Hariri & Hariri’s Harlem Terrace

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Friday, September 2, 2011
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The terrace's geometry creates planters and seating (Hariri & Hariri)

A 13th-floor terrace becomes a floating, geometric sculpture

Outdoor terraces are a special thing in New York City, but often the best thing about them is the view. Such was the case with one 13th-floor outdoor space in Harlem with a bird’s eye view of Central Park. “It was one of the standard, banal roof terraces with concrete pavers and a stucco knee wall as a railing,” remembers Gisue Hariri. “But it had fabulous views.” The apartment’s owner is a modern art collector, and he asked the dynamic team of Hariri & Hariri if they could create a design that would not only provide the necessities—seating, shading, and landscaping—but also act as another piece of art in his collection. “The minute I heard the challenge, I became interested in taking the project,” says Hariri.

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Zeilgalerie Media Facade: 3deluxe

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Friday, August 26, 2011
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The glass and aluminum facade is illuminated by 42,000 white LEDs (Emanuel Raab)

Frankfurt’s Zeil gets another facelift with an ever-changing media installation

The Zeil is Frankfurt’s main shopping district, a pedestrian-only street bordered by two large plazas. In 2009, Massimiliano Fuksas’ vortex-clad Mab Zeil mixed-use center brought a new face to the street. Not to be outdone by its neighbor, the Zeilgalerie shopping mall began its own facelift the same year. Designed by Wiesbaden, Germany-based interdisciplinary collective 3deluxe, its LED-illuminated black facade brings a new sense of unity to the street and was recently given the Red Dot 2011 design award in the category of Information Design/Public Space.

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nonLin/Lin Pavilion: Marc Fornes/THEVERYMANY

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Friday, August 19, 2011
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The nonLin/Lin Pavilion at the FRAC Centre in Orleans, France (THEVERYMANY)

An aluminum prototype structure at FRAC explores non-linear design and fabrication

The new nonLin/Lin Pavilion at the FRAC Centre in Orleans, France, is a coral-like structure of 40 pre-assembled white aluminum modules made of 570 CNC-cut single components punched with 155,780 asterisk-shaped CNC-drilled holes and held together by 75,000 white aluminum rivets. But these pieces, as designer Marc Fornes of THEVERYMANY has demonstrated throughout his work, are much more than the sum of their parts. Neither an art installation nor a model, the pavilion is full-scale architecture that pushes the limits of its materials and of physical fabrication processes with custom computational protocols.

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Dynamic Performance of Nature Media Wall: SoftRigid

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Friday, August 12, 2011
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The media wall responds to data from around the world (SoftRigid)

The Leonardo Museum’s commission for its new home is part architecture, part artistic innovation.

After years of renovations, Salt Lake City’s Leonardo museum is poised to move into its new home in the city’s former downtown public library building. Conceived in the spirit of Leonardo da Vinci, the art, science, and technology museum hosted a design competition to create a permanent media wall that would represent its creative mission while serving the programmatic role of dividing two first-floor galleries in the new building. Last summer, the museum awarded the commission to recent Columbia GSAPP graduates Yong Ju Lee and Brian Brush, founders of the New York- and Portland, Oregon-based design and digital fabrication practice SoftRigid. Their installation, Dynamic Performance of Nature, is not only a fluid solution to the building’s architectural needs but also a high-tech presentation of real-time environmental data from around the world.

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Populous’ Livestrong Sporting Park: Duo-Gard

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Friday, August 5, 2011
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Designers created the largest polycarbonate stadium canopy in North America (Duo-Gard/Alistair Tutton)

Custom canopy scores big at Kansas City’s new soccer stadium.

Kansas City’s Livestrong Sporting Park opened in June as the city’s first soccer-centric stadium and the new home of the Sporting Kansas City, the soccer team formerly known as the Kansas City Wizards. To make the arena both athlete- and fan-friendly, architect Populous envisioned a soaring roof canopy designed to evoke the arc of a soccer ball flying across the field. The team considered building the canopy with ETFE (ethylene tetrafluoroethylene) pillows, but desired a look more in line with glass panels. The weight of glass would have significantly increased the amount of steel substructure, in turn raising the canopy’s price. Working with Michigan-based architectural canopy design, engineering, and fabrication company Duo-Gard, the team began instead to develop a high-performance polycarbonate glazing system that minimized weight and maximized light transmission onto the field.

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UrbanSHED Design Competition Prototype

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Friday, July 29, 2011
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The Urban Umbrella is an alternative to traditional construction sheds (DOB)

A prototype of the city’s alternative to unsightly construction sheds is unveiled.

Two years after the NYC Department of Buildings and AIA New York launched the UrbanSHED competition to find a new sidewalk shed design that would beautify city streets, a prototype of the winning proposal has been unveiled. Called Urban Umbrella, the shed structure was developed by competition winner Young-Hwan Choi with architect Andrés Cortés and engineer Sarrah Khan of New York-based Agencie Group. Brooklyn-based architecture and fabrication firm Caliper Studio was hired late last year to detail and build the much-anticipated design, which the DOB and architecture, construction, and real estate backers hope will eventually replace unsightly sidewalk scaffolding at many of the city’s construction sites.

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ACADIA Design and Fabrication Competition Winners Announced

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Friday, July 22, 2011
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The RECIP modular furniture system designed by students of the University of Calgary’s Faculty of Environmental Design

Three winning designs to be fabricated by Brooklyn-based Flatcut.

