American Academy of Arts & Letters Issues 2014 Awards

Awards, International
Tuesday, March 25, 2014
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The American Academy of Arts & Letters was formed in 1904 on the model of the French Academy. It operates today as a 250 member honor society, and, since 1955, has had an active yearly architecture awards program.

The Academy has just announced its awards for 2014 with its top award The Arnold W. Brunner Memorial Prize (of $20,000) going to the Italian artist and architect Massimo Scolari for his contribution to architect as art. Scolari had a retrospective of his drawings and models last year at Cooper Union and a pair of his iconic sculptural wings are still visible on Coopers second floor balcony.

The Academy also announced that two Arts & Letters Awards of $7,500 each would go to New York firms Christoff:Finio and Selldorf Architects under the leadership of Annabelle Selldorf for creating work which shows “strong personal direction.”

Finally the Academy gave well deserved awards to Michael Blackwood and Cynthia Davidson for their “exploration of ideas in architecture.”

American Academy of Arts & Letters Announces 2013 Architecture Award Winners

East, International
Monday, April 22, 2013
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The American Academy of Arts and Letters has announced its 2013 architecture awards recipients. The winners were chosen from a group of 32 individuals and practices nominated by Academy members. An exhibition of their work will be on display at the Audubon Terrace in New York City from May 16 to June 9, 2013.

Continue reading after the jump.

Gustafson Awarded Brunner Memorial Prize.  Kathryn Gustafson Kathryn Gustafson, founding partner of Seattle-based landscape architecture firm Gustafson Guthrie Nichol has been awarded the Arnold W. Brunner Memorial Prize in Architecture by the American Academy of Arts and Letters, an annual award honoring an architect who has made significant contributions to architecture as an art. Jury member James Polshek noted in a statement, “The power of her imagination and the precision of her execution have enriched the many natural and man-made places she has touched with her magic.” The Academy also awarded five Arts & Letters Awards to Hilary Ballon, Marlon Blackwell, Elizabeth Gray, Alan Organschi, and Michael Maltzan. The awards will be presented this May in New York City.

 

East Coast Champs

National
Thursday, April 1, 2010
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Michael Van Valkenburgh (right) with colleague Matt Urbansky at the opening of Brooklyn Bridge Park. Van Valkenburgh has just won top honors from the American Academy. (Matt Chaban)

The American Academy of Arts and Letters named the winners of its 2010 architecture awards Tuesday, which were dominated by northeastern designers. Long-time GSD professor Michael Van Valkenburgh is the recipient of the Arnold W. Brunner Memorial Prize in Architecture. The annual award of $5000 has been given to preeminent architects since 1955, ranging from Louis Kahn to Elizabeth Diller. Van Valkenburgh has designed more than 350 landscapes, including the recently opened Brooklyn Bridge Park. The Academy also announced the winners of its Academy Awards in Architecture, for strong personal work, which go to New York’s planning-obsessed Architecture Research Office and the Afterpartying MOS, of New Haven and Cambridge. And City College architecture dean, critic, and designer Michael Sorkin also won an Academy Award, largely for his writing. The four winners beat out 50 nominees and were selected by academy members Henry Cobb, Hugh Hardy, Steven Holl, Laurie Olin, Billie Tsien, and Tod Williams.

Perfect Fit

Other
Wednesday, May 13, 2009
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Here at AN there is no shortage of talk about how buildings are designed, but it is rare indeed that we actually get to show architecture in the course of one of its most important processes: construction. Lucky for us (and you dear reader) Robert Adrian Pejo filmed and edited the above video of a group of ornamental ironworkers from W&W Glass installing the James Vincent Czajka-designed glass link at the American Academy of Arts & Letters. The project is the subject of my In Detail piece in the current issue. Now, watch in amazement as these trained professionals crane lift 10-foot-wide-by-16-foot-high pieces of laminated glass (perfect golden rectangles mind you) over 40 feet into the air and insert them, in windy conditions, between the stone walls of two Beaux Arts edifices.

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