On June 26, London’s Serpentine Gallery opened its 14th annual Serpentine Pavilion in Kensington Gardens. Designed by Chilean architect Smiljan Radic, the pavilion is made up of an organically formed semi-transparent fiberglass shell structure perched atop giant boulders sourced from a local quarry. Over the next four months, visitors will be encouraged to interact with the 1,700-square-foot installation, which is occupied by a cafe and multi-purpose event space.
Inside the Palace of Fine Arts: Cosmopolitanism at the 1904 World’s Fair
Kemper Art Museum, Washington University
1 Brookings Drive, St. Louis, MO
Through August 3
As part of STL250, a region-wide celebration of the 250th anniversary of the founding of St. Louis, the Kemper Art Museum at Washington University presents Inside the Palace of Fine Arts: Cosmopolitanism at the 1904 World’s Fair. This exhibition brings together a selection of artworks from the Museum’s permanent collection that were on view at the 1904 Louisiana Purchase Exposition, along with related works, to explore the role of the World’s Fair in relation to local aspirations to turn the city into an international cultural center. The show features such artists as Jean Charles Cazin, Frederic Edwin Church, Charles François Daubigny, Narcisse Virgile Diaz de la Peña, and Jozef Israëls.
If you like French decorative arts you should make your way this summer to the Louvre’s newly restored and reinstalled 18th century Decorative Arts Galleries. The collection is housed in 35 galleries spanning 23,000 square feet. Over 2,000 design pieces “in object-focused galleries and period-room settings” are on display.
Known for his political activism and for art that spans east and west, Chinese artist Ai Weiwei will hold an exhibit on Alcatraz Island this September. The show will include seven works at the notorious former federal prison—with partners including the Golden Gate National Parks Conservancy, the National Park Service, and the For-Site Foundation.
Los Angeles County Museum of Art
5905 Wilshire Boulevard, Los Angeles, California
Metropolis II is a kinetic sculpture by American artist Chris Burden, who is probably best known for his 1971 performance piece Shoot, in which an assistant wielding a .22 rifle shot him in the left arm. Part of LACMA’s permanent collection and on view multiple times per week, the sculpture is modeled after a fast paced, frenetic modern city.
Barcelona-based artist Jaume Plensa said the first thing he does after checking into his hotel during stays in Chicago is drop by Crown Fountain, the digital waterwork that features human faces spitting water, just to make sure his popular downtown installation really exists.
“Sometimes I think it was just a beautiful dream I had 10 years ago,” Plensa said at a press conference Tuesday. Millennium Park, which turns ten years old in 2014, counts Plensa’s whimsical fountains among its more popular installations. A new piece of his, on loan from the artist through the end of 2015, attempts to build on that momentum.
Flint, Michigan kicked off a series of events celebrating education and the arts Friday, unveiling interactive installations cooked up over a year-long after school program local students have dubbed Museum of Public Schools.
Produced by the Flint Public Art Project, the ongoing exhibition will culminate in a series of proposals by students to change their school system. Mott Middle College plays host to the ongoing event.
June brought good weather to Cleveland, and those who rang in summer with a visit to the Cleveland Public Library encountered an airy installation of white frames and threads crisscrossing the Eastman Reading Garden.
It’s not the first piece of public art to active the space outside the Cleveland Public Library. Last year a giant reading nest designed by LAND Studio and New York artist Mark Reigelman took wing in the library’s Eastman Reading Garden.
When Rem Koolhaas gave the 14th Venice Architecture Biennale the theme Fundamentals, he promised to create a research-based exhibition that would consider both the universal and place-specific aspects of the discipline. Serving as a counterweight to the multidisciplinary but single-country-focus of Monditalia, which fills the Arsenale at the Venice Biennale, the Central Pavilion in the Giardini is hosting The Elements of Architecture, which looks at the basic components of building around the world: the floor, walls, windows, stairs, elevators, etc. Based on a book of the same name, the exhibition juxtaposes the mundane and the cutting edge, building science with artistic interpretations, historical facts with speculative futures.
AN just had a quick Arsenale walkthrough of Radical Pedagogies: ACTION-REACTION-INTERACTION by creator and Princeton professor Beatriz Colomina. The Arsenale has been given over in this biennale to Monditalia, a single-theme exhibition with exhibits, events, and theatrical productions engaging Italian architecture with politics, economics, religion, technology, and industry. In this installation the other festivals of la Biennale di Venezia—film, dance, theatre, and music—will be mobilized through the architecture event to contribute to a comprehensive portrait of the host country.