andrea Rosen Gallery in Chelsea. While the work is impressive as always, most notable is the installation of the newest piece of “The Morning Line,” a work unveiled at the Biennale last year (we saw it first hand!) that has begun to trek around the world in different forms, popping up earlier this summer in London, which is where the above video was shot. Inspired by the Big Bang, The Morning Line is notable not only for Ritchie’s typically uncanny sense of and attention to detail but also its intricacy and precision, aided in part through a partnership with ARUP’s Advanced Geometry Unit, led by Daniel Bosia, and the architects Aranda/Lasch, whose Ben Aranda walks us through the project in the video below. The piece is on view through December 2, as well as after the jump. Read More
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