Trahan’s Louisiana Sports Hall of Fame and Museum

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Friday, October 14, 2011
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On-site panel mockup (Trahan)

Cast stone and steel become the medium for collaboration at Trahan Architects’ newest project.

Trahan Architects’ Louisiana State Sports Hall Of Fame and Regional History Museum was designed with northern Louisiana’s geography in mind. Located in Natchitoches, the oldest settlement in the Louisiana Purchase, the 28,000-square-foot building overlooks Cane River Lake at the boundary of the Red River Valley. While the museum’s exterior will be clad in a skin of cypress planks, a nod to the area’s timber-rich building stock, the interior spaces will be formed by a skin of more than 1,000 cast stone panels resembling land shaped by eons of moving water. As the panels begin to be installed, AN went behind the scenes to learn how the project is taking shape.

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Gehry’s Louis Vuitton Foundation Facade

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Friday, October 7, 2011
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A 1:100 scale model of the building (Fondation Louis Vuitton pour la Création/Mazen Saggar)

Ductal concrete technology used for the architect’s shapely “icebergs” in Paris

Frank Gehry has referred to his design for the Louis Vuitton Foundation for Creation, a new home for the contemporary art collection of LVMH mogul Bernard Arnaud, as “a veritable ship amongst trees.” The project, located at the northern entrance of Paris’ Bois de Boulogne near the Jardin d’Acclimatation, hasn’t been without its share of controversy and delays, but the nearly 130,000-square-foot, 150-foot-tall building is moving ahead and is slated for completion in 2012. Though a hovering glass carapace will enshroud the museum, models of the design show the sails parting at various points to reveal concrete “icebergs” that form the building’s core. Since 2006, building material manufacturer Lafarge has been working with the building’s project team, prototype designer Cogitech Design, and precast concrete manufacturer Bonna Sabla to realize the design with Lafarge’s Ductal ultra-high performance concrete (UHPC).

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Morphosis’ Museum of Nature & Science Facade: Gate Precast

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Friday, September 30, 2011
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Striated precast panels clad the facade (Bob Borson)

A new cultural focal point takes shape in Dallas

When the Dallas Museum of Nature & Science was created from the 2006 merger of three city museums—the Museum of Natural History, The Science Place, and the Dallas Children’s Museum—the new institution set its sites on expanding programming with a new facility in the city’s Victory Park neighborhood. Now, the 180,000-square-foot Morphosis-designed Perot Museum of Nature & Science is slated for completion in 2013. Located at the northwest corner of Woodall Rodgers Freeway and Field Street, it marks the future crossroads of the city’s Trinity River Corridor Project and the city’s cultural districts. Floating atop an irregularly shaped plinth that will be the base for a one-acre rooftop ecosystem, the museum’s striated concrete facade offers a first glimpse at the dynamic transformation of the site.

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IwamotoScott Architecture: Bookshelf Screen Wall

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Friday, September 23, 2011
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(Courtesy IwamotoScott)

(Courtesy IwamotoScott)

Lisa Iwamoto and Craig Scott, principals at IwamotoScott Architecture first established a relationship with Obscura Digital, a digital media company, three years ago in order to collaborate on a new hemispheric theater encased in a geodesic dome in Dubai. While the project was scuttled by the recession, the two firms stayed in touch, and when Obscura acquired new office space in a 1940s-era warehouse in an up-and-coming San Francisco neighborhood, they again called on IwamotoScott to design it, and even invited the architects to move into their new space.

Working with a tight budget, IwamotoScott injected digitally fabricated details that would give focus and add drama to the large industrial space. A black-box conference room that Scott describes as bringing “shrink-wrap to seismic bracing” is perched on the edge of a second-floor mezzanine while a 32-foot laser-cut screen wall comprised of cells that appear to collapse into fluid scales sequesters the architect’s space within the digital media company’s headquarters.

Continue reading after the jump.

Nicola Formichetti & Gage/Clemenceau Architects Concept Store

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Friday, September 16, 2011
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The kaleidoscopic pop-up shop marks the grand opening of the second annual BOFFO Building Fashion event (Evan Joseph)

Mirrored acrylic and strategic lighting transform a temporary space at 50 Walker Street in New York

A collaboration between Nicola Formichetti, fashion director for Lady Gaga and creative director for Mugler, and Gage/Clemenceau Architects, launched Boffo Building Fashion’s second annual installation series on September 8. A reflection, literally, of Formichetti’s work, the two-week installation is a kaleidoscope of nearly 600 mirrored facets that create a 360-degree reflective environment in which to showcase limited edition Mugler fashions and other merchandise from emerging designers. With help from the series’ sponsors and the fabrication lab at Yale, where Mark Foster Gage is an assistant dean, the design team created a new way to see the store’s stock by “dematerializing the fashion into a pattern on the walls,” said Gage.
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Aggregated Porosity Canopy: Digital Architecture Laboratory

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Friday, September 9, 2011
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The canopy provides both shade and seating (DAL)

Students and architects create a curving plywood canopy during this summer’s Digital Architecture Laboratory workshop

This summer, Hunan University’s School of Architecture sponsored the Digital Architecture Laboratory (DAL), a workshop created to bring architects and students together to explore digital fabrication techniques. Hosted in Changsha, China, the workshop was led by Biao Hu, a professor with the university, and Yu Du, an architect with Zaha Hadid Architects. Suryansh Chandra, also with Zaha Hadid Architects, and Shuojiong Zhang, of UNstudio, were invited to participate as tutors for the workshop, which with a theme of “aggregated porosity” would explore variations in material density and the juxtaposition of solid forms with skeletal ones. Additionally, the project had to be a structure that provided shade and fit within an approximately 10-by-10-by-20-foot area.

