Between keynote sessions, awards presentations, and interviews at the American Institute of Architects‘ (AIA) National 2013 Convention, AN‘s editors joined 20,000 attending architects in the search for the newest and most innovative products on the floor of the Colorado Convention Center’s exposition hall. Following are a few notable discoveries.
SureClad Porcelain Stone
The Tennessee-based supplier of interior ceramics has partnered with Shackerley, a British manufacturer of porcelain ventilated facade systems, for an exterior cladding solution that meets U.S. building codes, including all seismic and hurricane standards. The system (pictured above) is supported by an aluminum frame and is delivered to job sites as a prefabricated system to ensure fast and efficient installation.
At the AIA’s National Convention in Denver, held from June 19–22, AN’s Emily Hooper sat down with Spanish architect Francisco Mangado, who was in attendance to receive an honorary fellowship. Mangado discussed foreboding amendments to Spain’s law of professional services that would allow engineers, or anyone deemed “competent” in construction, to design and erect buildings across the nation. The law was introduced at a council meeting of Government Ministers in April of 2013, and a final pass-or-fail decision will be reached by the end of this year. Read More
Add another medal to Thom Mayne‘s trophy case. Thursday the American Institute of Architects announced that it was awarding him the 2013 AIA Gold Medal. He’ll pick it up at next year’s AIA convention in Denver, becoming the 69th AIA Gold Medalist. The list of works from his firm Morphosis is way too long to include here, but it includes the diamond Ranch High School in Pomona, California; the California Department of Transportation District 7 Headquarters in Los Angeles; and 41 Cooper Square in New York City.
Meanwhile Tod Williams Billie Tsien Architects have been awarded the AIA Firm Award. The architects, who opened the new Barnes Foundation in Philadelphia this year, have also designed (among other heralded work) the former American Folk Art Museum in New York; the C.V. Starr East Asian Library at the University of California, Berkeley; and the David Rubenstein Atrium at Lincoln Center.
While our recent feature on New Orleans highlights some of the more high-profile architectural and development projects in the city, yesterday we were introduced to the other half of the rebuilding equation: the New Orleans Master Plan, which is being developed by Boston firm Goody Clancy and New Orleans-based Manning Architects.
At an afternoon panel, Goody Clancy principal David Dixon and Manning principal W. Raymond Manning shared their experiences creating a document that sets a new course for the city, from land use and transportation planning to environmental protection. “I haven’t had a single boring day here,” said Dixon, who dove head first into the city’s labyrinth of bureaucracy, inefficiency, and even racial divisions to create the gargantuan still-evolving document.
Yesterday we attended a sobering panel at the AIA convention entitled The Construction Outlook: Implications for Architecture Firms. Presented by the AIA’s Chief Economist Kermit Baker and McGraw-Hill Construction’s Vice President of Economic Affairs Robert Murray, the panel crystallized the problems that continue to plague the architecture profession. In short, while the downturn has ended, the upturn, which is indeed inching along, is coming along VERY slowly, or as Murray put it, we’re facing “an extended bottom.” Projected 2011 growth for U.S. construction starts is 1%, according to McGraw-Hill Construction. The high points are multi-family housing, which are projected to see a 22% gain, Manufacturing building, which could see a 24% gain, and commercial building, which is set to see an 11% jump. Other high points include urban infill, adaptive reuse, renovations, and sustainable design. Perhaps the biggest loser in the coming year will be public work, which is seeing cuts across the board due to debt issues. The AIA’s Billing Index has edged just barely into slightly positive territory after three years of steady declines, said Baker. Read More
One of the highlights of visiting the AIA Convention has been leaving the convention hall to see some of the wonderful new architecture in San Francisco. We got to see favorites like Daniel Libeskind’s new Jewish Museum, Herzog & De Meuron’s De Young, and Renzo Piano’s Academy of Sciences. But perhaps more unique were the AIA SF Home tours, where we could step inside homes otherwised closed to the public. Two highlights were in the lovely South Park Neighborhood: the Gallery House, by Ogrydziak/Prillinger Architects and the South Park Residence + Studio by Sand Studios. Both are studies in contrast. The first, which boasts a world class art collection and a visually interconnected series of vertical spaces, contrasts huge exposed steel beams with pristine white art-ready walls. The second combines the exposed concrete and wood of an old warehouse space with sophisticated, and layered modern finishes.
If you couldn’t make it out San Francisco for the AIA Convention this weekend (if you did, be sure to say hi to Sam and the rest of the gang), don’t fret. The Institute has been kind enough to set up streaming video of many of the lectures and events, and you can even earn credits for it. Sure, you’ll miss all the fun after-parties, like our own, but it also beats flying coach.
Another strange day at the AIA Convention in San Francisco. And perhaps the weirdest place of all is the Expo floor, where you can examine products ranging from stainless steel bathroom stalls to impact resistant drywall to powder coatings for steel systems (actually not a bad idea). But perhaps the strangest, and perhaps most intriguing product award goes to a company called Sky Factory, which manufactures “virtual windows” and “sky ceilings” which create the illusion that you have a beautiful waterfall or an ocean view outside your building. Read More