SCI-Arc is hosting a competition—called 40/40—open to all graduates for the design and construction of an installation capable of digitally presenting the work of the school’s alumni. The installation will celebrate the school’s upcoming 40th anniversary. To tie into the April 11 Downtown Art Walk, the exhibition will first be installed—or rather the winner of the competition has to figure out how it will be installed—in the lobby space of the monumental downtown Farmers and Merchants Bank. It will subsequently move to SCI-Arc for the 40th Anniversary Celebration Weekend of April 19-21, 2013.
From the top of San Diego’s soaring 200-foot-tall Coronado Bay Bridge, architect Lew Dominy says you can see Mexico, but outside of special events when the bridge is closed to automobile traffic, pedestrians and bicyclists who might stop to admire the view are prohibited. Dominy, principal at San Diego-based domusstudio architecture, has a plan to build a tube through the distinctive archways of the Coronado’s support piers that would bring multi-modal access to the bridge.
Lighting artist Leo Villareal has been busy lately, opening installations in the New York City subway system and in Madison Square Park, but an even bigger achievement is set to debut tonight in San Francisco. Villareal has attached 25,000 LED lights to the San Francisco Bay Bridge and connected them to a computer in order to create dazzling lighting displays viewable from the city and the water along the suspension bridge.
Called The Bay Lights, the project celebrates the bridge’s 75th anniversary and is set to go live tonight at 8:30 PST. But don’t worry, if you’re not in San Francisco to view the installation from the Embarcadero or Telegraph Hill, the event will be streamed live online at the project’s website here. Until then, check out a couple videos below of the installation being tested. The Bay Lights is believed to be the largest of its type in the world and will be in San Francisco for two years, lit each night from dusk till 2:00a.m.
El Segundo, CA-based developer CenterCal recently revealed plans for a revamped Redondo Beach waterfront near Los Angeles, which includes parts of the Redondo Beach Pier, as well as the nearby boardwalk and Seaside Lagoon. According to The Daily Breeze, CenterCal presented its plans to residents, local business owners, and community groups at a meeting on February 23.
Once considered downtown LA’s central park, the problematic 4.5-acre Pershing Square may soon be slated for a few welcome changes. Councilman José Huizar of District 14 recently told LA Downtown News that sports and entertainment company Anschutz Entertainment Group (AEG) has committed $700,000 seed funding to re-think the 164-year-old park. The money is part of a community improvement package AEG had agreed to in order to create a football stadium in Los Angeles.
Alas. One of LA’s greatest weird treasures, the Bahooka Family Restaurant, is set to close on March 10. The gem, which opened its Rosemead location in 1976, is perhaps the most ornate example of Tiki architecture in the city. Not only is it full of every Polynesian tchotchke imaginable—Easter Island heads, hula dancers, blowfish, diving bells—but most of its walls are covered with fish tanks, creating the feeling of being inside Sponge Bob’s home. The restaurant’s owners have said they’re simply ready to retire, which we certainly understand, but we must admit we’re a little sad.
Last week we reported on Gensler’s planned triangular Nvidia headquarters in Santa Clara, the latest addition to the architectural arms race that is Silicon Valley. (We’re seeing zoomy new headquarters for Apple, Samsung, HP, Nvidia, etc, etc.) Now there’s yet another. Google’s new project adjacent to its “Googleplex” in Mountain View, has unveiled their new designs by NBBJ. The new campus, which is being called Bay View, is comprised of nine crimped, predominantly-four-story buildings. Each building will be connected by a bridge; a connectivity that has become a staple of NBBJ’s office work around the world, including its new headquarters for Samsung nearby. The competition to out-campus the competition seems to be heating up. Who’s next?
The Grand, the multi-million-dollar, mixed use project on top of LA’s Bunker Hill, is finally… slowly… moving forward with an Arquitectonica-designed residential tower, which just broke ground. But it appears that Frank Gehry’s days on the project may be numbered. After a recent call with Related, we got no assurances that the starchitect was still part of the project. A report in the Downtown News got similarly uncommitted answers.
Just across the street from the Grand we hear that The Broad (what’s with all the THEs?)—Eli Broad’s multi-million-dollar art museum—is getting ready to add an upscale market to its rear, just above the parking lot. If it’s even close to as successful as Chelsea Market in New York, Downtown LA could have yet another hit on its hands. Meanwhile, decking is being laid for a new park to The Broad’s south, but still no renderings of the park have been unveiled. Let’s make this public, Mr. Broad. We can’t wait to see your plans, which could single-handedly make or break Grand Avenue.
Silicon Valley definitely has the architecture bug. We’ve recently seen remarkable new designs put forth by Foster + Partners for Apple and NBBJ for Samsung. Now Gensler has released ambitious new designs for tech company Nvidia, located in Santa Clara. The 24-acre complex’s two 500,000-square-foot buildings are each shaped like triangles, a configuration that Gensler principal Hao Ko explains facilitates collaboration by allowing connections to each side of the building to be the shortest. (The triangle, he adds, is also “the fundamental primitive that defines all shapes in the digital realm.”) Undulating roofs will be made up of smaller triangle pieces, breaking down the overall mass and allowing for ample skylighting, in the in-between spaces. Construction is set to begin this summer, with completion in 2015. Apple’s circle now has geometric competition. Who’s next?
Hammer Projects: Dara Friedman
10899 Wilshire Blvd.
Through April 14
Miami-based artist Dara Friedman is known for her black and white films of dancers dancing through city streets. For her film Dancer (2011) she used a 16mm camera to examine urban space and individuals within these spaces, filming improvisational dancers in a variety of styles, from flamenco, to ballet, to belly and break dancing, and more. In her work, Friedman also investigates accepted concepts of performance-based art. Her grainy films sometimes capture the sounds of street traffic, and she sometimes dubs music that is not always in rhythm with the dancers’ movements. For her first exhibition in Los Angeles, Friedman has prepared an 8mm film that is a follow-up to Dancer.