After years in the spotlight it appears that University of Southern California (USC) uber-alum Frank Gehry has decided it’s time to give back. The school announced today that Gehry has been named the school’s Judge Widney Professor of Architecture. He’s also taught at Columbia and Yale, but this is his first time teaching at his Alma Mater.
It’s not clear yet what classes he’s going to lead. Gehry, 81, graduated from USC (B.Arch) back in 1954. He’s arguably the school’s most famous alumnus, but there is good competition, including architects Thom Mayne and Gregory Ain, astronaut Neil Armstrong, filmmaker George Lucas, and, of course, O.J. Simpson.
The recent unveiling of Diller Scofidio + Renfro’s Broad Art Foundation has been generating a lot of buzz in the past couple weeks. The defining architectural element of the museum is its porous structural concrete veil which the architects hope will create an interplay between interior and exterior spaces. The Broad’s concrete skin won’t be Los Angeles’ first, however. Sitting just two miles away on Wilshire Boulevard, the American Cement Building features a mid-century veil of its own.
We learn from our friends at Curbed LA that LA’s CRA (Community Redevelopment Agency) is scrambling to put away funds for about a billion dollars in projects before being potentially done away with later this year. You see, earlier this month California Governor Jerry Brown proposed— among $12.5 billion in budget cuts— “phasing out” funding for all of the state’s redevelopment agencies, a move that, according to Brown, “will return billions in property tax revenues to schools, cities and counties and help pay for public safety, education and other services.”
According to Curbed, the CRA just “quickly put together a draft agreement with the city that socks away $938 million for future projects.” That includes money for The Broad‘s new parking garage, for a new office tower on Vine Street in Hollywood. No matter what you think of redevelopment agencies, the move will hurt architects and builders. So stay tuned next week for AN‘s comprehensive article on just how much it will hurt. Sounds fun, right?
Our favorite mobile, architecture-loving ice cream sandwich maker, Coolhaus, has added another truck to its growing arsenal. But this time the treats aren’t for humans. The new truck, Phydough, sells gourmet dog treats, ranging from duckfat-flavored biscuits to foie gras doggie ice cream.
Yes, this is no joke. Coolhaus founders Natasha Case and Freya Estreller started as consultants on the project—overseen by Patrick Guilfoyle, owner of Burbank-based doggie daycare Doubledog Dare Ya, which as far as we know is one of the world’s only dog kennels located in a contemporary-style home—but are now helping to operate the truck as well.
And world domination is on the horizon. Read more.
When Diller Scofidio + Renfro were solicited last June by Eli Broad to sketch an idea for his new archive and museum, the architects were forced to ask: “What do you build next to Disney Hall?” Answer: Something else. Where Frank Gehry’s work is smooth and impenetrable, the Broad Art Foundation is porous and accessible. The stainless steel concert hall reflects the city’s skyline; blinding sunlight bounces off its capering shell. The Broad’s concrete veil, by contrast, is a less aggressive spectacle. At three-feet thick, and punched through with large angular openings, the new museum looks as if it is cloaked in an ice cube tray twisted by a powerful algorithm. As, certainly, it has been, to pleasing effect. Read More
Yesterday, Sam Lubell detailed The Broad Foundation’s much-anticipated LA museum complete with all the renderings. Now, we have a video fly-through of the new Diller Scofidio + Renfro-designed space and isn’t it something! You can really start to appreciate the porous nature of The Broad‘s structural concrete “veil” and the views inside and out it will offer. You also gain a sense of its street presence sitting alongside Frank Gehry’s Disney Hall, which appears rather large in comparison. What do you think?
