Readers enjoying Architectural Record’s free online content got a wake-up call in late May: a paywall for articles older than 30 days. Now to access “the archive,” one must subscribe to the publication or sign up for an online subscription ($20/year). Thus, Record, one of the oldest surviving publications on architecture, joins the ranks of The New York Times and The Wall Street Journal, which in recent years have asked readers to pony up for full online access. Record’s move sent a jolt through the Twitterati of the architecture and design world, who speculated on what other pubs might follow. No paywall plans for us, Metropolis and Architect cheerfully tweeted back. Thanks to its high volume of online traffic, Record can afford to experiment with paid content, even if it means stymying some potential readers. On Reddit’s architecture site, a recent post that asked “What design do you like best?” and included a link to Record received the reply: “I like the one that doesn’t link to the F—ING PAYWALL.”
Freshly anointed “Design Mind” of the year by the National Design Awards, Michael Sorkin dazzled the full house at the annual graduation conference hosted by SVA’s Design Criticism MFA program. Sorkin startled the audience to attention with his opener, “Our world is going to hell!” and then never let up. Presenting concepts for self-sustaining cities, the architect/professor/gadfly took a break from urban planning to critique some other types of design. “Get ready for the worst graphic design of the day,” he said, clicking to a the logo of his employer, The City College of New York, and its weirdly gargantuan “the.” Following his presentation, Sorkin and moderator John Hockenberry debated the appropriateness of a request Sorkin had received to write a good review of a recent tour on TripAdvisor…from a guide who had just taken him through the Dharavi slum in Mumbai. In vintage Sorkin style, the Design Mind lamented, “Everything is being assimilated to a system of consumption!”
Is Anthony Weiner two-timing New York City? If you looked at the mayoral candidate’s website in late May, you might wonder whether he wants to lead parades in the Big Apple or the City of Steel. Perspicacious political reporter Michael Barbaro of the New York Post discovered that a backdrop image on Weiner’s website was not a view from Brooklyn across the East River, as it may seem on first glance, but rather a shot from the Robert Clemente Bridge leading into downtown Pittsburgh. Oops.
The rumor-mill has been churning non-stop over LACMA director Michael Govan’s and architect Peter Zumthor’s plans for the museum. Basically it looks like they are planning to take LACMA apart and start over; an effort that failed when attempted by Rem Koolhaas and OMA back in the early 2000s. The full scope of the plans will be unveiled in June, with LACMA’s exhibition The Presence of the Past: Peter Zumthor Reconsiders LACMA. But for now we’ve gleaned that under Zumthor’s plan, not only would there be a new indoor/outdoor art park, but four of the museum’s midcentury structures would be replaced by “curvaceous modern glass structures.” That basically includes everything but the Bruce Goff pavilion and Renzo Piano’s new structures. Let’s see if the second time’s the charm.
Depending on your tendencies toward miracles and/or conspiracies, you may have done a double-take if you saw J.C. Penney’s photographs of its Michael Graves-designed Stainless Steel Teapot. An online opinion that the kettle’s profile evoked Adolf Hitler saluting caught fire… and the now-backordered kettle will be available again on August 28.
Creative Time’s annual spring benefit at the defunct Domino Sugar factory in Brooklyn received lots of press coverage for its glittering guests, including honoree Julian Schnabel. But GalleristNY was one of the few to flag the fly on the soup: Across the street from the entrance, protestors in hazmat suits handed out “invitations” blasting the controversial company hired by Two Trees—the developer with big plans for Domino—to oversee asbestos abatement. So…that wasn’t powdered sugar on the chocolate soufflé?
There has been no official confirmation, but we’ve heard from several people involved with the show that Thom Mayne and his firm Morphosis are now leading the show, not curator Christopher Mount. Participants confirm that emails are now coming from Morphosis, not MOCA, while the show’s assistant curator Johanna Vandemoortele last week sent out an email that she had already departed from MOCA. Mount was not available for comment, but Mayne’s spokesperson Legier Stahl noted: “It is a collective, community effort. We are just helping to facilitate.” Rumor has it that Mayne is considering adding more participants, including Wes Jones, John Enright, Hitoshi Abe, and Qingyun. Stay tuned as the saga continues.
One of the few regions that superstar Bjarke Ingels has yet to invade is Southern California, and he’s made it clear that he wants that to change. It just might, soon. Ingels, we hear from an unnamed source, has been added to one of the teams competing to design the city’s 4th and Arizona mixed use project in Santa Monica, a city experiencing the beginnings of a building boom. They’ll replace RTKL on a team that also includes local firms Koning Eizenberg and Rios Clementi Hale. So now this shortlist is the most starchitect-heavy of any in the region, including not just BIG, but OMA with VTBS and Robert A.M. Stern with Brooks + Scarpa. In addition to a building that could reach up to 130 feet, the RFP calls for a “programmable gathering space that adds to the community’s civic life with public gatherings and seasonal activities.” Currently, the city hosts an ice skating rink on the site in the winters. According to the RFP a winner is expected to be chosen by Santa Monica’s city council by this August. Stay tuned.
Maybe You Lost My Number: Eavesdrop wants to know why we weren’t invited to your Kentucky Derby party, De Leon and Primmer. You guys are practically the only cool architecture firm in the River City! We were down in Louisville the weekend of the Derby and wandered (hungover, naturally) past your office on Sunday morning.
Get Out Your Scotch Guard—Eavesdrop Is Coming! If the hors d’ouevres make a party, Luminaire threw quite the fête last month. The huge design showroom in Chicago’s River North staged the top floor with more affordable items from their inventory, alongside of pop-ups from local artisans, including European bike-lifestyle guru J.C. Lind Bike Co. This was our first stop of several that evening, so the substantial hors d’oeuvres—a.k.a. Prosecco sponges—were fully appreciated. What didn’t appreciate them?