A molded-glass sheet suitable for interior and exterior applications, the relief pattern is continuous between panels.
“In Sophie’s restaurant at Saks Fifth Avenue in Chicago, we installed a wall of digitally-engineered Liquidkristal by Lasvit. The optical effects of cascading ripples of glass create playful reflections, painterly distortions, and elegant abstract patterns that are beautiful in their subtlety and striking in their boldness.”
—Andre Kikoski, Andre Kikoski Architect, New York City
It’s easy to get overwhelmed at the Salone del Mobile and the dozens of related events during Milan Design Week. Luckily there are plenty of visual palate cleansers in form of immersive environments, from new showrooms by Pritzker Prize–winning architects to dazzling installations by up-and-coming designers. There is more to Milan Design Week than just great looking furniture! At the Triennale design museum, for instance, Paris-based DGT architects created a light-catching installation for Citizen watches called Light is Time (above), featuring space dividing curtains made of tens of thousands of watch plates.
AN editors swept and tweeted through the exhibit halls of the venerable Salone del Mobile last week, as well as the myriad satellite design events, exhibits, and installations that popped up around Milan. Footsore but aesthetically satiated, the AN team has reassembled stateside to share some of the best finds from the fair.
A lacquered, digital print enlivens the interior of the shelves, which are constructed of humble MDF. Designed by Garth Roberts.
Zaha Hadid has designed another seemingly-structurally-impossible parametric building form that is set to touch down in Macau in 2017. The building, which could be equally at home in Miami or Dubai, is a large block that has been punctured by three curvaceous openings. The entire mass is encased in an exposed exoskeleton that twists and turns along the structure’s contours.
Canadian graphic designer, Thibaut Sld., has created an interactive wall that responds to human presence. The impressive installation—which is equal parts CGI and home design—is known as HEXI and is comprised of 60 mounted modules that work in-sync with motion detectors to track, and then mirror, a person’s movement along the wall. So, essentially, when a person near the wall moves, the wall moves with them. Brave new world.
4 West Burton Place
Through April 5
Judy Ledgerwood’s Chromatic Patterns is a site-specific work that transforms the lower galleries of the Graham Foundation’s historic Madlener House in Chicago. The house was designed by Richard E. Schmidt and Hugh M. G. Garden and built in 1901–02. Judy Ledgerwood is a Chicago-based painter and educator. She is the recipient of numerous awards, including The Richard H. Driehaus Foundation Award, an Artadia Award, a Tiffany Award in the Visual Arts, a National Endowment for the Arts Award, and an Illinois Art Council Award. This exhibition surrounds the visitor in vibrant colors with a vibrant floral motif that almost mimics the house’s prairie style ornamentation. This installation examines the effect of paint on architecture, specifically the wall covering’s ability to produce new effects and feelings about a space. In this work, Ledgerwood uses ornamentation to change visitors’ perception of the ornamentation in the Madlener House’s lower galleries, highlighting the divergent ways that pattern, color, ornamentation, and surface have been coded, gendered, repressed, and embraced in art and architecture.
A recently-launched website offers a new way of seeing some of New York’s most iconic structures: through sound. SOUNDSCAPE ARCHITECTURE is a collaboration between the Institute for Advanced Technologies in the Humanities and the Department of Architecture at the University of Virginia. The project uses sound culled from the interiors of the city’s buildings to generate psychedelic, screensaver-esque animations.