Rahm Emanuel looks to lure George Lucas museum to Chicago

Midwest, News
Wednesday, April 23, 2014
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With his wife Mellody Hobson, who heads a Chicago investment firm, film mogul George Lucas serves as Grand Marshall of the 2013 Modesto American Graffiti Car Show and Festival parade. (hharryus / Flickr)

With his wife Mellody Hobson, who heads a Chicago investment firm, film mogul George Lucas serves as Grand Marshall of the 2013 Modesto American Graffiti Car Show and Festival parade. (hharryus / Flickr)

A short time from now in a neighborhood not far, far away… filmmaker extraordinaire George Lucas may land his art and film museum in Chicago. The move comes after the filmmaker’s bid to build the museum in San Francisco fell through last year. Read More

In Chicago, Toyo Ito Reflects On 3.11 Earthquake

Midwest, Newsletter
Wednesday, October 16, 2013
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Home-for-All in Rikuzentakata. (Naoya Hatakeyama / Courtesy Toyo Ito & Associates)

Home-for-All in Rikuzentakata. (Naoya Hatakeyama / Courtesy Toyo Ito & Associates)

Japanese architect and 2013 Pritzker Laureate Toyo Ito visited the Art Institute of Chicago Tuesday, reflecting during two public lectures on how the 2011 earthquake and tsunami that devastated his homeland changed his approach to design.

At 72 years old, the accomplished architect might be expected to rest on his laurels. But Ito said his entire approach began to change during the 1990s. “I used to pursue architecture that is beautiful, aligned with modernism,” he said through an interpreter during a talk with Korean artists Moon Kyungwon and Jeon Joonho; Yusaku Imamura, director of Tokyo Wonder Site; and artist Iñigo Manglano-Ovalle. Instead, he said, he began to ask what elements of a building make it livable.

Continue reading after the jump.

On View> “3 in 1: Contemporary Explorations in Architecture & Design” at the Art Institute of Chicago

Midwest, On View
Monday, September 30, 2013
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Tea With Georg collection for Georg Jensen, 2013. (Courtesy Art Institute of Chicago)

Tea With Georg collection for Georg Jensen, 2013. (Courtesy Art Institute of Chicago)

3 in 1: Contemporary Explorations in Architecture & Design
The Art Institute of Chicago
111 South Michigan Avenue, Chicago, IL
Through January 5, 2014

3 in 1 Contemporary Explorations in Architecture and Design is broken down into three small separate exhibitions each revealing different categories: architecture, product design, and fashion. In Reality Lab, the Japanese designer Issey Miyake, head of Reality Lab Studio, reveals a spectrum of diverse and innovative products resulting from his experiments with material, structure, and form. The exhibition includes Miyake’s two products lines: 132 5 and IN EI, which are based on origami-folding techniques that create two-dimensional geometric patterns and unfold into remarkable voluminous forms.

Continue reading after the jump.

Zoë Ryan to Curate 2014 Istanbul Design Biennial.  Zoë Ryan to Curate 2014 Istanbul Design Biennial Zoë Ryan, curator of architecture and design at the Art Institute of Chicago, has been selected to curate the second Istanbul Design Biennial, taking place from October 18 through December 14, 2014. Read AN’s report from the previous Istanbul Design Biennial here. Ryan has been working to expand the Art Institute’s architecture and design holdings and teaches at the School of the Art Institute and at the University of Illinois, Chicago. Previously, she worked at New York’s Van Alen Institute and the Museum of Modern Art. (Photo: Courtesy Art Institute of Chicago)

 

On View> “Abelardo Morell: The Universe Next Door” at the Art Institute of Chicago

Midwest
Friday, June 7, 2013
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(Abelardo Morell)

Camera Obscura: View of the Brooklyn Bridge in Bedroom, 2009. (Abelardo Morell)

Abelardo Morell: The Universe Next Door
Art Institute of Chicago
111 South Michigan Avenue
Through September 2, 2013

Abelardo Morell is a Cuban-born American photographer who over the past 25 years has used photography and his unique way of looking at the world to create compelling works of art. Morell finds inspiration for his pictures in the environment he is most comfortable in, his home. The subjects of Morell’s photographs are common household objects—still lives of books and money—but the photographer is most known for his Camera Obscura series. To create these unique, large-format photographs, Morell cuts out a small opening in a dark room that reveals a view of the outside world. An upside down image of the outside is then projected back into the interior of the room. Morell then photographs a projection of the outside world set against the common objects that fill a room’s interior, such as a bed, or a table of stacked books. This exhibition features more than 100 of the artist’s works in which he experimented with various techniques, including photograms, still-life tableaux, stop-motion studies, and the tent camera.

More images after the jump.

On View> Sharing Space: Creative Intersections in Architecture and Design

Midwest
Thursday, May 9, 2013
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(Courtesy Art Institute of Chicago)

(Courtesy Art Institute of Chicago)

Sharing Space: Creative Intersections in Architecture and Design
The Art Institute of Chicago
111 South Michigan Avenue
Through August 4

This new exhibition at The Art Institute of Chicago explores the influential impact that color inevitably has on our perception of geometry. It presents an extensive collection of modern and contemporary works ranging from the 1940’s to 2012 created by architects, urban planners, graphic designers, and industrial designers. One of the works prominently featured in the exhibit is Camouflage House (above), Doug Garofalo and David Leary’s theoretical project in which the pair “colored-in” the contours of a building, blurring the rigid lines and sharp angles of the structure and causing it to blend in with the surrounding natural landscape. The exhibition underlines the contrasting relationship between color and geometry and highlights the effect this relationship can have on architecture and design.

