USC School of Architecture has announced that Hadrian Predock will serve as its next director of undergraduate programs. Starting this fall he will take over the position from Alice Kimm, who served for four years. “I’m thrilled,” said Predock. “This is an exciting time as architecture continues to pull out of the recession, and I’m looking forward to helping position the school in larger conversations about where the profession is going.”
Frank Lloyd Wright, who founded the Taliesin Fellowship in 1932, can’t be pleased about the latest news from the school. Architectural Record reported that in 2017 the Taliesin School of Architecture—which currently offers Masters of Architecture degrees at its campuses in Scottsdale, Arizona and Spring Green, Wisconsin—will lose its NAAB accreditation.
In a power play for the world of arena architecture, HOK has announced it will acquire Kansas City’s 360 Architecture. Their union marks HOK’s return to the world of sports and entertainment facility design, possibly to compete with Populous, another Kansas City-based firm that spun off from HOK Sports Venue Event in 2008. Read More
Although the U.S. Army Corps of Engineers has yet to secure funding for its planned $1 billion restoration of the Los Angeles River, projects along the waterway’s banks are sprouting up regularly, including parks, cafes, trails, and even new buildings. The latest, reported KCET, is the Elysian Valley Marsh Park, a three-acre landscape expansion on what was once an auto body complex in LA’s Elysian Valley neighborhood.
Another symbol of downtown Los Angeles’ transformation is the ongoing renovation and rebranding of the Spring Arcade Building. Modeled after the great Beaux Arts arcades of Europe, the space has long been a grubby home for non-distinct shops. The Arcade—actually two 12-story towers connected by the skylit, glass roofed, three-level arcade—was built in 1924 by architects Kenneth McDonald and Maurice Couchot. With its Spanish Baroque entryway, it originally contained 61 shops, and later added a Venetian-style bridge across its center. It now contains space for 21 shops and restaurants and still contains the landmark KRKD radio towers on its roof.
Detroit’s Michigan Theatre remains iconic, but not for the reasons that made it so during its early 20th century heyday. Now the opulent 1926 concert hall holds parked cars instead of theater-goers. Will it remain a symbol of Detroit’s struggle to recover from long-term disinvestment, or could it become emblematic of the city’s resilience?