London has Borough Market. San Francisco has the Ferry Building. Seattle has Pike Place Market. And now Santa Barbara has the Santa Barbara Public Market. The 19,400 square-foot marketplace, put together by local architecture firms Cearnal Andrulaitis, Sutti Associates, and Sherry & Associates Architects, opened on April 14. It showcases regionally-sourced, artisanal foods in a downtown location. Part of Alma del Pueblo, a mixed-use development that includes additional retail and 37 condominiums, the Public Market is located on the site of a former Vons. “When I bought the land, I knew that I wanted to put a market back,” said developer Marge Cafarelli. “Santa Barbara . . . [has] such rich roots and traditions in agriculture, farming, food, and wine, that it made sense to put something back that made sense in this time. Read More
The latest installation at Silver Lake gallery Materials & Applications, Warren Techentin’s La Cage Aux Folles, truly brought out the inner monkey in Los Angeles’ architecture community this weekend. The cage-like structure is made of a vast series of curved structural steel tubes, which simultaneously rigidify the piece and create unique spaces in and around it.
For those architects with an interest in theater, Wednesday was the West Coast premiere of Oren Safdie’s newest play, False Solution, at the Santa Monica Playhouse (tickets may be purchased here). Safdie earned an M.Arch at Columbia University and is the son of architect Moshe Safdie. He has now written three plays inspired by contemporary architecture, including The Bilbao Effect and Private Jokes, Public Spaces. False Solution, which also played in New York last summer, follows Anton Seligman, a successful architect whose latest commission, a new Holocaust museum in Poland, is aggressively challenged by one of his new interns, Linda Johansson. She also confronts his beliefs in himself, his career, his profession, and much more. Continue reading after the jump.
According to a recent article on azcentral.com, Phoenix’s Warehouse District is in the midst of a renaissance. Or is it? The man behind several adaptive reuse projects in the neighborhood says not so fast. “It’s like every five years someone gets excited about it and writes the same article,” said developer Michael Levine. While he admits there’s been an uptick in interest in the mid-century industrial buildings, he doubts his fellow landowners’ motives. “If you give them enough money…they’d have the [buildings] demolished,” he said.
The streets of downtown Seattle are set for a major overhaul, thanks to a new masterplan by Gustafson Guthrie Nichol. As AN reported in our recent West Coast edition, the Seattle-based firm has made recommendations to improve the pedestrian realm “centers on uniting the fragmented parts of the Pike-Pine corridor, two major thoroughfares at the heart of the retail core running east-west from Interstate 5 to the waterfront.”
Check out their dramatic proposed transformations overlayed on Seattle’s existing streetscape for a better look at how pedestrians and cyclists will fare under the plan.
Like many major tech companies in Silicon Valley, Apple provides free transportation for its employees living in the Bay Area. About 28 percent of Apple employees do not drive to work, instead taking employer-owned biodiesel shuttles, biking, or walking. In an effort to bring that percentage up to 34 percent (a figure that will help get their new Norman Foster–designed campus in Cupertino approved), the company is expanding its fleet of buses and building a dedicated transportation center.
On April 11, Los Angeles–based firm B+U will open their latest installation, called Apertures, at SCI-Arc Gallery. The structure, already assembled inside the space, is 16-feet-tall and made up of 233 1/8-inch-thick plastic panels. Its warped shape resembles a natural organ or organism (a heart? a strange alien plant?), and in many ways it acts like one.
Apex: Tip Toland
Portland Art Museum
1219 SW Park Avenue
Through May 11
Washington-based artist Tip Toland creates larger than life figures with painfully accurate details that highlight her subjects’ imperfections: wrinkles, sunspots, and other blemishes. Toland’s work has always dealt with figurative subject matter, though her approach has ranged from the surreal to the super-real. This exhibition focuses on the plight of albino children in Africa, many of whom face a never-ending nightmare of bigoted, superstitious persecution at the hand of the communities into which they are born. Deeply rooted in psychology, Toland’s carefully crafted portraits seek to disturb viewers, teasing out their deepest human sympathies only to clobber them with the cudgel of political subtext. The artist has said that her work “softens our hearts to what we are afraid of.” Unflinching in the face of terrible realities, it is certainly provocative.