Chicago may be better known for NeoCon–that’s the design show, not right-wing political philosophy–but the contemporary and modern art equivalent, Artropolis, appears to be holding ground with another solid run at the Merchandise Mart over the last weekend. Artropolis, the Midwest‘s answer to Art Basel, is comprised of three fairs: Art Chicago; NEXT, an invitational exhibition of emerging art; and the International Antiques Fair. AN’s Midwest Eavesdrop took a spin around the preview party to peep who turned out for the free booze and what was showing at the fairs. Read More
We urbanites have all cursed the slow-moving, camera-toting tourists, snapping photos of the iconic buildings in the cities we hustle through daily. As residents, with the dulling nature of time, our appreciation of these structures is diminished. As tourists, they are like vivid stage-sets captured in our minds, but, like all other memories, they are fleeting. We return home and try to explain them to our friends with words, charades-like gestures, and amateur photographs. Artist Susan Giles explores these ideas in greater detail with her current exhibition, Buildings and Gestures, currently on display at Kavi Gupta Gallery in Chicago through March 13. Read More
Winter makes Chicagoans crave a sense of escape. An intriguing new exhibition of Maya Lin’s work at the Arts Club of Chicago provides a timely opportunity to visit, visually at least, some fascinating terrain. With its small and large-scale sculpture and installations, viewers can travel from mountain peaks to the bottom of the sea. Read More
The British artist Richard Woods is known for using patterns from historical sources such as Tudor architecture and the designs of William Morris in his Pop inflected works. His new installation at Lever House, entitled Port Sunlight, wraps the ground level elements at Gordon Bunshaft’s mid-century masterwork in vibrant panels, and while there isn’t a snowflake in sight the effect is festive. Read More
Thirty-five years ago in Austin, Texas, Willie Nelson forged an historic accord between the hippies and the rednecks. Today, some 200 miles to the north in Arlington, Texas, Gene and Jerry Jones, owners of the Dallas Cowboys, are forming a similar pact, this time between the artists and the jocks. The Jones family has kicked off an ongoing initiative to commission contemporary artists to create site-specific installations for the newly completed Cowboys Stadium. The initial blitz of 14 works includes pieces by such art world luminaries as Franz Ackermann, Annette Lawrence, and Oafur Eliasson. See more after the jump.
From Germany via Dangerous Minds comes this stunning 3-D architectural illusion: A square building appears possessed, its facade rippling, segmenting and mutating. Giant hands manipulate the building’s surface and then dissolve. A wave ripples through the building’s bricks as if it were shivering. Read More
It’s not every day that a scary fire burns within a few miles of a major cultural institution. Well in LA it sort of is, but that’s beside the point. A recent drive on the 405 Freeway revealed to us what all the news reports are saying: There is a biggish blaze burning just one hill over from the Getty Center on LA’s west side. The smoke is thick and brown, and on first look bulged out at the top, not unlike a mushroom cloud. Yikes. Helicopters are running regular passes over the thing, which is spreading in thin lines along the mountains facing the Getty, moving southward down the Sepulveda Pass. But fortunately it appears that firefighters have it under control (in California terms a 10-acre fire is only a mini conflagration), despite a forced evacuation of the Getty and nearby Mount St. Mary’s College. Stay tuned… We hope we don’t have to see if all that marble and granite will hold up to a good ol’ California disaster. And for now, the biggest concern of drivers on the 405 is the threat of imminent traffic. Now that’s scary.