The SF Chronicle’s John King today shares the shortlist for the new Emeryville Center For the Arts. The six contestants are some of the city’s best young firms. In fact organizer David Meckel—stressing this push for emerging talent— initially said that the winner should not be a fellow of the AIA. The finalists include: Aidlin Darling, Edmonds + Lee, Jensen Architects, Ogrydziak Prillinger Architects, Schwartz and Architecture, and Envelope A+D. Their plans are currently on display at Emeryville City Hall, next to which the arts center will eventually sit . All except Edmonds+Lee include the site’s existing 1940′s brick building. Aidlin Darling includes a sloped green roof for film watching; Ogrydziak Prillinger layers spaces in and out of the structure; and Jensen architects opens it up with large, movable glass walls. The winner will be announced next week, so stay tuned.
This Saturday night LA’s newest arts center will be opening its doors for a sneak peek: Live Arts LA, a 5,000 square foot space for theater, dance, and the visual arts is built into a former warehouse in Eagle Rock/Glassell Park (our favorite up-and coming hipster neighborhoods). The cavernous open span building was renovated entirely out of repurposed materials by a team led by Hollywood set builder Daryl Lee. Saturday’s event will be a fundraiser for performance troupe Whiskey Carousel, a sassy cast of characters that performs a combination of vaudeville, cabaret, and burlesque. The night will also have performances by other dance groups as well as live music and art installations; including a piece by LA architects Layer, called Squid Capsule, a collection of transparent vinyl membranes hanging from steel cables that you may have seen installed at the Silver Lake gallery Materials & Applications. Live Arts LA will officially open later this month, offering everything from Afro-Caribbean dance classes to rehearsal rooms. Buy tickets to the event here, and get a preview below. Read More
Rethinking the streetscape will be the priority at the Los Angeles Planning Department, revealed newly appointed Planning Director Michael LoGrande in a conversation with LA Times architecture critic Christopher Hawthorne. “We’re getting people out of their cars and thinking differently about transit,” said LoGrande, who chatted with Hawthorne on Wednesday night at Occidental College.
Confirmed August 4 after the resignation of his predecessor, Gail Goldberg, LoGrande has faced significant staff and budget cuts, which he’s responded to by re-focusing long-term planning on transit projects rather than just catering to a constant stream of ad hoc requests.
According to the LA Downtown News, LA Deputy Mayor Austin Beutner is proposing an interesting model to help reform LA’s archaic development process: Internet clothing seller Zappos. At a public presentation of his development reform plan last month at the LA Chamber of Commerce, Beutner cited Zappos’ customer service operation, lauding the fact that “any time someone makes a Zappos purchase, they can go online and find exactly where the package is in the shipping process.” Hence if his idea moves ahead it would make it easier for developers and architects to know where their projects were in the pipeline. The reform project, largely overseen by consulting firms KH Consulting Group and Woolpert, could also streamline the amount of departments needed to approve projects, allow design and permitting to happen concurrently, and assign specific planners to each project, among other things. Stay tuned.. And happy shopping?
Be afraid. Be very afraid. That was the theme at today’s LA symposium, Imminent Danger: Earthquake Disaster and Risk Reduction in US Cities. The UCLA-hosted event brought together seismologists, engineers, architects, assessors and others to discuss preparation for the inevitable Big One, which, as everyone agreed, is not a question of if, but when. Despite the LA Times’ questions about whether the conference’s sponsors stood to gain from spreading earthquake fear, the insights to us seemed sincere and terrifying. We’ve compiled a few of the more sobering points, which should get you caring a little more about seismic retrofits and earthquake kits. Read More
Our friends at Curbed just reminded us of the latest creation at Silver Lake archi-gallery Materials & Applications: Light Frames, an installation by LA architect Gail Peter Borden. The project consists of two parts: the “igloo”-looking segment, seen above, is what Borden calls an enclosed “chapel,” built out of translucent vinyl plastic and perfect for meditation. The second is a hand-assembled dome—its triangulated metal structure completely exposed—resting at the entrance to the gallery’s courtyard. Together they resemble, perhaps, the love child of an Eskimo and Buckminster Fuller. Or at least that’s how this strange mind sees it. Read More
It sounds like a summer blockbuster, but it’s actually one of the most important symposia this year. Imminent Danger: Earthquake Disaster and Risk Reduction In U.S. Cities. It’s being held on December 1 at UCLA, and features engineers, physicists, geologists, architects, and public officials getting together to discuss how to best prepare for the inevitable ground shaking disasters that will hit our cities in the near future. Thanks (unfortunately) to recent quakes in Haiti, Chile, and China, the group has a lot of new input to discuss. “Every time there’s a large seismic event we learn more,” said Gensler principal Rob Jernigan, who is one of the event participants. He adds that the conference is also a way for architects, engineers and other experts to come up with innovative earthquake-proof buildings that don’t look like large bunkers: “We have to design for lateral movements without making giant, clumsy joints. We can develop a level of refinement,” he said.
