On View> Repeat Offender Combines Architecture, Cardboard & Spray Paint

East
Tuesday, May 1, 2012
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Großes Kino (HPM, Charlottenstr Version #3) (Courtesy Jonathan LeVine Gallery)

Großes Kino (HPM, Charlottenstr Version #3) (Courtesy Jonathan LeVine Gallery)

EVOL: Repeat Offender
Jonathan LeVine Gallery
529 West 20th Street, 9th floor
New York
Through May 5

While his artwork might be hanging on the walls of a gallery in Chelsea, Berlin-based street artist Evol adds a distinct element of urban grit to his used-cardboard and spray-paint stencil works now on display as part of his Repeat Offender exhibition. The incredibly detailed views capture the abandonment of low-income German neighborhoods, using the texture of the cardboard base to enhance the paintings’ architectural qualities. “Clean surfaces don’t speak to me, so recording these marks is a process of visually remembering the charm of a place that will soon be painted over,” Evol said in a statement. Besides his cardboard paintings, Evol is also showing paintings on metal and photographs on his 2009 installation from a slaughterhouse in Dresden, Germany.

View a gallery after the jump.

ON VIEW> CARLO SCARPA: THE ARCHITECT AT WORK

East, East Coast
Thursday, March 22, 2012
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Palazzetto Site Plan. (Courtesy Cooper Union)

Palazzetto Site Plan. (Courtesy Cooper Union)

Carlo Scarpa: The Architect at Work
The Arthur A. Houghton Jr. Gallery
The Cooper Union
7 E. 7th Street
Through April 21
A collection of hand drawings and photographs of work by renowned postwar Italian architect Carlo Scarpa is on view for the first time in New York.  The exhibition depicts the conception and realization of two major works, the renowned Villa Ottolenghi (Bardolino, Verona, 1974–79) and the Il Palazzetto series of imagined interventions in a 17th-century villa (Monselice, Padua, 1969–78). Scarpa is renowned for his poetic expression of space through the use of materials and ornamentation, and visitors to the gallery will witness the architect’s development of spatial ideas through 22 original hand drawings of Villa Ottolenghi and 11 of Villa Il Palazzetto. Reproductions of historical photos taken of the Villa Ottolenghi before it was completed as well as recent and historical photos of Scarpa’s work at Villa Il Palazzetto are included, along with reproductions of his drawings for the Museo di Castelvecchio and the Museo Nazionale dell Arti del XXI secolo.

 

Pictorial> Modeling for PS1: HWKN’s Wendy

East, East Coast
Monday, March 12, 2012
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HWKN's proposal, Wendy, in the PS1 courtyard. (Courtesy HWKN)

HWKN's proposal, Wendy, in the PS1 courtyard. (Courtesy HWKN)

So you want to win the MoMA PS1 Young Architects Program? This year’s champs Matthias Hollwich and Marc Kushner of HollwichKushner (HWKN) shared some insight about their strategy with AN. The competition started with an invited portfolio submission from about 20 young architects. After being selected by the MoMA PS1 panel as one of three finalists, HWKN started in with rigorous research into past winners and the selection process. “We made a book about every entry,” Hollwich said.  This study provided in-depth knowledge of the different approaches and forms which have won, and also those that have not been successful.

Continue reading after the jump.

IESNYC Student Lighting Competition

Dean's List, East
Monday, March 5, 2012
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2012 IES Student Competition. (Naomi Castillo)

2012 IES Student Competition. (Naomi Castillo)

The 12th annual IESNYC Student Lighting Competition, “Fraction/Refraction”, was held Wednesday night at the appropriately well-lit Helen Mills Event Space in Chelsea.  The competition was open to all interested students in New York City and included entries from designers at Pratt Institute, Parsons/New School, Fashion Institute of Technology, Fordham, and New York School of Interior Design.  Over 100 entries created a luminous one-night exhibition of over 100 light-sourced objects, each with a different take on this year’s theme of  “how light plays with textures, flows through materials and creates layers of contrast.”
Read More

Chutes and Ladders at the New Museum

East
Friday, October 28, 2011
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Carsten Höller's Slide at the New Museum. (Branden Klayko)

Carsten Höller's Slide at the New Museum. (Branden Klayko)

The New Museum has been transformed into a real-life game of chutes and ladders, or perhaps a Fun Palace a la Cedric Price, for its new exhibition Carsten Höller: Experience that opened this week and is running through January 15, 2012. The centerpiece of the show is a spiraling stainless steel slide traversing the fourth through second floors and providing what certainly must be the most rapid vertical circulation in the entire city short of a plummeting elevator . We stopped by to check out the slide and, after signing our lives away on a waiver, took a couple rides ourselves.

Check out a photo gallery after the jump.

Quick Clicks> Trip 0˚00, Thinking Gates, Growing Art, and Mapping Pollution

Daily Clicks
Tuesday, October 18, 2011
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Walking the line. Watch artist Simon Faithfull travel both built and unbuilt environments along “the exact longitude of the Greenwich Meridian,” using a GPS device in his documentary project “0˚00 Navigation.”  Above is an excerpt through London, but you can also watch the whole thing here. (h/t Polis.)

