Bye-Bye Art Barn: Rice University to Demolish Martel Center Building

Art, Eavesdroplet, Southwest
Tuesday, March 11, 2014
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(Courtesy Glasscock School of Continuing Studies at Rice)

(Courtesy Glasscock School of Continuing Studies at Rice)

Texas art website Glasstire.com has confirmed the rumor that Rice University intends to demolish the Martel Center building—more informally known as the Art Barn. The corrugated metal structure was commissioned by John and Dominique de Menil in 1969 to house the Rice Museum, a predecessor of The Menil Collection.

The utilitarian structure inspired the “tin house” movement that gained some momentum in Houston’s West End neighborhood in the 1970s.

Continue reading after the jump.

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Art Installation Casts NYC Water Towers in Infinite Light

Art, East, Newsletter
Monday, March 10, 2014
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msp8_archpaper

(Photo by James Ewing Photography/Courtesy Madison Park Conservancy)

By the New York Times’ estimate, there are some 12,000–17,000 water towers currently in use within New York City. Frequent hosts for sediment and even harmful bacteria, Ivan Navarro has found a new substance for filling these ubiquitous components of the city skyline: neon light. The material is the Chilean artist’s preferred medium, and in a new installation in Madison Square Park he has rendered the words “we” “me”, and a ladder on the interiors of three separate water towers.

More images after the jump.

On View> Jim Campbell: Exploring Meaning Through Light

(Courtesy Bryce Wolkowitz Gallery)

(Courtesy Bryce Wolkowitz Gallery)

This month, artist Jim Campbell will be taking over New York City. First, an exhibition of new works by Campbell will be on view at the at Bryce Wolkowitz Gallery in Chelsea from March 7–April 19, 2014. Titled New Work, the show will focus on Campbell’s latest series of sculptural light installations. The exhibition at Bryce Wolkowitz Gallery coincides with another expansive New York exhibition of Campbell’s work at the Museum of the Moving Image. That exhibition, Jim Campbell: Rhythms of Perception, will be on view from March 21 through June 15, 2014. In addition, the Joyce Theater will present Constellation, a collaboration between Alonzo King LINES Ballet and Campbell, from March 18–23, 2014. The performance will feature an installation comprised of 1,000 light spheres programmed in synchronized interplay with the dancers.

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Help Artist Janet Echelman Bring a Colorful, Billowing Sculpture to Vancouver

Art, Design, International
Thursday, March 6, 2014
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Early rendering of Vancouver installation. (Courtesy echelman.com)

Early rendering of Vancouver installation. (Courtesy echelman.com)

Janet Echelman is a world-renowned artist known for her billowing, aerial sculptures of lace and netting. Her dynamic, colorful works have appeared in cities including San Francisco, Sydney, Seattle, and Amsterdam. And now, Echelman is planning her biggest work yet—this time in Vancouver. A 700-foot, 24-story high, flowing sculpture to coincide with her talk at TED’s upcoming 30th Anniversary Conference.

Continue reading after the jump.

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On View> The Contemporary Austin presents CATALIN through April 20

Art, On View, Southwest
Tuesday, March 4, 2014
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(Courtesy The Contemporary Austin)

(Courtesy The Contemporary Austin)

CATALIN
The Contemporary Austin
700 Congress Avenue, Austin, Texas
Through April 20th

Charles Long’s latest exhibition CATALIN—aptly named after a toxic plastic material fabricated in the 1930s—uses a multi-media approach to simulate a feeling of impending doom. In this Gesamtkunstwerk, Long combines sculpture, film, music, fragrance, theater, performance, and grand spectacle to create a mystical and magical Wagnerian world.

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On View> MoMA Presents “Isa Genzken: Retrospective” Through March 10

Art, On View
Monday, March 3, 2014
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Disco Soon (Ground Zero), 2008. (Courtesy MoMA)

Disco Soon (Ground Zero), 2008. (Courtesy MoMA)

Isa Genzken: Retrospective
Museum of Modern Art
New York
Through March 10, 2014

In the home stretch before it closes on March 10, Isa Genzken: Retrospective at MoMA shows a sculptor whose work is infused with architecture from her sleek early works of lacquered wood in the engineered Hyperbolos and Ellipsoids series to rougher experiments in plaster, concrete, and steel which resemble architectural maquettes on pedestals including Bank (1985), Rosa Zimmer (Pink Room) (1987), Galerie (1987), Kleiner Pavilion (1989), and Fenster (Window) (1990).

Continue reading after the jump.

