How can technology and science revolutionize and restore our public spaces—particularly those disconnected and decaying districts that remain after colossal events such as the Olympics, biennials, and world’s fairs? These immense programs have shaped many an urban core, for better or for worse, from the Chicago World’s Fair of 1893 to the 2004 Athens Olympics.
As part of the Seattle Next Fifty, the 50th anniversary of the Seattle 1962 World’s Fair Century 21 Exposition, the Howard S. Wright Design Ideas Competition for Public Space challenged global designers, architects, and urban planners to re-imagine the 9 acre Seattle Center site that was part of the larger 74-acre campus, which hosted the original 1962 fair.
Architecture in the Expanded Field
CCA Wattis Institute for Contemporary Arts
1111 8th St., San Francisco
Through April 7
Theorist and critic Rosalind Krauss’s 1979 text “Sculpture in the Expanded Field” attempts to identify the scope of sculpture in a time when artists were redefining its traditional limits to include considerations of architecture, landscape, and space. The Wattis attempts a similar redefinition of the field of architecture; installations explore material, spatial, and perceptual concerns with emerging experimental technologies outside the limits of traditional architectural practice. A full-scale installation within and outside of the gallery transports visitors into the immersive environment, while a surface component presents the mapped expanded field of architectural installation.
A piece of performance art for the ages wrapped up early Saturday morning as the centerpiece of Michael Heizer’s Levitated Mass finally reached LACMA to fanfare typically reserved for a Hollywood premier. The star was a 340-ton rock that had enraptured spectators throughout its week-and-a-half journey into the city from a quarry near Riverside, CA.
Hung from a 22-axle, football-field-long carrier, the rock was greeted by thousands of spectators in the streets of LA as it slowly crawled towards its final destination on the northwest corner of the LACMA campus. “We’re really pleased it got here in one piece,” said Miranda Carroll, LACMA’s director of communications, who clocked the boulder’s touchdown at the museum around 4:30 a.m on Saturday morning. Read More
Even in these recessionary times, there are still big buyers who can afford to expand when the market is low. In Seattle, Amazon is in the preliminary stages of purchasing three city blocks in the Denny Triangle neighborhood north of the business district from developer Clise Properties, The Seattle Times reports. The properties are bounded by Westlake Avenue to the east, 6th Avenue to the south, and Blanchard Street to the west.
Amazon is going big: intending to convert what are now parking lots into three office towers measuring one million square feet each. The total space will double the size of the largest skyscraper in Seattle, the Columbia Center.
Amazon’s current office space—over a million square feet distributed over several locations—is rented. This will mark Amazon’s first office ownership. An agreement with Clise will give Amazon the option to buy more of their holdings, which are part of a larger 13-acre site in Denny Triangle.
After three decades at LA firm Altoon + Porter, founding partner James F. Porter is leaving to become a principal at the Jerde Partnership. Porter, who met business partner Ron Altoon while working at Frank Gehry’s office in the ’70s, co-founded Altoon + Porter in 1984. Hoping to leave more room for young partners, Altoon + Porter included a clause in their partnership specifying that they retire at age 65. “Sixty five came along in a nanosecond,” said Porter, who managed to adjust the agreement to stay on a little longer. But at age 70, it was time to go, he said.
Last weekend at Palm Springs Modernism Week we stumbled upon a treasure for architecture fans. The Palm Springs Art Museum is renovating E. Stewart Williams’ 1960 Santa Fe Federal Savings and Loan building, turning it into the future home of the Edward Harris Center for Architecture and Design. Williams’ International Style bank, featuring floating slabs, floor to ceiling glazing, and ultra thin columns, will contain exhibit space, public program areas, offices, an archival study center and a museum store (located in the former bank vault). On its lower level it will contain a 2,700 square foot area for the museum’s collection. The center is scheduled to open in Fall 2013, says the museum. We can’t wait! Historic pictures and renderings of the future space after the jump.