The winners of the eVolo 2012 Skyscraper Competition have been announced; get ready for an afternoon of browsing some pretty spectacular renderings. Entries offer innovative (and sometimes outlandish) solutions in an attempt to address the social, historical, urban, and environmental responsibilities of the 21st century mega-structure.
The 12th annual IESNYC Student Lighting Competition, “Fraction/Refraction”, was held Wednesday night at the appropriately well-lit Helen Mills Event Space in Chelsea. The competition was open to all interested students in New York City and included entries from designers at Pratt Institute, Parsons/New School, Fashion Institute of Technology, Fordham, and New York School of Interior Design. Over 100 entries created a luminous one-night exhibition of over 100 light-sourced objects, each with a different take on this year’s theme of “how light plays with textures, flows through materials and creates layers of contrast.”
While most design students are starting the scramble for plum summer internships, Tina Uznanski can rest easy, knowing a desk with her name on it will be waiting at Gensler’s London office. Uzanski, an interior design student at the Pratt Institute, has received Gensler’s annual Brinkmann Scholarship, winning a paid summer internship at the Gensler office of her choice and a cash prize to be put toward her final year of study at Pratt. The award was established in 1999 as a memorial to interior designer and former Gensler partner Donald G. Brinkmann.
Uznanski won the competition with her clever concept for a renovation of her neighborhood library in Clinton Hill, Brooklyn, that creates a flexible room through “shifting stacks.” images after the jump
Is drawing dead? That was the burning question (and title) of last weekend’s symposium at the Yale School of Architecture, which assessed the contemporary state of drawing through three days of lectures and panels, with pen-and-paper proponents from across the architectural spectrum. This convergence of many great drawers past and present coincided with the recently opened exhibition Massimo Scolari: The Representation of Architecture, a largely drawing-based show on view through May 4 in the School of Architecture Gallery.
American manufacturing may be on the rocks, but Deborah Berke, principal at Deborah Berke & Partners, believes that by adding a little bourbon, one Kentucky city can make an industrial comeback. Berke is leading a graduate studio at Yale exploring the future of boutique manufacturing in the United States and using an urban distillery in Louisville as a case study.
“How can a construction toy be ‘playful’?” This is the problem that Tamar Zinguer asked her Cooper Union students in a recent seminar focused on the architecture of play. For this session, Zinguer, who has taught the course before, decided to eliminate the visual aspect, a sensory aspect of toy design highly relied upon in previous seminars’ constructions. Focusing less on color and more on the experience of the object, the result is a set of innovative and wonderfully textured toys, from blocks to shells, that encourage play for the visually impaired.
For the last several years, SCI-Arc’s Studio 1A has given new students the chance to literally make their mark by producing projects that become permanent fixtures at the school. On Friday, this year’s class revealed a project that started as a piece of clothing, then became a wire model, then became a mockup, and finally ended as a new undulating and faceted canopy and wall. Made of a recycled carbon fiber called Nyloboard, the project’s more than 2,000 pieces were all hand cut and, somehow, none are exactly alike. They’re attached with Gorilla Glue, nails, and screws. “It’s something that exists at the scale of the world, which can take years for an architect,” said Nathan Bishop, who along with Jackilin Hah Bloom and Jenny Wu led the studio.
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With a background in engineering, artist Ricardo Cid uses visualization to understand and reimagine everything from periodic elements to playing the sax. Here he flies through a presentation for the AN staff, leaving us more than a little fascinated, if not, at moments, a little perplexed.
Last week the New York chapter of the AIGA held its second annual “Fresh Blood” event, featuring top graduating students from design programs across the region. Ten students were given five minutes each to dazzle the crowd at St. Ann’s Warehouse in Brooklyn with presentations related to their thesis research. Scott Stowell, the evening’s MC, kept things lively, peppering the students with questions about their work and cracking jokes that stoked school rivalries.
All the presentations were excellent, but here are a few that we just can’t stop talking about: