Paris has its answer to Silicon Valley, with plans to convert an historic train station into the world’s largest home for digital entrepreneurship. Architect Jean-Michel Wilmotte has been entrusted to rehabilitate the landmark building, situated on the southern bank of the river Seine, into a technological hub to accommodate 1,000 start-up companies by the year 2016.
Diller, Scofidio + Renfro announced today that their reorganization of the Museum of Modern Art will include the replacement of Tod Williams and Billie Tsien’s former American Folk Art Museum at 45 West 53rd street. Liz Diller said in her briefing that DS+R hoped to save the Folk Art building and repurpose it into a usable exhibit space or a connecting bridge between the new Jean Nouvel tower (which will have three floors of MoMA galleries) and the older parts of MoMA. However, “saving” the structure with its misaligned floors (to MOMA existing galleries) would mean compromising the integrity of the Williams Tsien structure.
One can imagine the logic of DS+R’s decision, but Williams and Tsien are, like any architects, sad to see the demise of their 2001 building that Herbert Muschamp said “transcend(s) cultural categories even as it helps define them.”
After several false-starts, plans to re-open the landmark building as a hotel appear to be underway. Jeffrey Holmes of Australian Architecture firm Woods Bagot is the latest figure attached to the project. Developers David Bistricer and Joseph Chetrit of the Chetrit Group purchased the Brooklyn property for $81 million from Watchtower Society in November 2012 but progress subsequently stalled.
Selldorf Architects and Gene Kaufman have both at times been tipped to lead the rennovation, but neither is currently affiliated with the project. While initial prospects looked grim, the city has recently approved plans to change the building’s certificate of occupancy, allowing for construction to begin with an eye towards a summer re-opening, a year later than expected.
In November, the Los Angeles City Council named Armet & Davis’ Johnie’s Coffee Shop, the restaurant at the corner of Wilshire and Fairfax, a historic cultural landmark. That’s a win for preservationists concerned with the legacy of the Googie style, the auto-oriented, steel-and-neon aesthetic that spawned diners and coffee shops across Southern California from the 1940s through the 1960s.
It might also give a leg up to locals interested in seeing Johnie’s returned to its original use. Because Johnie’s Coffee Shop isn’t a coffee shop, and hasn’t been for over a decade. Since 2000, it’s been closed to the public and used exclusively for filming. The restaurant’s film credits, both before and after its conversion to a 24/7 theatrical set, include The Big Lebowski and Reservoir Dogs.
Fans of John Johansen‘s legendary Mummers Theater in Oklahoma City have yet another reason to shake their heads in amazement. Not only is the idiosyncratic modern masterpiece set for a date with the wrecking ball, there is now a proposal for the building that may replace it.
Kestrel Investments has filed an application with the Oklahoma City Planning Department to demolish Mummers—now known as Stage Center—and put in its place a 14- to 16-story tower that would become the headquarters of OGE Energy Corp. Designed by local architectural practice ADG, the $100 million proposal master plan also includes a second tower of eight-to-12 stories that would be developed separately.