The largest development proposed in the history of downtown Seattle—an approximately 3 million square-foot headquarters for Amazon—may take eight years to complete. Project details presented at a recent downtown design review committee meeting revealed that Amazon’s glassy three block project, designed by NBBJ (designers of the recently-c0mpleted Gates Foundation, also in Seattle), will be built in three phases of two to four years.
While cameras allowing real-time viewing of work on downtown LA’s Broad museum have been in place since construction began last fall, the scenery is finally getting more interesting. The structure’s parking garage is now complete and construction permits were recently approved for the museum itself, according to LA Downtown News.
Los Angeles enjoyed its customary sunshine last Sunday, making it the perfect time to peek inside some of the city’s most exclusive historic homes, thanks to LACMA’s Art Museum Council, the museum’s volunteer support group. The council has been putting up an annual art and architecture tour, supporting the museum, for the past 56 years. In this year’s run, the council shared four homes of varying styles. AN was afforded a glimpse of the high life, not to mention lessons on how to display a LOT of objects.
Just steps away from the Space Needle, locals and visitors can see how hydroelectric power is generated, transmitted, and consumed in Seattle. Projected on the giant north facing wall of the Armory/Center House, the installation Current, by Brooklyn-based artist Adam Frank, uses light to create a real-time map of electricity distribution through the city’s neighborhoods. Frank was recently named artist-in-residence at the city’s public utility company Seattle City Light (SCL), and this is his first project. His art is part of a series of events taking place through October at the Seattle Center, celebrating the 50th anniversary of the Seattle 1962 Exhibition.
Lloyd Wright, Frank Lloyd Wright’s son, was one of California’s most talented modernist architects, but he was overshadowed by his father’s fame and notoriety. Wright’s lack of press largely led to the destruction yesterday of his Moore House (1958) in Palos Verdes, a ritzy beach town near Los Angeles. Apparently, when the owners of the property planned the demolition they had never heard of the architect. The city council denied an appeal from the Los Angeles Conservancy, and now the winged, x-shaped house is gone. According to Curbed, the owner wants to build a Mediterranean McMansion in its place. Read More
Robert Adams: The Place We Live
Los Angeles County Museum of Art
5905 Wilshire Blvd., Los Angeles
Through June 3
In his 45 years photographing the American West, Robert Adams has documented the evolution of landscape and our relationship to it. In response to the rapid development of his surroundings in Colorado Springs and Denver, Adams began photographing a landscape marked by tract housing, highways, and gas stations. His photographs, Adams says, “document a separation from ourselves, and in turn from the natural world that we professed to love.” Nearly 300 prints showcase Adams’ career, from his early shots of Colorado’s desolate terrain to his recent works documenting migrating birds in the Pacific Northwest, with special focus on his portrayal of the Los Angeles region.
The building of a proposed neighborhood symbol on the corner of Sunset and Santa Monica Boulevards in Silver Lake has been pushed back due to lack of funds. After winning the Envisioning Silver Lake competition last summer, LA firm ALLTHATISSOLID (ATIS) has been working with the city’s Bureau of Street Services (BSS) to scale back and refine the design, called “Bloomrs,” to fit the $100,000 budget with room for curbing and other street improvements included. The saddle-shaped structure, made of Cor-ten steel, has already been re-designed to occupy a smaller footprint and rises to a shorter height.
Pedro E. Guerrero: A Retrospective
6518 Hollywood Blvd., Los Angeles
Through April 25
At age 22, Pedro E. Guerrero made a spontaneous visit to Taliesin West to meet Frank Lloyd Wright; upon seeing his portfolio Wright immediately gave Guerrero the position of principal photographer. Guerrero’s relationship with Wright would define his career; nearly all publications about Wright include his work. Moving to New York, Guerrero went on to work for journals including Architectural Record and Vogue, documenting the works of modernists like Saarinen and Breuer. His photography approaches architecture as sculpture, displaying an eye for composition and form that led to close personal and working relationships with Alexander Calder and Louise Nevelson.
The above might be the most spectacular project to (n)ever happen. In 1992, The Fremont Street Experience, by the Jerde Partnership, became the project that was built to save downtown Las Vegas, at a time when the boom of casinos along “The Strip” was siphoning business from the city’s core. But no one knew—until now—that apparently the real winner of that project’s competition was Gary Goddard and his team, who claim to have proposed to build a full-scale Starship Enterprise in downtown Las Vegas. The spectacular mirage-city in the Nevada desert is the only place where a project this amazing could ever (not) happen.