Finally. The design for Eli Broad’s new contemporary art museum in Downtown LA, designed by Diller Scofidio + Renfro, is being unveiled on Thursday, according to a press release sent out today. The event will take place at 11:00 am at Walt Disney Concert Hall (next to the new museum site), giving us lazy journalists plenty of time to make it. According to the release, the museum will be “home to the worldwide headquarters of The Broad Art Foundation,” and will provide a home for Broad’s collection of more than 2,000 works by 200 artists. Since the museum saga has dragged out over several years between several cities, and because he’s hired one of the country’s top architects, Mr. Broad has done an excellent job of building our expectations. Hope it’s good!
Shortly after street artist BLU’s installation on the wall of the Geffen Contemporary in downtown LA was whitewashed, we learn via Curbed LA what our Eavesdrop column had rumored weeks before: that another street artist, Shepard Fairey, is in the architecture news as well.
The legendary/notorious “Hope” poster creator was just chosen by the West Hollywood city council to design an art piece for the almost-complete West Hollywood Library (MDA Johnson Favaro’s really really big white structure across from the PDC with an equally big garage ) more than a year after the council un-selected him amidst controversy.
This is getting confusing… The library is also working with artist David Wiseman, whose swoopy white forms seem well matched to the building’s swoopy white aesthetic.
In a breathless press release, developer AEG and its partners have revealed that they will be unveiling renderings from the three finalists for the proposed downtown LA stadium tomorrow evening at 5pm (December 15).
According to Sports Business Journal, the three firms chosen via an RFP are HKS, HNTB, and Gensler (who designed the Ritz Carlton/JW Marriott where the press conference will be held.. hmm..).
The stadium’s proposed location is the site of the LA Convention Center’s West Hall. We will of course share the renderings with you after the presser, so stay tuned.
Of course, LA still has no football team, nor does it have an approved location for a stadium. But this is Hollywood! We know how to dream!
In other downtown news, City Council on Thursday will vote on the fate of the proposed Wilshire Grand redevelopment, which would include two large towers designed by AC Martin. Stay tuned everybody!
Limited by the constraints of its scattered design buildings, USC’s School of Architecture yesterday held its final reviews on the 50th and 51st floors of City National Plaza’s North Tower in Downtown LA. The giant review, called Blue Tape: Super Review, included 48 studios, about 70 professors, and over 700 students, including those studying architecture and urban design, landscape architecture, and historic preservation. Yours truly got to sit in on Jennifer Siegal’s studio: Generation Mobile: exploring the deployable free-range cuisine truck culture, which featured some mind-bending re-imaginings of today’s fairly traditional food trucks. The two floors, which used to contain offices for Bank of America (sorry guys) was donated by Thomas Properties, which owns both of the towers at City National. The 52-story buildings, by the way, were designed by A.C. Martin in 1972. We wonder where they’ll do their next reviews? Read More
37 first year SCI-Arc students have just finished a mesmerizing new installation in the school’s parking lot called Sway. The project is made of 228 thin bundled steel rods, bolted into the ground and joined via flexible (and wild) wire units above. The vast and tightly-packed array of bendy rods are responsive to subtle changes in wind force (and not-so-subtle pushing by visitors), enabling the structure to move around like trees in a forest, or a collection of organisms. At night they catch the light in changing and surprising ways.
The 1A Studi0—which produces a large installation every year— was led by professors Nathan Bishop, Eric Kahn and Jenny Wu. Bishop accurately called the piece an “encompassing environment.” Which is what makes it so great: the chance to walk right into the art and interact with it.
Most of us move on from difficult breakups by eating ice cream or going on long walks. Not NBC. They build things. Now that Conan O’Brien has started his own show on TBS, NBC has awarded IA with a commission to redesign his former Tonight Show sound stage in Studio City (which reportedly cost $50 million to build) into a two story newsroom for local and network news. IA has signed a non-disclosure agreement, so they can’t talk about it. But according to the RFP, the 70,000 square foot project, awarded earlier this fall, will include studios, control rooms, edit rooms, offices and and storage. It should be finished by June 2012. So basically they want to obliterate any memory of Conan? Well, yes, our inside source tells us, that’s exactly it…