At the city gates. In this short article at the Sustainable Cities Collective, Chuck Wolfe muses over what a “city gate” would be in a modern city, contending that Google streetview is one form of a modern gate incarnation. Is a physical gate just an ornament of memories, or do we need the architectural drama only a physical threshold can provide?

Art heals blight. As Elizabeth Currid-Halkett notes in the NY Times, art as a revitalization tool works, but not always. It takes more than just cheap rent and abandoned factory lofts to cultivate the next Soho. Take the case of Red Hook’s art scene from the Brooklyn Daily Eagle: art, given its mercurial nature, may be best left alone, like the somewhat-isolated Brooklyn neighborhood.

A map for Captain Planet. SkyTruth, a nonprofit environmental monitoring group, recently launched a real-time, interactive alert system that digitally maps domestic pollution events, such as toxic spills and air & water pollution. More at the LA Times blog.

 

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AN Video> Reimagining with Artist Ricardo Cid

Dean's List, International
Tuesday, August 16, 2011
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With a background in engineering, artist Ricardo Cid uses visualization to understand and reimagine everything from periodic elements to playing the sax. Here he flies through a presentation for the AN staff, leaving us more than a little fascinated, if not, at moments, a little perplexed.

Highlight> Jorge Pardo at Armory Center for the Arts

West
Wednesday, June 22, 2011
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Courtesy Armory Center for the Arts.

Jorge Pardo
Armory Center for the Arts
145 North Raymond Ave.
Pasadena, California
Through November 6

MacArthur-winner Jorge Pardo gained his reputation by blurring the boundaries between art, architecture, and design. In his temporary exhibit in the courtyard of the Armory Center, Pardo engages the surroundings, deploying four pepper trees to act as three-dimensional framing devices for groups of translucent hanging globes. What at first seems to be a festive environment becomes a contemplative one, as visitors sit on benches surrounding the base of the trees and take a closer look at the spheres. Each reveals an ethereal universe inside: delicate reflective materials sit protected from the surrounding activity, casting shimmering, changing light onto the world around them.

More photos after the jump.

A Pictorial Description of Broadway in 1899

East
Thursday, March 3, 2011
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Broadway, East Side. Wall to Liberty St. (Courtesy NYPL)

Broadway, East Side. Wall to Liberty St. (Courtesy NYPL)

Last week, we came across illustrator James Gilliver Hancock’s series of playful block elevations titled “All the Buildings in New York.” It turns out this impulse to sketch block upon block of New York’s architecture has been around for quite some time. In 1899, the Mail & Express newspaper company published a graphic journey down Manhattan’s Broadway in a book called A Pictorial description of Broadway now archived at the New York Public Library.

The stroll down Broadway 112 years ago reveals just how much New York has evolved over the past century. As the NYPL says, “The result, as you can see here, is a 19th century version of Google’s Street View, allowing us to flip through the images block by block, passing parks, churches, novelty stores, furriers, glaziers, and other businesses of the city’s past.”

Check out some of our favorite blocks after the jump.

Revealing A City′s Hidden Digital Landscapes

International
Monday, February 28, 2011
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Immaterials: Light painting WiFi (Courtesy yourban.no)

Immaterials: Light painting WiFi (Courtesy yourban.no)

Ever hit a WiFi dead spot when moving about the city? A new visualization project called Immaterials: Light painting WiFi by Timo Arnall, Jørn Knutsen and Einar Sneve Martinussen reveals the hidden landscape of digital signals though long-exposure photography and a stick equiped with a WiFi sensor and LED lights. Here’s more from YOUrban.no:

The city is filled with an invisible landscape of networks that is becoming an interwoven part of daily life. WiFi networks and increasingly sophisticated mobile phones are starting to influence how urban environments are experienced and understood. We want to explore and reveal what the immaterial terrain of WiFi looks like and how it relates to the city.

Looks like this project could feel right at home with the upcoming MoMA exhibition, Talk to Me, exploring the feedback of our environments. (Via information aesthetics.)

Watch a video of the project after the jump.

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Video> Mayne Gets Artsy & Art-itecture Round Up

West
Thursday, February 10, 2011
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Thom Mayne explains his art (still from Form video)

Thom Mayne explains his art (still from Form video)

LA starchitect Thom Mayne recently took some time to share his art/sculpture with our friends at Form magazine. The three-dimensional pieces reveal his love for investigating hard-edged metallic shards, architectural movement, faceted surfaces, hovering forms and general chaos; all major forces in his architecture.

Watch Thom Mayne discuss his art and see more art by architects after the click.

The Art of Abandonment

East
Wednesday, January 19, 2011
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(image via WebUrbanist)

Buffalo-based architect Dennis Maher has devised his own version of adaptive reuse – he’s remaking abandoned buildings into sculptures. Inspired by the shrinking Rust Belt city where he lives and works, his sculptures “honor the former lives of these raw materials” in a way that is striking and thought-provoking. The large works of art in Undone-Redone City are complex, and offer us a new way of seeing buildings, or at least their elements. In Maher’s creations, a door and some flooring and a window frame might all mesh together to form a new shape and a new function that the original builders probably never imagined.
Click through for a slideshow of Maher’s sculptures.

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