A new, mid-rise, rental building on Pacific Street in Boerum Hill, Brooklyn looks like many of the new, mid-rise, rental buildings in the borough—at least from the front. The GF55-designed building’s brick and glass facade is fairly nondescript, but around the corner, on the building’s eastern flank, a new 45-foot-wide, 75-foot-tall mural could become one of the most iconic—certainly the most Instagrammed—pieces of public art in the neighborhood.
AN just had a quick Arsenale walkthrough of Radical Pedagogies: ACTION-REACTION-INTERACTION by creator and Princeton professor Beatriz Colomina. The Arsenale has been given over in this biennale to Monditalia, a single-theme exhibition with exhibits, events, and theatrical productions engaging Italian architecture with politics, economics, religion, technology, and industry. In this installation the other festivals of la Biennale di Venezia—film, dance, theatre, and music—will be mobilized through the architecture event to contribute to a comprehensive portrait of the host country.
As the Cooper-Hewitt National Design Museum gears up for its reopening later this year, the museum announced today it has hired Brooke Hodge, a widely respected curator and museum administrator, as its new deputy director.
Hodge is currently the director of exhibitions and publications at the Hammer Museum in Los Angeles. She was previously the architecture and design curator at the Museum of Contemporary Art (MOCA) in Los Angeles, where she organized shows on Frank Gehry, the automobile designer J Mays, and Skin + Bones: Parallel Practices in Fashion and Architecture. She was let go from MOCA amid financial and organizational disruptions at that museum, which lead to several changes in leadership and the near closure of the museum. Hodge is currently working on an exhibition of Thomas Heatherwick, which will open at the Nasher Sculpture Center in Dallas in September.
“Brooke will be diving into preparations for our opening later this fall, while partnering with me and museum teams on the exciting, future plans for the nation’s design museum,” Caroline Baumann, director of the Cooper-Hewitt, said in a statement.
Hedge Two-Way Mirror Walkabout
Metropolitan Museum of Art
1000 5th Avenue, New York
Through November 2. 2014
One of the great gifts bestowed on New York in the summer is the Metropolitan Museum of Art’s roof garden. You are thrust into Olmsted’s Central Park from a promontory surrounded by the perimeter skyline on all sides. The trick with the rooftop art commissions is to play with the space, the views, and the interrelationships between the two. The goal is to make the viewer see them differently—you want to feel like the rooftop is your personal terrace in the sky while sharing it with others in a magnificent secret shared space.
Chicago’s top art school announced big changes in its design department this morning.
The School of the Art Institute of Chicago Thursday announced their selection of Jonathan Solomon as the new Director of the Department of Architecture, Interior Architecture, and Designed Objects (AIADO). Solomon, who comes from his position as associate professor and associate dean at the School of Architecture at Syracuse University, assumes the job officially on August 1.
An art installation along Philadelphia’s Northeast Amtrak corridor is adding some color to the travel experience for 34,000 daily riders. Berlin-based artist Katharina Grosse has been commissioned by the city’s Mural Arts Program to transform seven sites alongside the tracks with vibrant (and environmentally friendly) coats of paint: Orange and white streak across a warehouse, green and white do the same on an abandoned brick structure, and hot pink cover brush and boulders.
The Los Angeles Philharmonic has a thing for star architects. As part of a trilogy of Mozart operas directed by Gustavo Dudamel (himself a global celebrity), in 2012 Frank Gehry designed the set for Don Giovanni, in 2013 Jean Nouvel designed one for The Marriage of Figaro, and this month Zaha Hadid Architects has designed the backdrop for Così fan tutee, the trilogy’s finale.
Soto: The Houston Penetrable
Museum of Fine Arts, Houston
Through September 1, 2014
The final installation in Jesús Rafael Soto’s Penetrables series—Houston Penetrable—will be on view at The Museum of Fine Arts, Houston, as of May 8. An interactive display of 24,000 PVC tubes, each hand painted and tied, will hang from the second story of the museum’s Cullinan Hall.