Q+A> Daniel Libeskind on Cosentino’s Dekton, Architecture, and Music

East, Features, Newsletter, Product
Friday, October 18, 2013
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Left: Daniel Libeskind (Ilan Besor); Right: Off the Wall (courtesy Cosentino)

Left: Daniel Libeskind (Ilan Besor); Right: Off the Wall (courtesy Cosentino)

At Cosentino’s launch of Dekton, AN had an opportunity to sit down with Daniel Libeskind. The world-renowned architect designed an outdoor sculpture, Off the Wall, made from the new material that weathers like stone but has manufactured advantages of specialized color, texture, and form, thanks to Cosentino’s particle sintering technology (PST) that simulates metamorphic rock formation at a highly accelerated rate. It originally debuted this spring at Salone del Mobile in Milan.

AN: You studied music in Israel. Do you find any of your classical music training to inform your design and architecture work?
Daniel Libeskind: Totally. Even though I was a virtuoso performer I continue to use that sense of my relationship to music very deeply in my work. Architecture and music are closely related in many ways. They’re both very precise: In music, even a vibration cannot be off by a single half note. And it’s the same with architecture; the geometry, the spatial character of a building must be accurate.

Continue reading after the jump.

Susan Morris Picks the Winners at the 2013 Architecture & Design Film Festival

East, Features, On View
Friday, October 18, 2013
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Still from the film Away from All Suns!

Still from the film Away from All Suns!

2013 Architecture & Design Film Festival
Tribeca Cinemas
54 Varick Street
New York
212 941-2001

“Erecting a building is like making a movie….both processes involve blending light and movement into space and time. A model is like a script: at best it’s a promise and at worst it’s a safeguard. And, as with a script, a moment comes when you have to test your model against reality. You must start shooting the film, start erecting the building.”
The Interior Passage

We can see these starts when the two art forms come together in the 4th annual Architecture & Design Film Festival at the Tribeca Cinemas where 25 films will be screened through October 20. This year, the trend is toward process films that chronicle movements and initiatives (planning, education, preservation), portraits of buildings more than individuals, and Modernism referenced even when it’s not the direct subject.

Continue reading after the jump.

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