The Urban Land Institute is hosting a new awards program for Los Angeles called the ULI LARC (Los Angeles Real Creativity) Awards, which will be presented annually to “four recipients who, through their extraordinary vision and creative action, are helping to change our world” The winners will be divided into four categories: Design (conceptual designs), Enterprise (innovative companies or initiatives), Place (a completed building or space), and Idea (for a big idea with profound effects). The fun part is that anyone can nominate a candidate here until October 14. The awards ceremony will take place at 5900 Wilshire Blvd (former home of the A+D Museum) on December 5, and award presenters will include none other than Frank Gehry, who has also “designed” the award’s trophies. That is to say the ULI is handing over some Gehry-designed paperweights. Granted it’s a $975 paperweight the architect made for Tiffany’s, so it’s not too shabby of an award after all.
Gensler yesterday installed their shimmering Memorial to Fallen Officers, a 11,000 pound, backlit structure made up of hundreds of staggered brass plaques, in front of AECOM’s almost-finished Police Headquarters in Downtown LA. The structure travelled via trailer from Kansas City over the weekend. That was the good news. The not-so-good news, according to the LA Times, is that after the memorial was craned into place the designers realized it was facing the wrong way! Instead of swiveling the whole structure, they’re going to have to unscrew all the plaques and re-install them on the other side. Someone’s gonna have to investigate this one…
We recently noted the impending demise of SCI-Arc’s original building in Santa Monica, which the school’s founder, Ray Kappe, didn’t consider much of a loss. As he put it, referring to renovations subsequent to SCI-Arc’s departure, the building “had good character, but now it’s got dumb character.” We didn’t exactly get what he meant, but then the fine folks at Archinect were kind enough to link to our story, and therein occasional AN contributor Orhan Ayyüce posted some pics from his time at SCI-Arc back in the day, some of which we’ve posted here (click the above link to see the rest). Now we get it, are kinda sorry we missed it, and sorry to see it go. Read More
At The Late Show Gardens, visitors were reminded that one of the temporary installations at this new garden show in Wine Country was, in fact, extremely temporary. A representation of global warming, the six-foot-high wall of ice was designed by a group that included Berkeley’s Peter Walker and Partners. In the 90-degree heat of a September day in Sonoma, the wall dramatically collapsed shortly before 3pm. The luminous ice was juxtaposed with thin green columns of cactus reflected in a pool of water–a startling and otherworldly image that could have come straight out of a Hayao Miyazaki movie. Read More
Last week, we wrote about Christopher Alexander winning the prestigious Scully Prize. Now, he’s been named the third most important urban thinker by venerable planning site Planetizen, after Jane Jacobs and Andrés Duany and ahead of F.L. Olmsted and Kevin A. Lynch. Even Daniel Burnham, who’s celebrating the centennial of his eponymous plan was lower on the list. If we sound surprised, it’s because many of us here in the office had either never heard of Alexander or long forgotten about him, his heyday having been so long ago. But clearly he is on people’s minds, considering Planetizen‘s list of the 100 most influential urban thinkers comes from a survey of its readers.
Perhaps Ned Cramer put it best, when we discussed Alexander’s selection by the Scully jury, of which the Architecture editor was a part: “I think it’s a lot like Venturi in the 90s, people are really starting to recognize a very influential designer, someone they’d been drawing on for years without even realizing it.”
Today is Park(ing) Day LA. It’s the third year that the City Of Angels is participating in this transformation of metered parking spots into temporary microcosms of park-like environments — some replete with bench seating, grassy areas, and fresh food off the grill. San Francisco-based art and activist studio, Rebar, created the idea in 2005 as a comment on the lack of quality public spaces as well as to promote social interactions and critical thinking among urbanites. And the meters? Organizers are continually plunking change into the metal coin collectors while the parks occupy the parking spot. Some highlights include: Read More
The “in” color for homes in San Francisco these days is a dark charcoal gray. If you are boldly angular, the sober color helps camouflage you. And if you are historic, you can declare your modernist leanings by choosing to dial down any rambunctious curlicues.
Inside the several charcoal-gray houses on the tour, it was a dramatically different story. Interior design for modern homes can play it safe, or go out on a limb. You wonder: Is it going to be straight-up Eames/Noguchi/DWR? Too-cool-for-you-Italian? Zen-rock-bamboo? Z Gallerie? Or a quirky mix of industrial materials and antiques? Read More
Remember the nursery rhyme?
Jack Sprat could eat no fat
His wife could eat no lean
And so betwixt them both, you see
They licked the platter clean.
The last two houses on this first day of the AIA SF’s Home Tours were rather like Jack Sprat and his wife. In Glen Park, the Roanoke St. house was a skinny 12 1/2 feet wide. Not too far away, the Bosworth St. house was only 42 feet deep. Each was an inspiring example of how to get out of a tight squeeze. And on this rainy day, where fall seemed to have arrived overnight, modern architecture’s ability to grab whatever sunlight there was to be had was particularly welcome.
“I hadn’t even heard about it,” Ray Kappe told us when we called him to find out about an item in Curbed the other day noting that the Santa Monica City Council had overturned a ruling by the Landmarks Commission that would have designated SCI-Arc’s original home as a historical icon worthy of preservation. Kappe, who founded the school in 1972 at a 1950s industrial building at 3030-3060 Nebraska Avenue [map], actually sided with the council in its decision, calling the building “messed up completely.” He said it used to sport “a pretty good 30s modern look. It had good character, but now it’s got dumb character.” That’s because at one point the landlord replaced the ribbon windows with generics, among other changes. Read More
When Boston’s Emerson College chose to open a satellite “campus” for students studying and interning in LA (it’s really just one building), the school would have been hard pressed to find a more suitable architect than Thom Mayne. After all, Morphosis has had a string of academic successes of late, including the new 41 Cooper Square in New York and the Cahill Center for Astronomy at Caltech. Indeed, some of the firm’s earliest successes were two high schools in Southern California. Now, Curbed alerts us to this latest project, complete with the above rendering. The details are kind of sketchy, though we do know there will be 224 residences in that La Defense-like box with classrooms in the inner blob, which is, like, so Thom Mayne.
Architecture for Humanity just announced the winner for the 2009 Open Architecture Challenge: Classroom. The global competition involved 1,000 registered design teams from 65 different countries. The challenge for the architecture, design, and engineering community was simple–partner with actual students and their schools to create real solutions for a classroom of the future. The winner, Teton Valley Community School in Victor, Idaho, was designed by local firm Section Eight. The concept is centered around the idea of place-based education in the school, a mode of learning that gives more importance to cultural and environmental sustainability than technology and consumerism. Read More
Among other scary lessons, the latest L.A. fire reminds us why it’s important to stick to a small footprint. As of this writing, the Station Fire in Los Angeles County has destroyed 64 homes, three commercial buildings, and 27 outbuildings, and has burned through at least 145,000 acres of land. In the midst of the blaze stands the historical Mt. Wilson Observatory, which was in danger from the nearby flames, but now appears to be safe. Read More