Roche Unleashes On SCI-Arc

Dean's List, Newsletter, West
Friday, April 29, 2011
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From Roche's Isobiot®ope at the Venice Bienale

Architect-researcher-conceptual designer-provocateur Francois Roche was recently invited to give a lecture and exhibition at SCI-Arc relating to the work of his firm R&Sie(n). However he canceled both, revealing the reasons in an open letter, after the jump. Much of it is in self-described  “Frenchglish,” but you get the idea.

He’s not so happy with what he characterizes as the school’s arrogance, its narrow focus on design, and its “lack of interest for politics and attitude.”  Them’s fightin’ words… Meanwhile SCI-Arc spokesperson Georgiana Ceausu tells AN that Roche’s summer exhibit didn’t work out because he wanted to display something he had already shown, which is against school policy.

Reach Roche’s scathing letter after the jump.

SCI-Arc Nomadic No More

Dean's List, West
Friday, April 22, 2011
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A look at SCI-Arc's Santa Fe Depot building (bottom).

Finally. After 39 years of wandering around Los Angeles and trying to convince its landlord to sell, SCI-Arc today announced that it has bought its building in LA’s Downtown Arts District. The 1,250 foot-long Santa Fe Freight Yard Depot building, a reinforced concrete structure designed by architect Harrison Albright, stretches seemingly forever along Santa Fe Avenue. Students like to bike or skateboard inside it to get to class.

The school moved to the former rail depot 10 years ago after a 2001 renovation by architect Gary Paige. The school’s opening came when building owner Meruelo Maddux Properties filed for bankruptcy—meaning it really needed the money. The school bought the property for $23.1 million. Other homes for the school have included Marina Del Rey and Santa Monica. But now it finally has a real home.

And their edgy, coarse and lively corner of downtown, as SCI-Arc Director Eric Owen Moss has pointed out, is where it’s always wanted to be. “SCI-Arc is absolutely committed to Downtown,” he told AN in a recent interview, adding that the area is a laboratory for architectural and urban development. “We are staying Downtown. Period.”

 

Event> University of Pennsylvania Hosts Paolo Portoghesi

Dean's List, East
Wednesday, April 13, 2011
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Central Mosque, Rome (1974)

Central Mosque, Rome (1974)

With architectural discourse today so focused on the impact of digital design, it is hard to remember that 20 years ago all architects talked about was postmodernism. The discussion began with the publication of Robert Venturi’s Complexity and Contradiction in Architecture and Aldo Rossi’s The Architecture of the City but became more focused and intense with the opening of an exhibition devoted to the theme.

Continue reading after the jump. (Gallery)

Unveiled> Ryerson University Student Learning Centre

Rendering of the exterior of the Student Learning Centre looking north on Yonge Street. (Courtesy Ryerson University)

Rendering of the exterior of the Student Learning Centre looking north on Yonge Street. (Courtesy Ryerson University)

Toronto’s Ryerson University announced plans this week for a bold Student Learning Center designed by Oslo-based Snøhetta and Zeidler Partnership Architects of Toronto. The 8-story structure will mix passive and active academic uses with street-level retail and will serve as the university’s front door on busy Yonge Street.

More renderings and info after the jump.

Bestor Unleashes Disco Silencio at SCI-Arc

Dean's List, Newsletter, West
Monday, April 4, 2011
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Architectural exhibition openings are hardly known for their cool vibe, but that’s apparently because they’re not usually put on by LA-based Barbara Bestor Architecture. On April 1 SCI-Arc opened Bestor’s Disco Silencio to a crowd very eager to party. The installation at the SCI-Arc gallery is a demi-dodecahedron formed in plywood meant to be a silent retreat for frazzled SCI-Arc architecture students (at least when the DJ isn’t spinning and disco lights are whirling).

Continue reading after the jump.

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Persistence of Plastics at Columbia′s GSAPP

Dean's List, East
Friday, April 1, 2011
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Monsanto's House of the Future for Disneyland. Courtesy Yesterdayland.

The first panel of this week’s conference at Columbia’s GSAPP, “Permanent Change: Plastics in Architecture and Engineering,” got down to business a few minutes late on Thursday morning. After a brief welcome, Dean Mark Wigley ceded the floor to Michael Bell, the first speaker in the line-up for “The Emergence of Polymers: Natural Material–Industrial Material.” But the pace picked up as Bell and subsequent presenters took listeners on an intense romp through the role of plastics in architectural history, providing background for the nine panels to follow through Friday evening.

Read More

Eduardo Souto de Moura Wins 2011 Pritzker Prize (Updated)

Apartment Building in Maia, Portugal (Courtesy El Croquis)

Apartment Building in Maia, Portugal (Courtesy El Croquis)

Portuguese architect Eduardo Souto de Moura has won the 2011 Pritzker Prize, according to several reports. The Porto-based architect worked for the country’s other Pritzker winner, Alvaro Siza, but has had a prolific career on his own since opening his office in 1980. Not widely known outside Portugal, Souto de Moura designed the new stadium in Braga in 2004, which, like much of his work, has strong, highly legible forms. There he blasted granite from the site that was later crushed to make concrete for the building.

Check out some of De Moura’s work after the jump.

Five Top Firms Looking for Summer Interns

Dean's List, National
Wednesday, March 23, 2011
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As spring rolls around, deadlines loom for coveted summer internships. AN has collected a list of five prestigious firms that are looking for their 2011 class of interns. Good luck!

Check out the list (and deadlines) after the jump.

Back To School Thanks To AIA LA

Dean's List, West
Wednesday, March 23, 2011
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In response to the lack of, ahem, any money in architecture these days, AIA/LA has announced a new scholarship to help members pay for the chapter’s ARE (Architect Registration Exam) seminars. The Saturday seminars usually cost $85 each for members, so if someone wants to take all ten, that’s worth $850. Preference goes to unemployed or under-employed architects, and right now there’s no limit to how many will be handed out. The chapter is about to award its first six scholarships today, says Matt Krinsky, AIA/LA’s Director of Programs and Events. By the way, for those struggling young architects hoping to get inspiration, check out the winners of the AIA’s Arch Is competition — Freeland Buck and Marcelo Spina— at LA’s A+D Museum tonight.

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