Is “Marketing” A Dirty Word?

Eavesdroplet, Midwest
Monday, March 11, 2013
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Studio Gang's Nature Boardwalk at Chicago's Lincoln Park Zoo. (Steve Hall / Hedrich Blessing)

Studio Gang’s Nature Boardwalk at Chicago’s Lincoln Park Zoo. (Steve Hall / Hedrich Blessing)

We were glad to be included on the Studio Gang’s Archi-Salon panel on “outside research” at the Art Institute of Chicago on February 2. UIC’s Clare Lyster moderated a lively discussion that, true to its roots in academic theory, kicked off by questioning the premise in the first place. Are practice and research separated by anything more than semantics? Based on the turnout it seems the discussion series achieved its goal of public engagement—what can we say? We’re thrilled and a bit surprised that you all find architectural theory as stimulating as we do.

During the discussion, Paul Preissner detected a whiff of marketing in architects’ clambering to engage “outside” disciplines. You might have thought he accused them of artistic treason, based on the defensive tone that the discussion took whenever the topic popped back up.

Rahm’s Security Loves Art, Passes On Booze

Eavesdroplet, Midwest
Friday, October 12, 2012
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It’s been (another) terrible year for Jeanne Gang! From being awarded the MacArthur Genius Grant to starring in the just opened solo exhibition, Building: Inside Studio Gang Architects, at the Art Institute, there appears to be no slowdown in Studio Gang momentum. Of course, Eavesdrop stopped by the opening and we have a few things to say. The first has little to do with Jeanne and more with the Art Institute. Their openings are always so snoozy! Get more of the students and younger folks in there, in addition to your stodgy museum patrons! We probably wouldn’t have stuck around long, accept a little bird told us that Mayor Rahm Emanuel would be making an appearance and we wanted to see how short he is in real life.

Zoë Ryan, the museum’s chair of the department of architecture and design, looked nervous awaiting Rahm’s arrival, while Jeanne looked quite at ease, milling about in a really cute dress. One of the hottest architects in the world is certainly in the same power echelon as the mayor of the Second City.

On View> Frank Lloyd Wright and the Prairie School

Midwest
Friday, September 14, 2012
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(Courtesy Art Institute of Chicago)

Utagawa Hiroshige’s Sparrows and Camillia in Snow from 1831. (Courtesy Art Institute of Chicago)

The Formation of the Japanese Print Collection at the Art Institute:
Frank Lloyd Wright and the Prairie School
The Art Institute of Chicago
111 South Michigan Avenue
Through November 4

Frank Lloyd Wright visited Japan for the first time in 1905, inspired by the country’s pavilion at the 1893 World’s Columbian Exposition. He lived in the country while working on Tokyo’s Imperial Hotel, soaking in Japanese art and culture. It had a lasting impact on his own work, especially the development of the Prairie Style as well as his renderings and presentation drawings. During his time in Japan, Wright became a pioneering collector of Japanese prints, and often supported himself as an art dealer. Clarence Buckingham purchased numerous prints from Wright in 1911 (including Utagawa Hiroshige’s Sparrows and Camillia in Snow from 1831, above), which became the foundation of the Art Institute’s print collection. This exhibition is composed of prints purchased by Wright, photos of an exhibition of his collection he staged in 1908 at the Art Institute, and drawings from Wright’s studio.

Get ‘Em While You Can Afford ‘Em.  Coil Lamp by Craighton Berman. Local hot-shot designer, Craighton Berman, has left the firm gravitytank to go solo. He’s keeping himself busy with all kinds of stuff—from illustration to design workshops. Craig, whose illustrations regularly don the pages of Dwell, designed the Coil Lamp, which graced the pages of this paper and many others. The Coil Lamp was recently added to the permanent collection of the Art Institute of Chicago. Better get one before they become pricey collectibles.

 

On View> The Outdoor Office at the Art Institute of Chicago

Midwest
Monday, May 14, 2012
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The Outdoor Office. (Courtesy AIC)

The Outdoor Office. (Courtesy AIC)

The Outdoor Office
The Art Institute of Chicago
111 South Michigan Avenue
Chicago
Through July 15

Jonathan Olivares takes a human-centered approach to industrial design and research. His 2011 book A Taxonomy of Office Chairs, published by Phaidon, provides an encyclopedic history of the office chair from 1840 to present day; building on this research, Olivares presents the speculative project The Outdoor Office (above). The advent of mobile communication means that work can be done outside of traditional offices and that the utility of outdoor space is no longer limited to recreation and leisure. Olivares examines how productive work environments can be created with new types of outdoor furniture and architecture, with consideration of privacy, shelter, and adaptability. The exhibition showcases the research and results of his findings, with images drawn from television, film, and existing offices, in addition to conceptual projects and models developed for new outdoor work spaces.

Eavesdrop> The Gang Gang.  Eavesdrop> The Gang Gang In news that will surprise no one, Studio Gang is getting the star treatment by the Art Institute with a monographic show planned for fall 2013. Eavesdrop is certainly not immune to Jeanne Gang’s charms, nor do we dispute her talent, but her work is exhaustively covered in these pages and every other design publication as well as prestige glossies like The New Yorker. Last year, Studio Gang released a monograph of their work, as well as a book-length design proposal for the Chicago River. The firm’s contribution to MoMA’s Foreclosed exhibition just opened. Zoe Ryan and her team at the AIC, then, have given themselves a difficult task: how to show or say something new about the MacArthur-anointed genius architect. And next time, AIC, shine the spotlight on someone a bit less exposed!

 

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