On View> Princeton Art Museum presents “Edvard Munch: Symbolism in Print”

Art, East, On View
Friday, March 28, 2014
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(Courtesy Princeton University Art Museum)

(Courtesy Princeton University Art Museum)

Edvard Munch: Symbolism in Print
Princeton University Art Museum
McCormick Hall, Princeton, NJ
Through June 8

Edvard Munch is best known for his 1893 painting The Scream. Like the majority of his work, this piece deals with psychological themes that were mainstays of late nineteenth century symbolist art, which greatly influenced German Expressionism. The symbols that Munch used contain universal meanings, but also meanings specific to his life.

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Where is that Sculpture? Oyler Wu’s “Cube” Adrift Somewhere in China

Art, Design, Eavesdroplet, West
Wednesday, March 26, 2014
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(Courtesy Oyler Wu)

(Courtesy Oyler Wu)

One of our favorite duos, Oyler Wu, recently completed its biggest installation to date: The Cube, a twisting, glowing steel and wire concoction for the 2013 Beijing Biennale. The dramatic project is now touring China, but when pressed for the latest news the firm admitted that it is not sure where it is. So if you spot a giant cube somewhere in the country, please give them a ring, will you?

On View> The Graham Foundation presents “Chromatic Patterns” through April 5

Art, Interiors, Midwest, On View
Tuesday, March 25, 2014
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(Courtesy Graham Foundation)

(Courtesy Graham Foundation)

Chromatic Patterns
Graham Foundation
4 West Burton Place
Chicago, IL
Through April 5

Judy Ledgerwood’s Chromatic Patterns is a site-specific work that transforms the lower galleries of the Graham Foundation’s historic Madlener House in Chicago. The house was designed by Richard E. Schmidt and Hugh M. G. Garden and built in 1901–02. Judy Ledgerwood is a Chicago-based painter and educator. She is the recipient of numerous awards, including The Richard H. Driehaus Foundation Award, an Artadia Award, a Tiffany Award in the Visual Arts, a National Endowment for the Arts Award, and an Illinois Art Council Award. This exhibition surrounds the visitor in vibrant colors with a vibrant floral motif that almost mimics the house’s prairie style ornamentation. This installation examines the effect of paint on architecture, specifically the wall covering’s ability to produce new effects and feelings about a space. In this work, Ledgerwood uses ornamentation to change visitors’ perception of the ornamentation in the Madlener House’s lower galleries, highlighting the divergent ways that pattern, color, ornamentation, and surface have been coded, gendered, repressed, and embraced in art and architecture.

On View> “Focus: Fred Tomaselli” at the Modern Art Museum of Fort Worth ends Sunday

Art, On View, Southwest
Friday, March 21, 2014
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(Courtesy Modern Art Museum of Fort Worth)

(Courtesy Modern Art Museum of Fort Worth)

FOCUS: Fred Tomaselli
Modern Art Museum of Fort Worth
3200 Darnell Street, Fort Worth
Through March 23, 2014

FOCUS: Fred Tomaselli highlights works created by the artist in the past ten years, including his New York Times collages. Tomaselli is known for his work on wood panels where he combines unorthodox materials that are suspended in a thick layer of clear, epoxy resin. The materials used in these pieces range from field guides to marijuana leaves. In Tomaselli’s hands, they form a hybrid of subjects and cultural references. The artist tries to represent the transcendental and utopian capabilities available within art. His work comments on suburbia in the 1960s and 70s and the quest for escapism. The images that are depicted relate to his California upbringing during those decades. Of his work, Tomaselli said, “It is my ultimate aim to seduce and transport the viewer into the space of these pictures while simultaneously revealing the mechanics of that seduction.”

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UT Student Installation Takes SXSW

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Fabrikator
Undergraduates at UT designed Caret 6 as a backdrop for TEX-FAB's annual competition exhibition. (Casey Dunn)

Undergraduates at UT designed Caret 6 as a backdrop for TEX-FAB’s annual competition exhibition. (Casey Dunn)

A room-filling parametric design makes its way from the classroom to Austin’s famous music festival.

When Kory Bieg and his students at The University of Texas at Austin School of Architecture began working on Caret 6, they had no idea that it would wind up at this year’s South by Southwest (SXSW) music and arts festival. But the rippling, room-filling installation soon took on a life of its own. Within months, Bieg’s undergraduates—who had little previous exposure to digital design—had designed and fabricated Caret 6, and assembled and disassembled it twice, first at the TEX-FAB SKIN: Digital Assemblies Symposium in February, and then at Austin’s most famous annual gathering in March. Read More

Help Imagine a “Past Whose Future Never Arrived” with Imaginary Archive in Kiev

Art, International
Thursday, March 20, 2014
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Imaginary Archive installation.  (Courtesy  Imaginary Archive Kickstarter)

Imaginary Archive installation. (Courtesy Imaginary Archive Kickstarter)

Since 2010, New York–based artists and theorists Gregory Sholette and Olga Kopenkina have invited people around the world to imagine “a past whose future never arrived.” Through their ambitious installation, Imaginary Archive, participants can interact with both real and fictional “printed matter, small objects, artist’s books and self-published narratives” to envision alternative political and cultural histories.

