Seattle’s Ultra-Sustainable Bullitt Center Officially Opened on Earth Day

West
Monday, April 22, 2013
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Bullitt Center (Nic Lehoux, and Ben Benschneider - Courtesy Miller Hull)

Bullitt Center. (Nic Lehoux and Ben Benschneider / Courtesy Miller Hull)

The newly opened Bullitt Center in Seattle has stridden beyond the checklists of the LEED rating system to bring “real green” architecture into the public’s eye. As the self-proclaimed “greenest commercial building in the world,” the Bullitt Center seeks to meet the exacting goals of the Living Building Challenge, a more rigorous certification alternative to LEED. Located in Seattle’s Capital Hill district, which is in the process of a metamorphosis into the city’s “Eco-District,” the six-story building aims to serve as a new standard for what can be accomplished when architects and developers put ecological design at the forefront of their priorities.

Continue reading after the jump.

Get Going This Weekend In Los Angeles: Venice House Tour, SCI-Arc Party, CicLAvia

West
Friday, April 19, 2013
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Hopper Residence next to Arnoldi Triplex. (Larry Underhill)

Hopper Residence next to Arnoldi Triplex. (Larry Underhill)

For those of us who grew up in the 70s and 80s, it’s time to feel old. As part of its “Curating The City” series, the Los Angeles Conservancy is tomorrow hosting an amazing tour called Venice Eclectic: Modern Architecture from the 1970s and ’80s. The event features looks inside whimsical buildings by, among others, Frank Gehry (Indiana Avenue Houses/Arnoldi Triplex), Steven Ehrlich (Ed Moses Studio), Brian Murphy (Hopper House, above), Frederick Fisher, and Frank Israel. Yes, it’s time to appreciate these decades for more than disco and Madonna. After the tour there will be a panel featuring Ehrlich, Fisher, and Murphy.

And that’s just the beginning of a busy weekend for LA architecture and urbanism buffs. There’s also SCI-Arc’s 40th birthday party on Saturday night and CicLAvia—with an expanded route going all the way to the ocean for the first time—on Sunday. Get going.

View more houses on the tour after the jump.

Golden Gate National Parks Get Their Due

West
Friday, April 19, 2013
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One of the jewels of the San Francisco Bay Area, the Golden Gate National Parks (including their new visitors centers), last week received the Stewardship Excellence Award from The Cultural Landscape Foundation (TCLF).  The award, created in 2001, is given to a person, group, or agency that shares TCLF’s mission of stewardship through education. In this case the groups overseeing the project were The Golden Gate National Parks Conservancy and The Presidio Trust, working with the National Park Service. The Golden Gate National Parks was established in 1972 and comprises 80,000 acres of open space and historic districts along the San Francisco and Marin coasts.  It is considered one of the nation’s largest urban parks and is used by 16 million people annually.

Continue reading after the jump.

Los Angeles’ First Complete Street On the MyFigueroa Corridor Close To Moving Ahead

West
Tuesday, April 16, 2013
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Proposed elements include separated bike lanes, improved crosswalks, new lighting, and enhanced plantings. (Courtesy MyFigueroa)

Proposed elements include separated bike lanes, improved crosswalks, new lighting, and enhanced plantings. (Courtesy MyFigueroa)

It’s been about a year since the Los Angeles Department of Transportation (DOT) took the reins over MyFigueroa, a project that hopes to remake the 4-miles in and around Figueroa Street from LA Live to Exposition Park, near USC. But things are quickly wrapping up, because the $20-million Proposition 1C funds it was awarded need to be spent by 2014. On April 9, DOT hosted a community meeting in downtown LA to unveil updated designs for this crucial connective corridor, which when finished, would be the city’s first implemented complete street.

Continue reading after the jump.

Q+A> Is Los Angeles’ Arts District As Hot As We Think?

Newsletter, West
Thursday, April 11, 2013
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Shimoda Design's rendering of Alameda Square (Shimoda Design)

Shimoda Design’s rendering of Alameda Square (Shimoda Design Group)

Last week, AN reported on the development of Alameda Square in Los Angeles, the 1.5-million-square-foot mixed use project being designed at the old American Apparel factory site on the southwest edge of LA’s Arts District. Movement on projects like this beg the question: Just how hot is LA’s Arts District? AN‘s West Coast Editor Sam Lubell sat down for a short chat with James Sattler, a Vice President of Acquisitions at JP Morgan Asset Management, to find out.

Read the interview after the jump.

Bridge Over Troubled Freeway: Secretive Bridge In Los Angeles Moving Forward?

Eavesdroplet, West
Thursday, April 11, 2013
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(Courtesy Google Maps)

(Courtesy Google Maps)

Los Angeles’ impressive new bridges have gotten a lot of press lately, including HNTB’s epic 6th Street Viaduct and Andrew Leicester’s unusual so-called basket bridge for the Metro Pasadena Gold Line extension. But one crossing is being worked on in total secrecy: a span over the 101 Freeway at Los Angeles Street, connecting the Civic Center and the Pueblo de Los Angeles.

