California’s Designing Women
The Autry in Griffith Park
4700 Western Heritage Way
Through January 6, 2013
It was uncommon for women to practice industrial design throughout late 19th and early 20th centuries. However, California’s newness and frequent population growth provided various opportunities for women to get involved with the creation and production of design. Autry National Center’s California’s Designing Women, 1896–1986 with works from over fifty women designers from California celebrates female designers who made major contributions to Californian and American design. The exhibition displays approximately 240 examples of textiles, ceramics, furniture, lighting, tapestries, jewelry, clothing, and graphics all inspired by California’s amalgam of society which include Indigenous American, Chinese, Japanese, Anglo, and Mexican cultures. Upholding California’s reputation for unlimited creativity, the displayed work includes materials such as wood, abalone, glass cotton, steel, silver, acetate, acrylic, and fiberglass, spanning a century of design movements from arts and crafts to art deco to mid-century modern and beyond.
Perhaps trying to regain its mojo after a difficult summer on the stock market, Facebook has selected Frank Gehry to design an expansion to its Menlo Park Campus in California. The project, scheduled to break ground next year, will include a quirky 420,000-square-foot warehouse topped by a sprawling garden. The cavernous space will contain open offices for as many as 2,800 software engineers, according to Everett Katigbak, Facebook’s environmental design manager. The firm wouldn’t reveal the project’s price tag.
Last January, Florida welcomed Michael Maltzan Architecture’s stunning proposal for the St.Petersburg Pier, featuring a new tidal reef, a civic green, raised walking paths, a waterpark and many other attractions. Recently however, local marine scientists have concluded that the tidal reef element of the design is simply too good to be true, according to a report in the Tampa Bay Times. Named “The Lens,” Maltzan’s scheme calls for a figure-8 spatial organization, in which a loop provides a view into the clear water below. But Tampa Bay’s estuary waters are murky—not because of pollution but simply because of sediment—making the water too foggy for any kind of tidal viewing. Maltzan’s ideal emerald waters are expected to remain a fantasy, but scientist and architects are still trying to find others ways to provide an underwater view in the Lens.
On a recent sunny day in Silver Lake the Materials & Applications gallery got folks together to eat cake. In honor of the group’s 10th anniversary M&A hosted an architectural bake-off called “Elevate Your Cake,” with groovy deliciousness by an impressive group of designers. They included Predock Frane; Chu + Gooding; Escher GuneWardena Architecture; Gensler; Deegan Day; Deutsch; Patterns; Noah Riley Design; Warren Techentin; Barbara Bestor; MASS; Osborn; Modal Design; Taalman Koch; and Andy Goldman.
That’s right, this was no amateur night. These were serious architectural cakes. Chu + Gooding’s cake, “Inopportune Totem,” looked like a porcupine had mated with a death-by-chocolate. Warren Techentin’s entry, “cubisphere,” was made up of Japanese Mochi and chocolate cake balls. It looked like a cube made of colorful (but edible) golf and ping pong balls stacked on each other. After several of the cakes were raffled off everybody got down to business: eating the rest.
Known for his bright, modernist pieces, Venice designer and fabricator Ilan Dei gets up close and personal at his eye-catching pop-up on 1650 Abbot Kinney Boulevard. Made out of three converted shipping containers rendered in brilliant colors with an emphasis on indoor-outdoor living, the installation exudes an inviting appeal even on this busy, uber-trendy street. “1650 Abbot Kinney has been an empty lot and a site for pop-ups for many years. I drive or cycle by everyday to and from our design studio,” said Dei, who quickly pounced when the site became available.