MANIFEST, a new annual independent print journal on American architecture and urbanism, is requesting text, project, and photographic proposals for its first issue entitled, “Looking Inward.” Edited by Anthony Acciavatti, Justin Fowler, and Dan Handel, and supported in part by the Graham Foundation for Advanced Studies in the Fine Arts, MANIFEST was founded to initiate a critical conversation about the state of American architecture, its cities, and its hinterland, tackling head-on what others have abandoned. While MANIFEST intends to question the assumptions behind singular constructions of America by tracing its origins and its global influence, the journal also strives to define the uniqueness of American forms of city-building and the distinct set of material and political parameters through which these forms are shaped.

The theme of our first issue, “Looking Inward,” is broadly construed as an interrogation of a “New World” taken for granted. Rather than abandoning this new world for a newer world to the east or or circling the wagons here at home, this issue of MANIFEST speaks less to a continual rehearsal of the initial American experiment in favor of a prompt toward the active shaping of its evolution. “Looking Inward” asks how can we take the reigns of a process once deemed to be a function of destiny. Why does America merit scrutiny? Assuming America deserves scrutiny, what parts have been overlooked and are deserving of attention? Of the areas that have received attention, how can they be amended, broadened, or rendered new and unfamiliar? What are the projects of America? For this issue, MANIFEST encourages a range of narratives, from the panoramic to the miniature, so long as they recast our understanding of how America is artificial, peculiar, and intriguing.

While one measure of the issue will be to articulate the necessity of the American project (the “why”, “when”, “where”, and “why now?”), we also hope to jump right into the “how” by suggesting approaches through which to re-ignite the formal, political, economic, and perhaps even the poetic efficacy of the American built environment. The publication will act as a forum—though not a disinterested one—and in this effort, no ideological or methodological precept will be taken for granted. As withdrawal and engagement are never acceptable as ends in themselves, we ask that claims of autonomy, revolution, pragmatism, continuity, advocacy, and/or activism offer compelling narratives of the ends that inspire their means.