Great news! Frank Lloyd Wright’s David & Gladys Wright house in Phoenix won’t be reduced to rubble as developers had hoped. The house, designed for FLW’s son David in 1952, had been threatened with demolition earlier this year, but an anonymous buyer ponied up nearly $2.4 million to save the house. The previous owner, developer 8081 Meridian, had proposed tearing down the house and building two new houses on the property. The spiral-planned, textile block home is one of Wright’s most unusual designs, with an amazing spiral ramp that leads into and lifts the house above the desert. Check out the video walk-through of the home above or a photo slideshow over here. Way to go, anonymous!
Everybody seems to be opening up new offices these days. One of our favorite firms, Barton Myers Associates, is moving from Westwood all the way to Santa Barbara, which doesn’t sound promising. Cunningham Group has opened new digs in Culver City’s Hayden Tract, the collection of arts offices made famous by the wild constructs of Eric Owen Moss. And UCLA Architecture will remain in Westwood. But it’s ready to open a new robotics lab inside the old Playa Vista research facilities of Howard Hughes.
New York-based artist Leo Villareal is creatively illuminating the constructed form. In Madison Square Park, Villareal’s LED light-up geodesic dome, Buckyball, stands tall, undamaged but unlit after Hurricane Sandy. The Madison Square Park Conservancy told AN that the lights are expected to be back on tonight. And soon, Villareal also plans to light-up a far larger construction on the West coast: the San Francisco Bay Bridge.
Last week AN learned that Hollywood’s Capitol Records building may be in for a dwarfing by two new adjacent towers. Now we learn from our friends at Curbed that the historic Hollywood Palladium, renovated in 2008 by Coe Architects, might also be in trouble. Miami developer Crescent Heights is about pay $55 million for the Palladium site, and it’s rumored that they want to build luxury apartments or condos there. The 72-year-old theater apparently has no historic protections, so this could get ugly. Stay tuned.
Feel like technology has left you behind? Check out the AIACC Now Next Future Conference this weekend. Not only does it feature a technology boot came, with hands-on technology training, but it features technology leaders like Kevin Daly from Daly Genik, Dennis Shelden, from Gehry Technologies, and Alisdair McGregor from Arup. Meanwhile topics will include BIM, new manufacturing technologies, Eco districts, and cloud technologies. Yes, you’ll be much cooler after this is over.
[Editor's note: Our fearless correspondent Guy Horton shares his thoughts—Gonzo Style—on the AIA/LA Awards Ceremony that took place on the Broad Stage in the Santa Monica Performing Arts Center. And he was surprisingly assured by it all. Read ahead, if you dare. And enjoy the slideshow of the Design Award winners at the end.]
To those who missed it,
Man you should have been there. It was crazy. Honestly, the most insane Awards I’ve been to in years. Moby was there. You know he’s been doing this LA architecture blog. He called LA urbanism a “shit show.” Can you believe that? Brilliant. That got repeated a lot and I imagine it will become the buzz-word for the 2012 Awards: The Shit Show. In a good way, of course. He looked a little nervous. Saw him before he went on stage to introduce things. Told me the whole architecture economic situation really sucks. I know, I told him. But that’s OK. We get by.
As we’ve noted before, sculptor Cliff Garten is one of the lucky artists who gets to remake the urban landscape. His latest work is the Baldwin Hills Gateway, a 150-foot-long bridge that marks the entry into the Baldwin Hills Parklands, part of the sprawling Kenneth Han State Recreation Area. The eight-foot-high rail, made of water jet cut and rolled anodized aluminum, is perforated by a rippling pattern inspired by the artist’s survey of the entire park, creating interesting patterns of light and shadow on the bridge’s surface. The project, funded by a grant from the Baldwin Hills Conservancy to the Los Angeles Neighborhood Initiative, just opened last week.
Las Vegas’ most interesting cultural attraction is not on The Strip. It’s the Neon Museum, which finally opened its new visitors center last weekend inside the lobby of the former La Concha Motel, a Googie masterpiece designed by Paul Williams. The Downtown Vegas museum, which opened in 1996, includes a boneyard containing over 150 neon signs from hotels, motels, roadside attractions, and businesses, dating back to the 1930s. Some of our favorites include the Atomic Age Stardust Hotel sign and a freestanding sign of a man known as the “Mullet Man.” The museum has also installed some of its signs along Las Vegas Boulevard and on Fremont Street. More pix from the boneyard below. Read More
Yesterday, AN got a first hand look at the Space Shuttle Endeavor resting inside its new home, the 18,000 square foot Samuel Oschin Pavilion at LA’s California Science Center. The verdict: go see it. No piece of architecture in recent memory has been as breathtaking as the shuttle.
Thinking about getting a masters degree but haven’t found the right field? California College of the Arts (CCA) in San Francisco just made it easier, announcing three new graduate programs beginning in 2013, bringing the total number of post-professional offerings to eleven. The trio of curricula includes: a Master of Architecture in Urban Design and Landscape (MAUDL), a MFA in Comics, and a MFA in Film.
The two-year MAUDL focuses on the future of urbanism and teaches a range of urban design strategies and data-visualization techniques. The three-year MFA in Comics is headed by Eisner-nominated graphic novelist Matt Silady. And CCA’s MFA in Film specializes in multidisciplinary approaches. Classes begin Fall 2013. Applications for all three programs are being accepted now through January 5, 2013 at www.cca.edu.