Eavesdrop MW 02

Who will be running the Art Institute's new-ish design galleries? (juneleaf/Twitter)
DANCING WITH STARCHITECTS
Eavesdrop got all flustered when the Chicago Dancing Festival, an annual event celebrating American dance, announced the theme for its August 27 event: “The Dancing Skyline.” Could this be like Dancing with the Stars or a Pilobolus-like pile of dancers recreating buildings from Chicago’s iconic skyline? Probably neither, as the festival’s website simply describes it as “a lecture and demonstration focused on themes of architecture and dance.” Still, we would have paid good money to see Jeanne Gang paired with the likes of Jay Franke of the Lar Lubovitch Dance Company prancing off against Helmut Jahn and Fabrice Calmels of the Joffrey Ballet. A gossip columnist can dream! Read More
Piano Bombed

(photos courtesy Fat Caps and Chrome)
Chicago is known for the combination of its excellent architecture and tough, gritty urban life. Both aspects of the city’s personality met briefly yesterday, when two graffiti crews tagged a long wall of the Renzo Piano-designed Modern Wing at the Art Institute. While we would never endorse vandalism, there is no denying the visual power of the bright colors and riotous script dashed across Piano’s formal surfaces. The Art Institute, however, did not ponder the artistic merit of the tags. Read More
The Makers of the Design Canon

Recent acquisitions by the AIC's A&D department include the Obama logo designed by Sol Sender.
You probably would not expect to find the ubiquitous “@” symbol in the same category as the Olivetti portable typewriter, the Saarinen tulip chair, or the Pininfarina Cisitalia 202 GT car. But on Saturday at the Art Institute of Chicago (AIC), Paola Antonelli, Senior Curator, Department of Architecture and Design at the Museum of Modern Art, New York, persuasively argued for its inclusion in MoMA’s famed design collection alongside the items described above.
Within the very small world of museum architecture and design curators the AIC’s symposium, “Modern Construction: Creating Architecture and Design Collection” assembled a blue-chip group to discuss acquisition methodologies, philosophies, and approaches. Read More
Brazil 2, Chicago 0

Chicago suffered another crushing defeat to the hands of Brazil: first its Olympic bid loss to Rio and now best new restaurant design to Sao Paulo. Wallpaper* announced the winners in its Design Awards 2010 competition yesterday afternoon. The Chicago restaurant, Terzo Piano, nestled on top of the new Renzo Piano’s addition to the Art Institute, was nominated in the Best New Restaurant category along with contenders from Brazil, Argentina, South Korea, and Portugal. It ultimately lost to Sao Paulo’s Amazonian-inspired Kaa. Read More
Konstantin Craving

Osorom Seating Element for Moroso (all images courtesy respective manufacturers)
Konstantin Grcic: Decisive Design currently on view in The Art Institute of Chicago’s new Modern wing marks the first stateside showcase of the Munich-born, London-trained designer. Curated by Zoe Ryan, the exhibition is the fifth installment of the museum’s A+D Series that previously featured Chicago architect Douglas Garofalo and graphic design firm Graphic Thought Facility.
It’s also the first show with a subtitle. Although delightfully alliterative, “Decisive Design” is a misnomer. It sets up Grcic, a craftsman who studied at the Royal College of Art and came of age under the sly wit of designers Jasper Morrison and Ettore Sottsass, as an exacting decider. Sure, the 100 plus objects in the gallery reveal that Grcic is always searching logical production methods and that he takes an honest approach to materials, but the products themselves tell stories richer than pure functionalism. Read More
AIC Adds Architecture Curator

(photo: Dave Jordano)
Another sign of the growing importance of the Art Institute of Chicago’s Architecture and Design Department, the museum announced the appointment Alison Fisher as assistant curator. Fisher, who will focus on the department’s historical collection, joins department chair Joe Rosa, and curator Zoe Ryan, who has been building the department’s contemporary design collection. The department, which now boasts the country’s largest architecture and design galleries, is working on a major exhibition on Bertrand Goldberg, among other shows. Fisher previously served as a curatorial fellow at the Block Museum of Art at Northwestern University and she is completing a doctorate in art history at Northwestern.
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