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Hariri & Hariri’s Harlem Terrace

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Friday, September 2, 2011
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The terrace's geometry creates planters and seating (Hariri & Hariri)

A 13th-floor terrace becomes a floating, geometric sculpture

Outdoor terraces are a special thing in New York City, but often the best thing about them is the view. Such was the case with one 13th-floor outdoor space in Harlem with a bird’s eye view of Central Park. “It was one of the standard, banal roof terraces with concrete pavers and a stucco knee wall as a railing,” remembers Gisue Hariri. “But it had fabulous views.” The apartment’s owner is a modern art collector, and he asked the dynamic team of Hariri & Hariri if they could create a design that would not only provide the necessities—seating, shading, and landscaping—but also act as another piece of art in his collection. “The minute I heard the challenge, I became interested in taking the project,” says Hariri.

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Zeilgalerie Media Facade: 3deluxe

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Friday, August 26, 2011
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The glass and aluminum facade is illuminated by 42,000 white LEDs (Emanuel Raab)

Frankfurt’s Zeil gets another facelift with an ever-changing media installation

The Zeil is Frankfurt’s main shopping district, a pedestrian-only street bordered by two large plazas. In 2009, Massimiliano Fuksas’ vortex-clad Mab Zeil mixed-use center brought a new face to the street. Not to be outdone by its neighbor, the Zeilgalerie shopping mall began its own facelift the same year. Designed by Wiesbaden, Germany-based interdisciplinary collective 3deluxe, its LED-illuminated black facade brings a new sense of unity to the street and was recently given the Red Dot 2011 design award in the category of Information Design/Public Space.

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nonLin/Lin Pavilion: Marc Fornes/THEVERYMANY

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Friday, August 19, 2011
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The nonLin/Lin Pavilion at the FRAC Centre in Orleans, France (THEVERYMANY)

An aluminum prototype structure at FRAC explores non-linear design and fabrication

The new nonLin/Lin Pavilion at the FRAC Centre in Orleans, France, is a coral-like structure of 40 pre-assembled white aluminum modules made of 570 CNC-cut single components punched with 155,780 asterisk-shaped CNC-drilled holes and held together by 75,000 white aluminum rivets. But these pieces, as designer Marc Fornes of THEVERYMANY has demonstrated throughout his work, are much more than the sum of their parts. Neither an art installation nor a model, the pavilion is full-scale architecture that pushes the limits of its materials and of physical fabrication processes with custom computational protocols.

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Dynamic Performance of Nature Media Wall: SoftRigid

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Friday, August 12, 2011
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The media wall responds to data from around the world (SoftRigid)

The Leonardo Museum’s commission for its new home is part architecture, part artistic innovation.

After years of renovations, Salt Lake City’s Leonardo museum is poised to move into its new home in the city’s former downtown public library building. Conceived in the spirit of Leonardo da Vinci, the art, science, and technology museum hosted a design competition to create a permanent media wall that would represent its creative mission while serving the programmatic role of dividing two first-floor galleries in the new building. Last summer, the museum awarded the commission to recent Columbia GSAPP graduates Yong Ju Lee and Brian Brush, founders of the New York- and Portland, Oregon-based design and digital fabrication practice SoftRigid. Their installation, Dynamic Performance of Nature, is not only a fluid solution to the building’s architectural needs but also a high-tech presentation of real-time environmental data from around the world.

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Populous’ Livestrong Sporting Park: Duo-Gard

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Friday, August 5, 2011
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Designers created the largest polycarbonate stadium canopy in North America (Duo-Gard/Alistair Tutton)

Custom canopy scores big at Kansas City’s new soccer stadium.

Kansas City’s Livestrong Sporting Park opened in June as the city’s first soccer-centric stadium and the new home of the Sporting Kansas City, the soccer team formerly known as the Kansas City Wizards. To make the arena both athlete- and fan-friendly, architect Populous envisioned a soaring roof canopy designed to evoke the arc of a soccer ball flying across the field. The team considered building the canopy with ETFE (ethylene tetrafluoroethylene) pillows, but desired a look more in line with glass panels. The weight of glass would have significantly increased the amount of steel substructure, in turn raising the canopy’s price. Working with Michigan-based architectural canopy design, engineering, and fabrication company Duo-Gard, the team began instead to develop a high-performance polycarbonate glazing system that minimized weight and maximized light transmission onto the field.

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UrbanSHED Design Competition Prototype

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Friday, July 29, 2011
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The Urban Umbrella is an alternative to traditional construction sheds (DOB)

A prototype of the city’s alternative to unsightly construction sheds is unveiled.

Two years after the NYC Department of Buildings and AIA New York launched the UrbanSHED competition to find a new sidewalk shed design that would beautify city streets, a prototype of the winning proposal has been unveiled. Called Urban Umbrella, the shed structure was developed by competition winner Young-Hwan Choi with architect Andrés Cortés and engineer Sarrah Khan of New York-based Agencie Group. Brooklyn-based architecture and fabrication firm Caliper Studio was hired late last year to detail and build the much-anticipated design, which the DOB and architecture, construction, and real estate backers hope will eventually replace unsightly sidewalk scaffolding at many of the city’s construction sites.

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