This October, winners of the ACADIA (Association for Computer Aided Design in Architecture) design and fabrication competition will show off their parametric chops as part of the organization’s annual conference, now in its 30th year. Announced last week, winners were chosen from 15 finalists by a jury that included Tod Williams of TWBTA, Chris Sharples of SHoP Architects, Tom Wiscombe of Emergent, Dror Benshetrit of Studio Dror, and Thomas Christoffersen of BIG. The competition sought designs in three categories—furniture, partitions, and lighting—and entrants were encouraged to propose hybrid material assemblies that minimized waste and maximized material performance. Tomer Ben-Gal, founder of Brooklyn-based fabrication studio and competition co-sponsor Flatcut, served as technical advisor. Flatcut will fabricate the winning designs in its 100,000-square-foot Passaic, New Jersey, machine shop before they are sent to the conference, held at the University of Calgary, where they will be displayed from October 11-16.

Click here to see the winning entries.

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OTD’s 45 Park Lane Facade Panels: Situ Studio with LuminOre

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Friday, July 15, 2011
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45 Park Lane

Panels constructed with composite metal technology decorate facade of a new London hotel.

The Dorchester Collection’s 45 Park Lane hotel will soon open to guests in London’s Mayfair district following a renovation of the building led by The Office of Thierry Despont. The architect has transformed the building’s exterior with metal fins spanning the width of seven of nine floors, emphasizing the hotel’s curved shape and shielding its guest spaces from sun. All new or highly renovated buildings in the district must include a public artwork component, and Despont considered a series of repoussé copper panels on the hotel’s west side, which faces Hyde Park. Intrigued by Brooklyn-based Situ Studio’s digital modeling capabilities, he asked the firm to develop a gradient overlay for the panels in Photoshop, then translate it into Rhino. But once the design was put out to bid the cost of creating the panels proved prohibitive, so the team went back to the drawing board to explore other options.

Continue reading after the jump.

Philip Johnson’s Peace Chapel: Radius Track

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Friday, July 8, 2011
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The Interfaith Peace Chapel (Cunningham Architects)

Realizing the architect’s final project using advanced fabrication techniques Johnson may have never known.

Philip Johnson completed the design for the Interfaith Peace Chapel in Dallas just before his death in 2005. Working with Johnson’s firm Philip Johnson/Alan Ritchie Architects and architect of record Cunningham Architects, the Cathedral of Hope, United Church of Christ and non-profit social advocacy group Hope for Peace & Justice moved forward with the building. Completed late last year, the chapel is a monument to the congregation’s pluralistic worldview and acceptance of all religions. Its smooth, curving walls are central to Johnson’s goal of creating a cave-like sanctuary that is far removed from the site’s banal location near the runways of Dallas Love Field Airport. The project team hired cold-formed steel framing fabricator Radius Track to help realize the design.

Continue reading after the jump.

Radii’s WTC Marketing Suite

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Friday, July 1, 2011
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Jean-Pierre Mutti/Radii

An abstract vision of the site’s future is also a high-tech marketing display.

As work at the World Trade Center site progresses steadily, a matryoshka-like replica of it has taken shape on the 10th floor of 7 World Trade. With a view of the construction below, the Silverstein Properties marketing suite occupies the same floor as the WTC architects’ annex offices, providing a tableau of the working architects as well as the completed site to prospective tenants of towers Two, Three, and Four. Scaled architecture studio Radii Inc. have been designing models of the site since its earliest phases, so Silverstein’s senior VP of marketing and communications approached Radii partners Ed Wood and Leszek Stefanski with his conceptual ideas for the diorama. “He wanted it to be big,” said Wood. “Our first questions was, ‘What are the ceiling heights?’”

See a slideshow after the jump.

Seeyond’s Parametric Building System

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Friday, June 24, 2011
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A cable-suspended ceiling cloud (Seeyond)

Self-supporting tessellations can take almost any form.

“People are pretty burned out on the office cubicle and panel systems,” said Nat Porter, general manager of Seeyond Architectural Solutions. The company, which launched this month, aims to give architects an alternative to standard space dividers with its new user-controlled parametric design and digital fabrication building system. Seeyond’s history goes back ten years, to sculptor and designer Jonas Hauptman’s experimentations with folded materials. For a class he was teaching, he turned for materials to Liberty Diversified International (LDI), whose roots are in the corrugated fiberboard industry. Hauptman teamed up with Paul James, a mathematician, economist, and industrial designer already working with LDI (now Seeyond’s parent company). They presented their business proposal in 2009 and the new fabrication system was born.
Continue reading after the jump.

Shimoda Design’s Steelcase Showroom: Formglas

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Friday, June 17, 2011
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Faceted column covers at Steelcase's Merchandise Mart showroom (Shimoda Design)

Molded gypsum shapes a Chicago Merchandise Mart space.

The Steelcase Worklife Center is one of the Chicago Merchandise Mart’s largest showrooms, spanning 45,000 square feet and encompassing four areas displaying the furniture manufacturers’ various brands. The company hired Los Angeles-based architect Joey Shimoda, who also designed the Steelcase center in Santa Monica, to create interiors that would unify the showroom with the common corridor bisecting it. After reading about a project by molded gypsum, concrete, and fiberglass fabricator Formglas in a magazine, he called the company and was on a plane to its Toronto headquarters the next day to discuss a series of geometric architectural elements he envisioned for the space.

Continue reading after the jump.

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