On View> Erica Stoller & Melissa Murray Walk The Line With New Brooklyn Exhibition

Art, Design, East, On View
Friday, February 21, 2014
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Beneath the furthest known stack, 2013. (Courtesy A.I.R. Gallery)

Beneath the furthest known stack, 2013. (Courtesy A.I.R. Gallery)

Traverse
A.I.R. Gallery
Brooklyn, New York
Through March 2, 2014

Traverse is an exhibition of new works by Melissa Murray and Erica Stoller at A.I.R Gallery in Brooklyn’s DUMBO neighborhood. Murray’s work focuses on pausing her daily life to examine personalized images that are swiftly tucked away in her subconscious. Stoller makes wall related sculptures that relate to the plane of the wall and garners meaning from the surrounding area.

Continue reading after the jump.

On View> Doris Duke’s Shangri La: Architecture, Landscape, and Islamic Art at the University of Michigan Museum of Art

Art, Midwest, On View
Thursday, February 20, 2014
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(Courtesy University of Michigan Museum of Art)

(Courtesy University of Michigan Museum of Art)

Doris Duke’s Shangri La: Architecture, Landscape, and Islamic Art
University of Michigan Museum of Art
525 South State Street, Ann Arbor, MI
Through May 4

Following a 1935 honeymoon that brought her to Morocco, Syria, Iran, Pakistan, India, and Indonesia, enigmatic heiress Doris Duke began work on Shangri-La, her paean to Islamic art and architecture. The Hawaiian estate features rich 
tiling, carefully manicured grounds, and innumerable 
design flourishes all meant to evoke Duke’s own vision of the Islamic world. It also acted as the resting place for much of the heiress’s extensive art collection.

The University of Michigan Museum of Art has launched an exhibition featuring examples from this collection along with extensive documentation of the estate and Ms. Duke’s international travels. These photographs, films, art objects, and correspondences will be joined by work from eight contemporary artists of Islamic background.

All The Museums Fit To Print: Artist Reduces Iconic Architecture Into Icons

Art, Design, International
Tuesday, February 18, 2014
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Museum silhouette3

(Courtesy Yoni Alter)

That’s not a line graph, its the Pompidou Center. Graphic designer Yoni Alter has stripped down a number of iconic museum exteriors to their core ingredients. The silhouettes are then swathed in a Miami-vice color scheme for a further dose of abstraction. Despite the neon paint-job, the scales are all accurate, with the Tate Modern and Guggenheim Bilbao looming largest. Signed copies of the print are available for $50 before shipping.

More images, including an answer key, after the jump.

Skyline Festival Invading Downtown Los Angeles Thursday

Art, Design, West
Wednesday, February 12, 2014
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Cerebral Hut by Juan Azulay and Benjamin Rice (MTTR MGMT)

Guvenc Ozel’s Cerebral Hut (Guvenc Ozel)

Some people say Los Angeles is run by the entertainment business, but starting this Thursday the city will belong to artists and architects. Well downtown will at least. As part of the first-ever Skyline Festival (February 13-22),  local designers will be mounting ten installations within a 10-block radius in the city center. The event is sponsored by LA-based LERATA, which stands for Laboratory for Experimentation and Research in Art, Technology, and Architecture.

Continue reading after the jump.

On View> The Seattle Art Museum presents “Miró: The Experience of Seeing”

Art, On View, West
Tuesday, February 11, 2014
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(Courtesy Seattle Art Museum)

(Courtesy Seattle Art Museum)

Miró: The Experience of Seeing
Seattle Art Museum
1300 First Avenue, Seattle, WA
February 13 to May 25

The Seattle Art Museum will be offering a look—almost unprecedented in its breadth for this side of the Atlantic—at the later work of Spanish artist Joan Miró’s. The work on view has been culled entirely from Madrid’s Museo Nacional Centro de Arte Reina Sofía’s extensive Miró collection. Miró: The Experience of Seeing will feature more than fifty paintings, drawings, and sculptures created between 1963 and 1983. The work from this period is defined in part by increasingly simplified abstract compositions and sculpture that makes use of found objects.

On View> “Takeshi Murata: Melter 2″ at the Contemporary Art Museum of St. Louis

Art, Midwest, On View
Tuesday, February 4, 2014
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(Courtesy Contemporary Art Museum of St. Louis)

(Courtesy Contemporary Art Museum of St. Louis)

Takeshi Murata: Melter 2
Contemporary Art Museum of St. Louis
3750 Washington Road, Saint Louis, MO
Through April 27

New York–based artist Takeshi Murata will be transforming the facade of the Contemporary Art Museum of St. Louis through the installation of Melter 2. Created in 2003, the playful piece of video is being enlarged from its original form in order to fit the museum’s 62-by-18-foot metal facade. Melter 2 is reflective of the vibrant and psychedelic animations that have formed a major component of Murata’s practice. Its colorful floral forms that seem to melt and fuse over the course of the video will be visible once night falls through April 27. The work is the second in the museum’s ongoing series of expansive video-art installations, Street Views.

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