Artists Jenna Didier and Oliver Hess, who run the city’s Materials and Applications gallery in Silver Lake, are designing the bridge. No renderings have been unveiled, and it’s all very top secret within the city, which is why eavesdrop is on the case. And while Thom Mayne (101 pedestrian bridge) and Asymptote (Steel Cloud) have both failed to make similar ideas happen, this looks like it’s actually moving. Stay tuned.

Giant Solar Array at Occidental College Wows Los Angeles

West
Wednesday, April 10, 2013
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Oxy Solar Array (Sam Lubell/ AN)

Oxy Solar Array. (Sam Lubell/ AN)

At a DeLab (Design East of La Brea) Tour this Saturday, Los Angeles-based firm Lettuce Office shared the epic story of its new solar array for LA’s Occidental College. The 1 megawatt installation, made up of 4,886-panels, follows the contours of its hilly site, with its angled panels raised just two or three feet off the ground. To guard against sliding, each set of panels had to be imbedded into the earth via concrete-supported columns.

Continue reading after the jump.

My LA2050: Vote to Change Los Angeles

West
Thursday, April 4, 2013
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Maker-13

Think LA has too many issues? Then start voting in the My LA2050 Challenge, a competition handing out $1 million in grants to some of the most innovative and creative ideas meant to tackle the city’s biggest problems. Voting, which is all online, began on April 2nd and lasts until April 17th.

More than 275 ideas have been proposed. One is AN West Coast Editor Sam Lubell’s exhibition, Never Built: Los Angeles, which brings to life more than 100 innovative, often unbelievable, unbuilt schemes—many dashed by LA’s inability to embrace innovation—and challenges the city to change its culture of public timidity and banality. Another favorite is Farm on Wheels, by LA-Más, in which food trucks will serve as citywide “hubs of healthy food.”

Continue reading after the jump.

Tech Tidal Wave at Los Angeles’ Silicon Beach

Eavesdroplet, West
Wednesday, April 3, 2013
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GENSLER'S IMPROVEMENTS TO THE PLAYA JEFFERSON OFFICES IN MAR VISTA. (COURTESY GENSLER)

GENSLER’S IMPROVEMENTS TO THE PLAYA JEFFERSON OFFICES IN MAR VISTA. (COURTESY GENSLER)

Well it looks like the tech craziness on LA’s west side—a.k.a. Silicon Beach—is just getting going. Of course, Google has basically taken over Venice, and a number of tech companies, including YouTube, are taking over Howard Hughes’ old facility in Playa Vista. Now we hear that Amazon is looking for a huge space in Santa Monica. The new LA outpost could measure as much as 80,000 square feet, putting this development in the upper echelons of the city’s tech world. It will certainly compete with the new campus they’re building up in Seattle, designed by NBBJ. Meanwhile, in Silicon Valley, the architectural one-upmanship continues. That same firm (NBBJ) just unveiled designs for its new HQ for Google, which it hopes will stand out among the other ambitious schemes for Apple, Samsung, Nvidia, and so many more.

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Pelli Clarke Pelli’s Transbay Tower Breaks Ground in San Francisco

Newsletter, West
Tuesday, April 2, 2013
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Rendering of the Transbay Tower, which will be SF's tallest building.  (Courtesy Pelli Clarke Pelli)

Rendering of the Transbay Tower, which will be SF’s tallest building. (Courtesy Pelli Clarke Pelli)

Last Wednesday, Pelli Clarke Pelli’s long-anticipated Transbay Transit Tower, at San Francisco’s First and Mission streets, finally broke ground, and architect Cesar Pelli was on hand to help turn dirt with ceremonial gold-plated shovels. At 1,070 feet and 61 stories, the tower would be the tallest on the West Coast—at least until AC Martin’s Wilshire Grand opens in Los Angeles—and seventh tallest in the nation, taking the title from New York’s Chrysler Building. At the ceremony, Pelli told the San Francisco Business Times the tower is “svelte but dynamic, elegant, and very gracious.”

Continue reading after the jump.

Tonight> MAK Center’s Dialogues Series Concludes With Impressive Exhibition

West
Tuesday, April 2, 2013
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Berdaguer & Pejus, Gue(ho)st House, Delme, 2012.

Berdaguer & Pejus, Gue(ho)st House, Delme, 2012.

Dialogues, the series of conversations between architects and artists that took place at the MAK Center in Los Angeles over the last couple of months, is finishing up tonight with an exhibit of the designers’ work. The show features drawings, images, and models from a serious lineup at For Your Art on Wilshire Boulevard. Contributors include: Doug Aitken, Barbara Bestor, Escher Gunewardena, Fritz Haeg, Jorge Pardo, Linda Taalman, Xavier Veilhan, Pae White, Peter Zellner, and many many more. The show will be up until April 16.

 

A Digital Urban Earthwork in Seattle: Doug Aitken’s MIRROR Opens At The Seattle Art Museum

West
Friday, March 29, 2013
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This past Sunday evening, Seattle officials closed First Avenue. It wasn’t for road repairs, but to celebrate the unveiling of the Seattle Art Museum’s facade refresh by multimedia artist Doug Aitken. Two giant LCD screens projecting kaleidoscopic images of the Seattle region now wrap the north and west facade of the museum, with emanating vertical bands of lights.

Continue reading after the jump.

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