FOCUS: Fred Tomaselli
Modern Art Museum of Fort Worth
3200 Darnell Street, Fort Worth
Through March 23, 2014
FOCUS: Fred Tomaselli highlights works created by the artist in the past ten years, including his New York Times collages. Tomaselli is known for his work on wood panels where he combines unorthodox materials that are suspended in a thick layer of clear, epoxy resin. The materials used in these pieces range from field guides to marijuana leaves. In Tomaselli’s hands, they form a hybrid of subjects and cultural references. The artist tries to represent the transcendental and utopian capabilities available within art. His work comments on suburbia in the 1960s and 70s and the quest for escapism. The images that are depicted relate to his California upbringing during those decades. Of his work, Tomaselli said, “It is my ultimate aim to seduce and transport the viewer into the space of these pictures while simultaneously revealing the mechanics of that seduction.”
The upcoming 2014 Venice architecture biennale, Absorbing Modernity: 1914-2014, will question the notion of national identity in architecture and investigate the degree to which national styles have been “sacrificed to modernity.” To the credit of the Venice curators, they asked national pavilions to investigate ways in which this “seemingly universal architectural language… in significant encounters between cultures… can find hidden ways of remaining ‘national?’” Clearly the internationalization—and some would say flattening—of culture is one of the more complicated forces in contemporary culture.
This month, artist Jim Campbell will be taking over New York City. First, an exhibition of new works by Campbell will be on view at the at Bryce Wolkowitz Gallery in Chelsea from March 7–April 19, 2014. Titled New Work, the show will focus on Campbell’s latest series of sculptural light installations. The exhibition at Bryce Wolkowitz Gallery coincides with another expansive New York exhibition of Campbell’s work at the Museum of the Moving Image. That exhibition, Jim Campbell: Rhythms of Perception, will be on view from March 21 through June 15, 2014. In addition, the Joyce Theater will present Constellation, a collaboration between Alonzo King LINES Ballet and Campbell, from March 18–23, 2014. The performance will feature an installation comprised of 1,000 light spheres programmed in synchronized interplay with the dancers.
The Contemporary Austin
700 Congress Avenue, Austin, Texas
Through April 20th
Charles Long’s latest exhibition CATALIN—aptly named after a toxic plastic material fabricated in the 1930s—uses a multi-media approach to simulate a feeling of impending doom. In this Gesamtkunstwerk, Long combines sculpture, film, music, fragrance, theater, performance, and grand spectacle to create a mystical and magical Wagnerian world.
Isa Genzken: Retrospective
Museum of Modern Art
Through March 10, 2014
In the home stretch before it closes on March 10, Isa Genzken: Retrospective at MoMA shows a sculptor whose work is infused with architecture from her sleek early works of lacquered wood in the engineered Hyperbolos and Ellipsoids series to rougher experiments in plaster, concrete, and steel which resemble architectural maquettes on pedestals including Bank (1985), Rosa Zimmer (Pink Room) (1987), Galerie (1987), Kleiner Pavilion (1989), and Fenster (Window) (1990).
Brooklyn, New York
Through March 2, 2014
Traverse is an exhibition of new works by Melissa Murray and Erica Stoller at A.I.R Gallery in Brooklyn’s DUMBO neighborhood. Murray’s work focuses on pausing her daily life to examine personalized images that are swiftly tucked away in her subconscious. Stoller makes wall related sculptures that relate to the plane of the wall and garners meaning from the surrounding area.
On View> Doris Duke’s Shangri La: Architecture, Landscape, and Islamic Art at the University of Michigan Museum of Art
Doris Duke’s Shangri La: Architecture, Landscape, and Islamic Art
University of Michigan Museum of Art
525 South State Street, Ann Arbor, MI
Through May 4
Following a 1935 honeymoon that brought her to Morocco, Syria, Iran, Pakistan, India, and Indonesia, enigmatic heiress Doris Duke began work on Shangri-La, her paean to Islamic art and architecture. The Hawaiian estate features rich tiling, carefully manicured grounds, and innumerable design flourishes all meant to evoke Duke’s own vision of the Islamic world. It also acted as the resting place for much of the heiress’s extensive art collection.
The University of Michigan Museum of Art has launched an exhibition featuring examples from this collection along with extensive documentation of the estate and Ms. Duke’s international travels. These photographs, films, art objects, and correspondences will be joined by work from eight contemporary artists of Islamic background.
Mario Botta: Architecture and Memory
Bechtler Museum of Modern Art
Through July 25, 2014
The architect Mario Botta is known for his postmodern or idiosyncratic country houses, churches, and institutional buildings in the Ticino region of Switzerland and Europe. He actually worked in the studio of Le Corbusier as a young man and his work is clearly indebted to Carlo Scarpa and, like many Italian architects of his generation, Louis Kahn. He has workedthroughout his career in a small regional outpost of Lugano and has stood against the mainstream of modern, commercial and avant-garde ideas and trends and produced buildings that can only be called “Bottan.”
This March, Angelenos will get front-row seats to the nation’s largest art, architecture, and urbanism–oriented film festival. Founded in 2009 in New York, the Architecture & Design Film Festival (ADFF) is coming to the West Coast for the first time March 12–16. The ADFF’s program includes 30 feature-length and short films, plus panel discussions, Q&A sessions with directors and subjects, special receptions, and a Hennessey + Ingalls pop-up bookshop.
Miró: The Experience of Seeing
Seattle Art Museum
1300 First Avenue, Seattle, WA
February 13 to May 25
The Seattle Art Museum will be offering a look—almost unprecedented in its breadth for this side of the Atlantic—at the later work of Spanish artist Joan Miró’s. The work on view has been culled entirely from Madrid’s Museo Nacional Centro de Arte Reina Sofía’s extensive Miró collection. Miró: The Experience of Seeing will feature more than fifty paintings, drawings, and sculptures created between 1963 and 1983. The work from this period is defined in part by increasingly simplified abstract compositions and sculpture that makes use of found objects.
Takeshi Murata: Melter 2
Contemporary Art Museum of St. Louis
3750 Washington Road, Saint Louis, MO
Through April 27
New York–based artist Takeshi Murata will be transforming the facade of the Contemporary Art Museum of St. Louis through the installation of Melter 2. Created in 2003, the playful piece of video is being enlarged from its original form in order to fit the museum’s 62-by-18-foot metal facade. Melter 2 is reflective of the vibrant and psychedelic animations that have formed a major component of Murata’s practice. Its colorful floral forms that seem to melt and fuse over the course of the video will be visible once night falls through April 27. The work is the second in the museum’s ongoing series of expansive video-art installations, Street Views.
The California College of the Arts (CCA) was founded in 1907 by Frederick Meyer, a German arts and crafts cabinetmaker and did not have an architecture program until the 1980s. However it has been making great strides in the past 10 years to become more of a presence on the international art and design stage. But like all schools it struggles with rising fees and costs to educate young people so it has come up with Blueprints, Blue Jeans & Bluegrass, a fundraiser that will take place in its fantastic San Francisco campus.
The party will honor Art Gensler the founder of the San Francisco firm that bares his name. All net proceeds from the gala will go to scholarships for talented and deserving students at CCA. The event takes place on March 26 and features a complete dinner, fancy cocktails and Bluegrass music. I want to fly out to San Francisco just to attend the Blueprints.