We’ve just learned via the LA Times that construction-happy LACMA has suspended all future projects until they’ve raised another $100 million. The news comes on the heels of a mixed finance review from Moody’s Investors Service, which downgraded its ratings outlook from “stable” to “negative.” The museum has so far raised about $320 million for its construction program, and its construction bonds kept their A2 rating. The suspension means an official halt to SPF:A Architects’ LACMA West Project, which includes the renovation of the 1939 May Company building on Wilshire and Fairfax into new gallery spaces. That project was originally scheduled for completion this year. It also puts a longer hold on renovation projects on LACMA’s east end, which were to be the third phase of LACMA’s campus transformation.
We recently ran into Gwynne Pugh, former principal at Pugh + Scarpa (now Brooks + Scarpa), who earlier this fall left his longtime job (22 years to be exact) to start his own firm, Gwynne Pugh Urban Studio. It seems that he’s already quite busy working as an urban design consultant. Pugh, who sees himself as an intermediary between cities and developers, is consulting with agencies in the cities of San Diego, Carson, and Long Beach. He’s also teaming up with Bridge Housing on an affordable housing project in Santa Monica and working with Coca Cola to review its sustainability scheme for its bottling plant in Downey. Pugh is also president of the planners’ division of the League of California Cities. “It’s been a great opportunity for me to focus on some of these issues I care about,” said Pugh, who right now is working with three employees, and plans to move to a new office in Playa Vista in the beginning of next year.
Richard Neutra’s VDL House in Silver Lake has been fitted with a new rooftop installation called Fort da Sampler, by Mexico City-based artist Santiago Borja. The project is centered around a temporary textile loom literally made out of the famous house’s horizontal rooftop steel beams. Now THAT’s a new use for architecture… On the loom the artist, along with the help of a crafstwoman from Chiapas, created a woolen artwork fitted with colorful, Myan-inspired symbols. The project is the first art installation at the home, and curator Sarah Lorenzen says she hopes there are more to follow. She also shares the news that the first of three phases of renovation at the house—centered on the roof and the adjacent garden unit— has been completed pro bono by LA firm Marmol Radziner. This includes new parapets, new plaster, repaired trellises, a partially waterproofed and resealed roof, new planters and landscaping, and the transfer of all plumbing to the inside of the building. Future phases will include site drainage, a new roof deck, more waterproofing, repaired windows, and refinished interiors.
According to the Las Vegas Review Journal and Engineering News Record officials at MGM Resorts want to demolish Foster & Partners’ unopened 27-story Harmon Hotel, a major part of the $8.5 billion CityCenter development. The building was originally designed as a 47-story tower, but major construction errors and subsequent time and money issues led to its drastic reduction in size. Lawsuits will prevent anything from happening to the building until at least 2012, says MGM. “Right now, I have a building I can’t do anything with,” CityCenter CEO Bobby Baldwin told the LVRJ, adding that Harmon has become “the poster child for nonconforming work worldwide.” For the record the Harmon’s web site still says “Coming Soon.” In its recent third-quarter earnings statement, MGM Resorts said it took a $279 million write down for the Harmon and concluded “it is unlikely the Harmon will be completed using the building as it now stands. “Baldwin concludes: “It was one of the most beautifully designed buildings ever, and it’s sitting static for over two years… The most sophisticated of all the architects (Foster) ended up being involved in a building that was our biggest disappointment.” Read More
Tomorrow LA City Hall—usually the scene of budget battles and slow, somber legislating—will host two uplifting performances by Collage Dance Theater, a group that specializes in making the most of architectural settings. The company, started in 1987, has performed in laundromats (yes, dancers did fit inside of dryers), a jail, vacant lots, art galleries, an ice rink, architects’ homes, a courtroom, a church, a locker room, the former Ambassador Hotel, and many more locales. The show, called “Governing Bodies,” will, according to founder Heidi Duckler, take advantage of the 1928 Art Deco building’s beautiful interiors: from its grand rotunda to its echoing, narrow hallways to its cold, bureaucratic council chambers; not to mention allowing dancers to break out and quickly contort in otherwise buttoned-up government attire. Could be a lesson for the real bureaucrats, no?