Continue reading after the jump.

Memory Wounded: How Norway is Remembering the Utøya Massacre

A model of the architectural wound that will be inflicted upon the Sørbråten peninsula. (Courtesy Jonas Dahlberg Studio)

A model of the architectural wound that will be inflicted upon the Sørbråten peninsula. (Courtesy Jonas Dahlberg Studio)

It has been close to three years since a gunman detonated a bomb in Oslo and then stormed a small summer camp off the coast of Norway, killing 77 people and cementing a record as the worst mass shooting in modern memory. The Swedish artist Jonas Dahlberg recently won a competition, Memorial Sites After 22 July, to create an official memorial at the sites of the 2011 Norwegian massacres.

Continue reading after the jump.

An Impossible Stair by NEXT Architects

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Fabrikator
Sander Meisner_03

The steel staircase is based on a Möbius strip. (Sander Meisner)

A folly in a Rotterdam suburb draws on residents’ complex relationship with the city.

The residents of Carnisselande, a garden suburb in Barendrecht, the Netherlands, have a curious relationship with Rotterdam. Many of them work in the city, or are otherwise mentally and emotionally connected to it, yet they go home at night to a place that is physically and visually separate. When NEXT architects was tapped to build a folly on a hill in the new town, they seized on this apparent contradiction. “This suburb is completely hidden behind sound barriers, highways, totally disconnected from Rotterdam,” said NEXT director Marijn Schenk. “We discovered when you’re on top of the hill and jump, you can see Rotterdam. We said, ‘Can we make the jump into an art piece?’” Read More

New Installation at JFK’s Terminal 4 Floats Weightlessly in Air

Art, East
Thursday, March 13, 2014
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"Outside Time" at JFK. (Courtesy Dimitar Lukanov Studio)

Outside Time at JFK. (Courtesy Dimitar Lukanov Studio)

An impressive new installation at JFK’s Terminal 4 should make air travel slightly less frustrating, or at least more interesting, for passengers. In late February, Bulgarian-born artist Dimitar Lukanov unveiled Outside Time, a soaring sculpture made of steel and aluminum tubes. Despite weighing-in at 4,600 pounds, the piece manages to appear weightless as it elegantly drifts upwards like a densely-packed school of fish.

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Bye-Bye Art Barn: Rice University to Demolish Martel Center Building

Art, Eavesdroplet, Southwest
Tuesday, March 11, 2014
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(Courtesy Glasscock School of Continuing Studies at Rice)

(Courtesy Glasscock School of Continuing Studies at Rice)

Texas art website Glasstire.com has confirmed the rumor that Rice University intends to demolish the Martel Center building—more informally known as the Art Barn. The corrugated metal structure was commissioned by John and Dominique de Menil in 1969 to house the Rice Museum, a predecessor of The Menil Collection.

The utilitarian structure inspired the “tin house” movement that gained some momentum in Houston’s West End neighborhood in the 1970s.

Continue reading after the jump.

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Art Installation Casts NYC Water Towers in Infinite Light

Art, East, Newsletter
Monday, March 10, 2014
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msp8_archpaper

(Photo by James Ewing Photography/Courtesy Madison Park Conservancy)

By the New York Times’ estimate, there are some 12,000–17,000 water towers currently in use within New York City. Frequent hosts for sediment and even harmful bacteria, Ivan Navarro has found a new substance for filling these ubiquitous components of the city skyline: neon light. The material is the Chilean artist’s preferred medium, and in a new installation in Madison Square Park he has rendered the words “we” “me”, and a ladder on the interiors of three separate water towers.

More images after the jump.

On View> Jim Campbell: Exploring Meaning Through Light

(Courtesy Bryce Wolkowitz Gallery)

(Courtesy Bryce Wolkowitz Gallery)

This month, artist Jim Campbell will be taking over New York City. First, an exhibition of new works by Campbell will be on view at the at Bryce Wolkowitz Gallery in Chelsea from March 7–April 19, 2014. Titled New Work, the show will focus on Campbell’s latest series of sculptural light installations. The exhibition at Bryce Wolkowitz Gallery coincides with another expansive New York exhibition of Campbell’s work at the Museum of the Moving Image. That exhibition, Jim Campbell: Rhythms of Perception, will be on view from March 21 through June 15, 2014. In addition, the Joyce Theater will present Constellation, a collaboration between Alonzo King LINES Ballet and Campbell, from March 18–23, 2014. The performance will feature an installation comprised of 1,000 light spheres programmed in synchronized interplay with the dancers.

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